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Pink Floyd 03/14/73
Music Hall, Boston, MA
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Set I
Careful With That Axe Eugene, Obscured By Clouds > When You're In, Set The Controls For The Heart of The Sun, Echoes
Set II
Speak To Me > Breathe > On The Run > Time > Breathe (Reprise) > The Great Gig In The Sky > Money > Us And Them > Any Colour You Like > Brain Damage > Eclipse, One of These Days
Set III
 
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Last Changed By Ron Broman
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
feethebunny (0/0) FLAC / 2 View  
Notes: PRRP062
Ted Johns (0/4.8) CD-Rs / 2 A A View  
TugMcG (0/0) CD / 2 View   AUD
hoboken (0/0) / 2 A View  
sean o'connor (0/0) dvd-r - flac / 1 View  
Notes: flac
Mike (0/5) SHN / 2 View   MC (master) > HD recording > shn > mkw (V0.97 beta 1) > wav (some improvements using...
Notes: Bootleg Title: "Boston Music Hall, March 14, 1973", no label Notes: From original text file: Recorded on a Sony TC-110A, using the built-in microphone (see http://www.sciencetech.technomuses.ca/english/collection/cassette_rec.cfm). Original cassettes were transferred to a Mac DAW using a Denon DR-M10HR. The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly and to remove "room boom" at around 80 Hz; & b) a Phase Linear Autocorrelator to remove hiss & expand the signal (the TC-110A did not have controls for recording; the recorder, designed for dictation, compressed the signal and recorded at a fixed level). Transferred to the Mac using a MOTU 896. Bias Deck used to splice tape flips, even out volume levels & in some case to edit audience portions to allow for whole sets to fit on a 74 minute CD. Bias Peak used to transfer SDII files to WAV files for shn compression. This recording is the first of literally dozens of concerts recorded by Joe Maloney in the late '60s - late '70s to be released to the live recording community. The bulk of the concerts recorded were in the Boston area, with some in Maine venues. The improvements that I did: - Zero padding at the beginning and the end of each disc (always 1 second = 75 sectors = 44'100 samples) with EAC's integrated wave editor - Fixing sector boundary errors in most of the tracks with shntool - Last but not least, I have also created some artwork
Jonathan Dowdell (0/4.7) audio / 2 View   aud
Chris (0/0) / 0 View  
Saptarshi (0/0) shn / 2 View  
Jarrett (0/4.7) CDR / 2 View  
GVD (0/5) cd / 2 A View   Sony TC-110A (with built-in microphone) > Master Cassettes > Denon DR-M10HR > Mac DAW