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Grateful Dead 05/09/77
Buffalo Memorial Auditorium, Buffalo, NY
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Set I
Help On The Way-> Slipknot!-> Franklin's Tower, Cassidy, Brown Eyed Women, Mexicali Blues, Tennessee Jed, Big River, Peggy-O, Sunrise, The Music Never Stopped
Set II
Bertha, Good Lovin', Ship of Fools, Estimated Prophet-> The Other One-> Drums-> Not Fade Away-> Comes A Time-> Sugar Magnolia, E: Uncle John's Band
Set III
 
Comment
 
Last Changed By Hamilton, Greg & Diana
Sources
(268) View Source    View Archive
S:bReel>P>D>CD; tunings and splice (in Music) edited; via Trick and Jason; note Music d1t10 is missing from one circulating version of the shn set (md5s listed here as d1p); complete md5 with d1t10 is listed here as d1tot; thanks to Patrick Murphy for assistance; upgrade in circulation
(8036) View Source    View Archive
Sony ECM-33Ps > Nak 550>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon
(8304) View Source    View Archive
Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston
(77462) View Source    View Archive
SBD>REEL>PCM>DAT>CDR>EAC>SHN>Sound Forge>SHN (Seekable)
(98168) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
(123480) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k); Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Mastering By Charlie Connor; Remastered By Charlie Miller
(135189) View Source    View Archive
flac16; 2 Source Matrix by Dusborne;Soundboard(shnid:123480)SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k),Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN,Mastering Info:SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC,Original Mastering By Charlie Connor Remastered By Charlie Miller;Audience (shnid:008036)Recorded by Steve Maizner Sony ECM-33Ps > Nak 550 Lineage: MAC>R>D>CD source cdr mastering by Jack Warner
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User (active/rating) Media / # Show Sound Details DB Source User Source
Ryan (3/5) CDR / 3 View  
Rob Schuller (3/4) audio / 3 View 8304 sbd
jason webb (3/5) cdr / 3 View  
eric porter (3/0) CDR / 3 A+ View   SBD>BETTYBOARD>MASTERCASS>DAT>CDR
Jason Hemming (3/0) cdr / 3 View  
Greg Berberich (3/0) CDR / 3 View 268
Greg Berberich (3/0) CDR / 3 View 8304
Bryce Chalkley (3/0) CD / 3 A A View   shn
dewey (3/0) cd / 3 View  
Jim Zogby (3/0) CDR / 3 View   SB Reel>P>D>CD>EAC>SHN>CD
Dan Marrone (3/5) SHN / 2 View  
Notes: Does NOT match db entry.
Dennis Loughnane (3/5) CDR / 3 A View  
Onion (3/0) cdr wav / 3 a+ a++ View 268 bReel>P>D>CD; tunings and splice (in Music) edited; via Trick and Jason
Notes: oh my goodness.....
Onion (3/0) cdr wav / 3 a+ a++ View  
Irie Pete (3/5) CDR / 3 View 8304 SBD+AUD PATCHES
Brian W (3/5) cdr / 3 View   SBD
bgnu (3/0) / 0 View  
Mike Baxter (3/0) CDR / 3 A A View  
Joe Paykel (3/0) / 3 a+ a+ View 268
Rick Uebler (3/4.5) CDR / 3 View  
michael dietrich (3/5) wav / 3 View  
mike oberg (3/0) CD-R / 3 A+ View   SBD
Chalie (3/0) CD / 2 A B+ View  
Kevin Flaherty (3/0) / 0 View  
Mark Sommer (3/0) cdr / 3 A View  
Thomas Massengale (3/0) SHN / 2 View 8304 Betty Cantor 7" two track reel w/DBX-1
Notes: Betty Cantor 7" two track reel w/DBX-1
Peter Asher (3/0) CDR / 3 A A View  
ropegun (3/4.8) CDR / 3 A A View 268 Sndbrd > Reel > DAT > SHN
Notes: YESSSSS I FInally got a kickass copy - thanx JPedjoe
Chad Doebler (3/0) / 0 View  
lehker (3/0) analog / 2 a a View