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Set I
Don't Ease Me In, Silver Threads, Friend Of The Devil, Candyman, Cold Jordan, Swing Low Sweet Chariot, Cumberland Blues, Me & My Uncle, New Speedway Boogie
Set II
Cryptical Envelopment-> Drums-> The Other One-> Cryptical Envelopment-> Drums-> The Main Ten-> Sugar Magnolia, Louie Louie Jam, It's A Man's World, Mama Tried, Sitting On Top Of The World, Cosmic Charlie, Casey Jones, Good Lovin'-> Drums-> Good Lovin'
Set III
Comment
Other artist(s): GD; NRPS; Southern Comfort first set acoustic
"From: David Hollister
Subject: A show to be heard
Interesting info that makes this show so cool:
During the little drumming interlude prior to the Other One, there is some woman
you can hear ranting and raving and generally going on about Viet Nam. It would
seem the band kind of lets her state her piece in its entirety before going into
the Other One. Very cool.
The whole second CD is very cool. The jam after the Cryptical reprise is
great. It goes into a kind of lulling drum beat which goes on for a few minutes
(what I called Drums again, even though it isn't in the official setlist) before
Phil takes it up and you hear the definite Main Ten bass line. A great Main Ten
jam that goes on for about 4 1/2 minutes or so before Bobby takes it into Sugar
Magnolia.
First version of Sugar Magnolia. Very cool :) No, it doesn't rock, but up
until now, the earliest version I'd ever heard was the one from the famed
6/24/70 Cap Theater show, which I thought was unusual enough to be of historical
significance. This one is also interesting historically.
Between Top of the World and Casey Jones the band sits around talking to the
crowd and deciding what to play next. What kills me is Bobby's comment: "Hey,
there's a guy over there, he's always over there and he always yells out 'Golden
Road!'. I wanna know who he is, because man, you really take the cake. To tell
you the truth we've forgotten how to play that song" or something like that.
You can also hear several suggestions for songs, among them "White Rabbit",
which cracks up the crowd.
Great stuff. Let's get it out there. The acoustic set is pretty
straight-forward, but it's the electric set I think that really shines. The
boys just seems to be having a great time the whole show."
"From: David Hollister
Subject: A show to be heard
Interesting info that makes this show so cool:
During the little drumming interlude prior to the Other One, there is some woman
you can hear ranting and raving and generally going on about Viet Nam. It would
seem the band kind of lets her state her piece in its entirety before going into
the Other One. Very cool.
The whole second CD is very cool. The jam after the Cryptical reprise is
great. It goes into a kind of lulling drum beat which goes on for a few minutes
(what I called Drums again, even though it isn't in the official setlist) before
Phil takes it up and you hear the definite Main Ten bass line. A great Main Ten
jam that goes on for about 4 1/2 minutes or so before Bobby takes it into Sugar
Magnolia.
First version of Sugar Magnolia. Very cool :) No, it doesn't rock, but up
until now, the earliest version I'd ever heard was the one from the famed
6/24/70 Cap Theater show, which I thought was unusual enough to be of historical
significance. This one is also interesting historically.
Between Top of the World and Casey Jones the band sits around talking to the
crowd and deciding what to play next. What kills me is Bobby's comment: "Hey,
there's a guy over there, he's always over there and he always yells out 'Golden
Road!'. I wanna know who he is, because man, you really take the cake. To tell
you the truth we've forgotten how to play that song" or something like that.
You can also hear several suggestions for songs, among them "White Rabbit",
which cracks up the crowd.
Great stuff. Let's get it out there. The acoustic set is pretty
straight-forward, but it's the electric set I think that really shines. The
boys just seems to be having a great time the whole show."
Last Changed By
randy walton
Sources
(98) View Source
View Archive
acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield
(6185) View Source
View Archive
shn set from Bob Clevenger ; derived from some other source with edits/changes by Bob
(132325) View Source
View Archive
flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name)
(98) View Source
View Archive acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield
(6185) View Source
View Archive shn set from Bob Clevenger ; derived from some other source with edits/changes by Bob
(132325) View Source
View Archive flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name)
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Kaz (1/5) | cdr / 3 | View | ||||
| x poordevil (1/5) | dvd shn / 1 | View | 98 | SBD / All | ||
| J Parzych (1/5) | FLAC / 0 | View | 132325 | |||
| OldNeumanntapr (1/5) | FLAC / 3 | A | View | Soundboard; (1/2 Track Master Reel @ 7.5 ips) >Cassette >DAT >ZA 2 >Soundforge >CDR >WAV >SHN >FLAC | ||
| Notes: | - Transfer - playback of 7" Master Reel in unknown deck ► Tascam 122mkIII Cassette Recorder ► Panasonic SV-3800 DAT (record) @ 16-bits, 44.1 kHz ► unknown DAT deck (playback) ► Zefiro Acoustics ZA2 soundcard (S/PDIF in) ► 3xCDR ► Exact Audio Copy v.? (unknown settings) ► mkw Audio Compression Tool v0.97b ( losslessly convert WAV to SHN; calculate .md5 checksums) ► SHN [792 MB]; foobar2000 v0.9.4.2 (write RAFTSv1.3 tags, calculate and store album-level replay gain tags, convert wavs to FLAC Level 8, all files bit-verified identical to originals) ► Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) ( verify original md5 checksums, verify sector boundaries, compute FLAC fingerprints, compute md5 checksums for the newly tagged files) ► FLAC [767 MB | |||||
| Joe (1/5) | SHN / 0 | View | 98 | |||
| Imetdork (1/0) | FLAC / 0 | View | 132325 | |||
| Alex Bushe (1/5) | CD-R / 3 | A | View | SBD | ||
| aikox2 (1/4.9) | / 0 | View | ||||
| John Peters (1/0) | SHN / 1 | View | 98 | SBD: MR > Cass > DAT > ZA2 > CD > EAC > SHN | ||
| John Peters (1/0) | FLAC / 1 | View | 132325 | SBD: 7 Inch Half Track MR @ 7.5 ips > Sony 770 Reel 2 Reel > Technics 1506 Reel 2 Reel > Tascam... | ||
| michael rosenberg (1/5) | CD-R / 3 | A | A | View | soundboard | |
| Geoff MacNaughton (1/5) | 2 / 2 | A | View | 98 | SMR>C>DAT>ZA2>CD>EAC>SHN | |
| Richard Markley (1/5) | SHN / 2 | View | 98 | |||
| Notes: | DVD46 | |||||
| Richard Markley (1/5) | SHN / 2 | View | 98 | |||
| Notes: | DVD85 DW21 | |||||
| Richard Markley (1/5) | SHN / 2 | View | 98 | |||
| Notes: | DVD357 | |||||
| Richard Markley (1/5) | flac / 2 | View | 132325 | |||
| Notes: | HD3 | |||||
| upstateDB (1/5) | cd / 3 | A | A | View | ||
| Matt Vernon (1/4.8) | SHN / 3 | B+ | A- | View | 98 | |
| Notes: | sbd [2007-09-09]Sugar Mag debut and segue into it from a Main Ten (PITB) jam is a total trainwreck. Cosmic Charlie is also very rough at the start with some added vocals by someone unknown per deadlists. The jam in Good Lovin' after the drums is the only part of the show I would put up as a candidate for repeated listening. Garcia is playing smoothly throuhgout. Sound quality and mix are very good. Overal, show is not a standout for 1970. Band comes across as relaxed, not out to hit any home runs, but practice the new material. Nelson and Marmaduke contribute backup voacls in a few places, per deadlists "During the Cryptical Reprise Jam Hunter is heard off mic raving away. During the pause after the Teddy Bear's Picnic Tease Garcia says "We're waiting aound till a good idea comes up" and Weir remonstrates with someone in the audience requesting "Golden Road." Someone adds quasi-intelligible additional vocals to the opening of Cosmic Charlie." | |||||
| Matt Vernon (1/4.8) | SHN / 3 | X | X | View | 6185 | |
| Notes: | shn set from Bob Clevenger ; derived from some other source with edits/changes by Bob | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | SBD | View | 98 | ||
| Notes: | SBD TB4 | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | 132325 | ||
| Notes: | AUD TB12 | |||||
| Rick Childs (1/4.9) | CDR / 3 | A | A | View | 98 | |
| Mark Diamond (1/3) | / 3 | View | ||||
| Brian (1/0) | cdr / 3 | View | ||||
| gone (1/4.9) | shn / 2 | View | 98 | |||
| GratefulBrad (1/5) | flac / 0 | View | 98 | |||
| oldsk8r1962 (1/5) | FLAC / 3 | A | View | MR > Cass > DAT > ZA2 > CD > EAC > shn > TLH > FLAC | ||
| winterland121072 (1/0) | / 0 | View | 98 | |||
| winterland121072 (1/0) | / 0 | View | 6185 | |||
| winterland121072 (1/0) | / 0 | View | 132325 | |||