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Set I
Clash City Rockers
Brand New Cadillac
Safe European Home
Jimmy Jazz
Clampdown
The Guns Of Brixton
Train In Vain
Wrong 'Em Boyo
Koka Kola
White Man In Hammersmith Palais
Stay Free
Bank Robber
Janie Jones
Complete Control
Armagideon Time
London Calling
Brand New Cadillac
Safe European Home
Jimmy Jazz
Clampdown
The Guns Of Brixton
Train In Vain
Wrong 'Em Boyo
Koka Kola
White Man In Hammersmith Palais
Stay Free
Bank Robber
Janie Jones
Complete Control
Armagideon Time
London Calling
Set II
Set III
Comment
Live at the Concerts For The People of Kampuchea (second night).
Last Changed By
Paramnesiac
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| newgrass (5/0) | cd-r / 1 | View | ||||
| punkfan (5/0) | FLAC / 1 | View | ||||
| Notes: | AUD | |||||
| Mary Bloom (5/4.9) | cdr / 1 | View | ||||
| stephen (5/4.8) | FLAC / 1 | SBD | View | |||
| Jeff Rubin (5/5) | CDR / 1 | View | ||||
| Chris Bct (5/5) | cdr / 1 | A | A- | View | ||
| Notes: | Recorded low but just turn it up a bit. | |||||
| terryfunku (4/5) | FLAC / 1 | A | A | View | ||
| mamou1 (4/0) | CDR / 1 | View | ||||
| Jeff Hyman (3/5) | cdr / 1 | A | View | aud | ||
| Notes: | "White Men in Hammersmith Odeon" -Tommy Gunn (Armaggedon Time removed-official track) | |||||
| Chris Larson (3/5) | / 0 | View | ||||
| Jason T (3/5) | CDR / 1 | A- | View | SBD | ||
| Notes: | From the bootleg silver CD "White Men in Hammersmith Palais" (Tommy Gunn Records CL-A05). Includes a very early performance of "Bankrobber" in a more revved-up ska-like version, different from the soon to be released single which was much more in the reggae style. | |||||
| Corey (3/5) | Flac / 1 | View | ||||
| Ges (3/5) | cdr / 1 | a | a | View | sbd | |
| Jascha Dub (3/0) | FLAC / 1 | A | A- | View | AUD Remastered silver CD > CDR > EAC WAV (secure mode) > FLAC level 7 | |
| David L. (2/4.8) | CDR / 1 | B- | View | sbd | ||
| Notes: | liberated bootleg "16 Tracks" | |||||
| Rodney's Studio (2/0) | CD-R / 1 | A | View | analog audience master >?? > liberated bootleg CD > CDR | ||
| RY13 (2/5) | cd-r / 1 | A- | View | |||
| Notes: | 57 min | |||||
| John Alessio (2/5) | CDR / 0 | View | ||||
| John Alessio (2/5) | CDR / 0 | View | ||||
| Daedalus (2/0) | cdr / 1 | View | ||||
| Stuart Ferguson (1/4.3) | CDR / 1 | View | Audience | |||
| Notes: | DVD 112; lineage: "White Men In Hammersmith Odeon Remastered" Aud master>?>silver bootleg CD >xAct (flac)>wav>Cool Edit Pro v1.2>flac 6 | |||||
| Peterphan (1/0) | CD/FLAC / 1 | View | SBD > silver CD > xAct (flac) | |||
| Mike Tausig (1/5) | FLAC / 1 | View | ||||
| Notes: | AUD>MCass>Cass>Cass>WAV>CD | |||||
| BluesFan (1/5) | FLAC / 0 | View | ||||
| Jesse Clifford Adams (1/0) | cdr-audio / 1 | A+ | A+ | View | ||
| Notes: | Amazing show, outstanding sound quality, part of Concerts for the People of Kampuchea, liberated bootleg "White Men in Hammersmith Palais" - London, England | |||||
| bewise (1/0) | flac / 1 | View | ||||
| Notes: | 379mb sd 36 | |||||
| fleaibe (1/5) | FLAC / 1 | A- | View | SBD > silver bootleg CD > xAct (flac) | ||
| Notes: | "White Men In Hammersmith Odeon" bootleg CD Tommy Gunn label disk one: 01 Clash City Rockers 02. Brand New Cadillac 03. Safe European Home 04. Jimmy Jazz 05. Clampdown 06. The Guns of Brixton 07. Train In Vain 08. Wrong 'Em Boyo 09. Koka Kola 10. White Man In Hammersmith Palais 11. Stay Free 12. Bankrobber 13. Janie Jones 14. Compete Control 15. Armagideon Time 16. London Calling 17. outro Line-Up: Joe Strummer - vocals / guitar Mick Jones - guitar / vocals Paul Simonon - bass / vocals Nicky "Topper" Headon - drums / vocals SBD > silver bootleg CD > xAct (flac) The Clash made this appearance at Paul McCartney's Concerts for the People of Kampuchea benefit. This soundboard recording appeared on one of the older and more common Clash bootleg LPs called "16 Tracks", but surprisingly went many years before turning up on CD. Here it is on the Tommy Gunn label, who either found a better source tape or did a good job of remastering as the sound is much improved on this CD. The band had toured America in Sep - Oct where some songs form the then unreleased London Calling LP were previewed. With that album fresh in the shops by this show, songs from it are now much more prominent in the set list. Also of note is a very early performance of Bankrobber in a more revved-up ska-like version, different from the soon to be released single which was much more in the reggae style of its "inspiration," Max Romeo's "Public Enemy Number One." | |||||
| fleaibe (1/5) | FLAC / 1 | A+ | View | Aud master>?>silver bootleg CD >xAct (flac)>wav>Cool Edit Pro v1.2>flac 6 | ||
| Notes: | White Men In Hammersmith Odeon Remastered DATE: December 27th, 1979 VENUE: Hammersmith Odeon LOCATION: London, UK SOURCE: AUD QUALITY: A ARTWORK: Included (taken from original "White Men In Hammersmith Odeon" bootleg) TRACKLISTING: 1. Clash City Rockers 2. Brand New Cadillac 3. Safe European Home 4. Jimmy Jazz 5. Clampdown 6. The Guns of Brixton 7. Train In Vain 8. Wrong 'Em Boyo 9. Koka Kola 10. White Man In Hammersmith Palais 11. Stay Free 12. Bankrobber 13. Janie Jones 14. Compete Control 15. Armagideon Time 16. London Calling 17. outro TOTAL RUNTIME: 56:19 LINEAGE: Aud master>?>silver bootleg CD >xAct (flac)>wav>Cool Edit Pro v1.2>flac 6 TRANSFER/EDITING NOTES: I decided to remaster this show because it's an excellent performance which I thought could benefit from a few slight adjustments. I received this recording in what was described as a soundboard recording. After listening to it, it's easier to reach the conclusion that this is an audience recording. Give-aways included the echo form the drums and vocals, the level of audience applause and the voices that can be heard clearly usually between songs. Much to my pleasure, there is very little audience noise while the band is actually playing. For an audience recording, this one would rate as fantastic in my books. I think this is the first audience recording from the 70's that I've given an A rating to. At first, one might be fooled into believing this is a soundboard recording. Nevertheless, this is a case where being recorded in the audience benefits the sound quality instead of hindering it. Most of what you're hearing is coming from the PA, which explains the relatively high echo & vocal level. Other than that, this recording is very well balanced. It sounds like the taper must have been very well centered or was using excellent recording equipment with a lot of technical knowledge of recording in a venue such as the Odeon. All instruments are heard well throughout the recording. In remastering this recording, I simply altered a few frequencies to produce a crisper, clearer sound. A thin layer of muddy sound is on the original. Some may hear it, others may not. Nevertheless, I removed a few mid-range frequencies that were resonating badly and boosted a few low-end frequencies as well as some frequencies around 12k to add more bass, drums and guitar. Given the PA is the main source of this recording, the vocals are relatively loud. I have remedied this inbalance slightly. Hope you enjoy this one, I do. Here are The Clash, in all their live glory! | |||||
| A.J. Lee (1/0) | / 1 | View | ||||
| Pete Morin-Smith (1/5) | CDr / 1 | View | Remastered silver CD > CDR > EAC WAV (secure mode) > FLAC level 7 | |||