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Set I
Bertha-> Greatest Story Ever Told, Dire Wolf, Little Red Rooster, Brown Eyed Women-> Cassidy, Candyman, El Paso, Althea, Minglewood Blues
Set II
Alabama Getaway-> Promised Land, Ship of Fools, Lost Sailor-> Saint Of Circumstance-> Drums-> The Other One-> Stella Blue-> Women Are Smarter-> Johnny B. Goode, E: U.S. Blues
Set III
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Last Changed By
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Sources
(13570) View Source
View Archive
Sony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine
(28382) View Source
View Archive
flac16; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner
(28732) View Source
View Archive
Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)
(94395) View Source
View Archive
flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
(136426) View Source
View Archive
flac 16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
(13570) View Source
View Archive Sony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine
(28382) View Source
View Archive flac16; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner
(28732) View Source
View Archive Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)
(94395) View Source
View Archive flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
(136426) View Source
View Archive flac 16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Stuart Ferguson (1/4.3) | CDR / 3 | View | 94395 | Audience master recording by Rango Keshavan | ||
| Notes: | DVD 2728; lineage: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller | |||||
| Hanf (1/5) | Shn / 0 | View | 13570 | |||
| J Parzych (1/5) | FLAC / 0 | View | 94395 | |||
| Imetdork (1/0) | FLAC / 0 | View | 94395 | |||
| Matt Vernon (1/4.8) | SHN / 3 | X | X | View | 13570 | |
| Notes: | Sony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine [2015-06-25] There is an upgraded transfer of this recording in circulation | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | A- | A- | View | 28382 | |
| Notes: | flac16; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner [2015-06-25] Very good recording, vocals better than on Rango FOB. Show has Garcia engaged with a very nice intro and version of TOO | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | X | X | View | 28732 | |
| Notes: | Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks) | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | A | A/B | View | 94395 | |
| Notes: | flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller [2015-06-25]This is a very good show - Jerry seems to be present an dthe songs are played well throughout with a must hear TOO. The only downside of this recording is the vocals are low because of closeness to the stage. However the upside is the instruments are clear and we don't expect much vocal l work anyway afterall. | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | 28382 | ||
| Notes: | AUD TB4 | |||||
| Mark Diamond (1/3) | / 3 | View | 13570 | |||
| winterland121072 (1/0) | / 0 | View | 94395 | |||
| winterland121072 (1/0) | / 0 | View | 28382 | |||
| winterland121072 (1/0) | / 0 | View | 28732 | |||
| winterland121072 (1/0) | / 0 | View | 13570 | |||
| Mike Tausig (1/5) | cd / 3 | View | FOB AUD>MCass>D>CD | |||
| Notes: | FOB AUD>MCass>D>CD | |||||
| Israel Frankel (1/0) | flac cd-r / 3 | View | 94395 | |||
| Charlie Yohe (1/5) | CDR / 1 | View | 28382 | |||
| Notes: | set 2 (set 1 is filler on 9/4/83 D2) | |||||
| wharfratpat (1/4) | FLAC / 3 | View | 13570 | |||
| OBIE (1/5) | SHN / 3 | View | 13570 | |||
| brett garvey (1/5) | FLAC / 3 | A | View | 28382 | modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape | |
| Notes: | gd1982 2 of 21 | |||||
| LossLess Legs (1/0) | CDR / 3 | View | 94395 | |||
| Notes: | 09/07/2008 - jthomas0237 | |||||
| Doug (1/0) | / 0 | View | 94395 | |||
| Built2Last (1/0) | / 3 | View | 13570 | |||
| Ken Doughty (1/5) | shn / 2 | A- | View | 13570 | aud | |
| Notes: | Sony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR | |||||
| Matthew Kupchinsky (1/0) | CDR-FLAC / 2 | View | 94395 | Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr... | ||
| Notes: | Patch Info: Nakamichi 700 -> Cassette Master -> CD (shnid=28382) supplies: El Paso (0:00 - 0:15) Drums (11:02 - 11:30) Man Smart (Woman Smarter) (5:29 - end of track) Johnny B. Goode (0:00 - 0:14) Notes: -- Set 2 is seamless | |||||
| Kima (1/0) | shn / 3 | View | 28732 | |||
| Kima (1/0) | flac / 3 | View | 94395 | |||
| jgglass (1/0) | cdr / 3 | View | 94395 | |||
| MGA (1/5) | SHN / 2 | View | on file | |||
| PC (1/5) | shn / 2 | View | 13570 | aud | ||