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Set I
Promised Land, They Love Each Other, Mexicali Blues, Dire Wolf, Cassidy, Deal, Passenger, Tennessee Jed, Minglewood Blues, Peggy-O, The Music Never Stopped
Set II
Bertha-> Good Lovin', It Must Have Been The Roses, Estimated Prophet-> Eyes Of The World-> Dancin' In The Streets-> Drums-> Not Fade Away-> Black Peter-> Around & Around
Set III
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(277) View Source
View Archive
Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive
SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive
flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive
flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
(277) View Source
View Archive Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| barney rubble (5/3.5) | cd-r / 3 | View | ||||
| Mark Moran (5/5) | / 2 | B | View | |||
| John Coulter (5/4) | CDR / 2 | View | MSR>DAT>CDR | |||
| michael gibbs (5/0) | shn / 2 | View | 10689 | |||
| Tyler Bruce (5/4.3) | cdr / 2 | View | ||||
| Notes: | SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA | |||||
| chris ventura (5/0) | / 0 | View | ||||
| Ron (5/5) | shn / 0 | View | 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz | |||
| Notes: | 77 dvd 12 | |||||
| Ron (5/5) | shn / 0 | View | 10689 | SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA - Sound A+ | ||
| Notes: | 77 dvd 14 | |||||
| Dozin (5/5) | SHN / 2 | View | 10689 | SBD Betty Board (Bertha) | ||
| ALAN J FINK (5/0) | / 0 | View | 277 | |||
| ALAN J FINK (5/0) | / 0 | View | 10689 | |||
| saul goldstein (5/0) | cdr / 2 | View | ||||
| Mike Woellert (5/4.6) | CD-R / 2 | View | Betty Reel > PCM/2 > DAT | |||
| Notes: | 7" 2-Track Betty Reel | |||||
| jr (5/0) | / 2 | View | ||||
| Mickey Mossey (5/5) | CDR / 2 | A | A | View | ||
| Tim Wheaton (5/4.7) | cdr / 2 | A | A | View | SBD | |
| Notes: | cuts in Promised Land, TLEO and drums...snaps, crackles and pops in It Must Have Been The Roses and part of Estimated Prophet. | |||||
| Chad McDaniels (5/0) | / 2 | View | 277 | |||
| Ryan Nyberg (5/5) | shn / 2 | A- | View | 10689 | SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA | |
| Notes: | SBD Bertha Remaster! Audio=2; The whole show, the drums are high in the mix, with the vocals low; Regarding the 1st set: the performance is average at best, definitely not very inspired. The 2nd set starts to heat things up. The Eyes->Dancin is very good and inspired. The Black Peter would be beautiful if you could hear Jerry sing, but again, the vocals are too low. Overall, an average show at best. | |||||
| Chris M (5/0) | SHN / 2 | View | see notes | |||
| Ernie Presley (5/0) | CD / 2 | A | View | |||
| jeremy (5/0) | shn / 2 | View | Betty Reel>PCM x2>DAT>CDR | |||
| Doug Landon (5/4.7) | SHN / 2 | View | 277 | |||
| martin rordam (5/5) | SHN / 2 | View | 277 | |||
| Notes: | WBOTB source; Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set | |||||
| Lee Umstead (5/2) | cdr / 2 | A | View | sbd>mr>pcm>pcm>dat>cdr | ||
| Notes: | Most of Promised is cut(on master) Start of TLEO is cut(on master) missing Bertha>Good Lovin | |||||
| Lee Umstead (5/2) | CDR / 2 | View | SBD>MR>PCM>DAT>CDR>DAW(BERTHA)>CDR | |||
| Joe Washer (5/0) | CDR / 2 | View | 277 | (Complete show-- source tape: MR>P2>D1) | ||
| Elliot Barsky (5/0) | / 2 | View | ||||
| seth (5/5) | audio / 2 | View | WBOTB source | |||
| seth (5/5) | audio / 2 | View | WBOTB source | |||
| seth (5/5) | audio / 2 | View | WBOTB source | |||