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Grateful Dead 02/24/74
Winterland Arena, San Francisco, CA
Set I
U.S. Blues, Mexicali Blues, Brown Eyed Women, Beat It On Down The Line, Candyman, Jack Straw, China Cat Sunflower > I Know You Rider, El Paso, Loser, Playin' In The Band
Set II
Cumberland Blues, It Must Have Been The Roses, Big River, Bertha, Weather Report Suite Prelude > Weather Report Suite Part 1 > Let It Grow > Row Jimmy > Ship Of Fools, Promised Land, Dark Star > Morning Dew, Sugar Magnolia, Not Fade Away > Going Down The Road Feelin' Bad > Not Fade Away

E: It's All Over Now Baby Blue
Set III
 
Comment
 
Last Changed By Charlie Miller
Sources
(199) View Source    View Archive
SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed
(200) View Source    View Archive
S:MR> PCM> DAT> CD (Jay Serafin); via David Hollister?
(13961) View Source    View Archive
Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD
(21370) View Source    View Archive
SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin [email protected] sector boundaries fixed with shntool, new shns and md5s SIRMick([email protected])
(116902) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(136140) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; - matrix mixing by Kevin Tobin
(136141) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - DTS mixing by Kevin Tobin
(136142) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - mixing by Kevin Tobin
(136266) View Source    View Archive
flac16; Unknown Audience Recording > PCM; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Pitch Corrected By Kevin Tobin In Adobe Audition; Mastering in Wavelab 7.1 by Jamie Waddell; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel
(136276) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(136641) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Joe Prisco (2/0) / 4 A A View  
Notes: Two % in WRS>LIG. Oh well -- Hot stuff!
Emily (2/4.8) cdr / 4 A View   sbd>mr>pcm>dat>cdr
muddy (2/0) shn / 0 View   SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional
Notes: This is not sourced from the current 2-24-74 tree. There is no dropout in the China->Rider Segue. [GSH NOTE: Disc 4 does NOT require an overburn, as stated in the info file. The length of disc 4 is 73:52, not 74:06.] (Note: Disc4 requires an overburn as it is 74:06.) CDRs which i know permit overburn are: Maxell, TDK. I hear Sonys will also. Mitsuis will NOT.My subjective quality grade: A- No Dropouts, Clicks, or Digital Noise are present as far as i know.There is a small amount of guitar distortion in Cumberland Blues in Garcia's solo. Microsoft Word7 CD labels for each disc are provided, in B/W. EAC extracted, verified and shorten encoded by stephen windsor [email protected]
Bill Burton (2/5) SHN / 2 A++ A+ View 199
Itsonlyfractured (2/5) SHN / 2 View 199
Itsonlyfractured (2/5) SHN / 1 View 8623
Notes: Soundcheck
Chris (2/2.5) shn / 2 View 199
Frank Horowitz (2/0) CDR / 4 View   SBD
Scott Mauvais (2/0) SHN / 0 View 199
Solvtec (2/0) / 0 View  
John Cook (2/0) / 3 View  
Nate Banyai (2/0) shn >cdr / 3 View 200 sbd
chad (2/0) CD / 3 View  
Notes: All
New Jersey Funk (2/5) CDR / 3 A A View   SBD
Notes: Edited from 4 CDs to 3 - removed crowd noise only.
YokohamaJ (2/0) cdr / 4 View 21370
John Fitzgerald (2/0) / 4 View  
Notes: Includes Soundcheck
Brian Smith (2/5) shn / 2 View  
Robert J. Kane (2/0) SHN / 2 View 199
Hollis Tidwell III (2/0) cd-r / 4 A A View   sbd
Chris Bartos (2/0) / 0 View  
Stew & Bell (2/0) CDR / 3 A+ View  
Matt Benway (2/0) / 3 A View  
Notes: Missing Disc 2 - will download soon
Kenneth Barner (2/0) SHN / 4 View 199
Kelly, Mike, and the 3rd guy (2/4.5) cdr / 4 View  
G Jawhar (2/0) CDR / 4 View  
Joe and Laura (2/5) / 0 A+ A+ View   SBD OPEN REEL RECORDING
Notes: This is the majority of the soundcheck for that evening's show; due to this being a version which does NOT have the PCM tape in it's lineage, it is released as a NEW SHOW "Let It Grow" is missing 02:18 from it's beginning, "Instrumental Jam is missing approx. first 2 minutes and last 1:38 seconds (both of these verified by my Marin County source) due to RTR tape decks being patched in and out; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 08/01]
Eric Kravitz (2/0) / 3 A A View   SBD
Tim Martin (2/0) cdr / 4 sbd View  
Rolston (2/0) CD-R / 0 View  
simple (2/5) / 4 View