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User (active/rating) |
Media / # |
Show |
Sound |
Details |
DB Source |
User Source |
justin tobin (1/5) |
CDR / 1 |
|
A+ |
View |
|
|
Terry Rogers (1/5) |
CDR / 1 |
|
|
View |
|
|
Tom Bashara/Eric Linstrom (1/5) |
SHN, Audio / 1 |
|
|
View |
|
SBD > DAT > CD |
Notes: |
SBD > DAT > CD |
*.* (1/3) |
SHN / 2 |
|
|
View |
12488 |
|
Lynn S (1/0) |
CD / 1 |
|
|
View |
12488 |
|
Tim (1/0) |
CD-R / 1 |
|
|
View |
|
|
Notes: |
SBD |
Ringo (1/4.8) |
CDR / 1 |
|
A |
View |
|
SBD |
Notes: |
Shizuoka, Japan
w/ Tom Scott
[73'58"] |
Hierophant (1/0) |
shn / 1 |
A |
B+ |
View |
|
SBD>Dat>CD>EAC>.wav>mkw>.shn |
Notes: |
A few flaws. Might have been PA related. |
M. Flory (1/0) |
CDR / 1 |
|
|
View |
|
AUD |
HEDSPACE (1/5) |
cdr / 1 |
|
|
View |
|
Matrix |
Jim Vogt (1/5) |
CD-R / 1 |
|
|
View |
|
|
Mari (1/4.7) |
CDR / 1 |
|
|
View |
|
|
MGA (1/5) |
CDR / 1 |
|
|
View |
|
|
Gregg Rutter (1/5) |
CDR / 1 |
|
A+ |
View |
|
SBD>Dat>CD>EAC>.wav>mkw>.shn>cdr |
William Kirkwood (1/4) |
CDR / 1 |
|
|
View |
|
|
John (1/4.7) |
SHN / 1 |
|
|
View |
12488 |
SBD > Dat > CD > EAC > .wav > mkw > .shn (with seek tables appended) |
Notes: |
There are 2 very noticable flaws on this recording:
(1). A loud click 52 seconds into track 02
(2). Occasional distortion, particularly in t04 (Brown-Eyed Women) |
FL_Otter (1/0) |
cdr / 1 |
A |
A+ |
View |
|
SBD>Dat>CD>EAC>.wav>mkw>.shn (with seek tables appended) |
John Banks (1/5) |
CDR / 1 |
|
A |
View |
|
|
Eric Gajdzis (1/0) |
CDR / 1 |
|
A+ |
View |
|
SBD>Dat>CD>EAC>.wav>mkw>.shn (with seek tables appended) |
Tim Pressman (1/5) |
shn / 1 |
A |
B+ |
View |
12034 |
Sonic Studios DSM6S/PA6LC3>SONY D100 DAT Recorder> |
Notes: |
Tom Scott
The loud click in the initial jam, and the distortion in Brown-Eyed
Women are also heard on the SB recording. I find these flaws to be
more distracting on the SB version, and more listenable on this
audience recording.
Note that there is clipping in several tracks. I didn't realise this
when I played back the CD I received, but it is very obvious in all
tracks except the spoken introduction, when you look at the audio in a wave editor. Note also that whilst BEW is certainly over-recorded,
there *are* sounds coming from the PA that are distorted (ie the distortion is also present on the SB recording), nevertheless still
perfectly listenable. |
Troy Gregory (1/0) |
/ 0 |
|
|
View |
|
|
Chris Havens (1/5) |
CDR / 1 |
A |
A |
View |
|
|
james kiehl (0/5) |
CDR / 1 |
|
A |
View |
|
SBD |
Michael Hotz (0/5) |
/ 1 |
|
|
View |
|
SBD > D > CD |
bill c (0/0) |
shn / 1 |
|
|
View |
|
|
Karl (0/0) |
320 / 2 |
|
|
View |
|
|
Hoyt Ledet (0/5) |
CDR / SHN / 1 |
A |
A |
View |
12488 |
SBD>Dat>CD>EAC>.wav>mkw>.shn |
Notes: |
detailed notes on flaws w/ text file |
Russ Minas (0/5) |
CDR / 1 |
|
|
View |
|
SBD |
Chris Davis (0/5) |
cdr / 1 |
|
A+ |
View |
12488 |
sbd>dat>cd>eac>wav>mkw>shn |
Goodole (0/1.4) |
.shn / 1 |
A |
A+ |
View |
12488 |
SBD>Dat>CD>EAC>.wav>mkw>.shn (with seek tables appended) |