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Grateful Dead 03/25/72
Academy of Music, New York, NY
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Set I
Hey Bo Diddley*-> I'm A Man*-> Jam*-> Take It Off*-> Mona*, Wow Wow Hey Hey*, Slow Blues*, Pollution*, Eighteen Children*, Jam*, Jam*
Set II
How Sweet It Is, Are You Lonely For Me, Next Time You See Me, Brown Eyed Women, Smokestack Lightning, Sitting On Top Of The World, Sugaree, Looks Like Rain, Bertha, Mr. Charlie, Playin' In The Band, Good Lovin', Turn On Your Love Light
Set III
 
Comment
*w/ Bo Diddley; Hell's Angels party; Other artist on bill: Bo Diddley
Last Changed By Hamilton, Greg & Diana
Sources
(8838) View Source    View Archive
AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute
(22094) View Source    View Archive
Multiple Sources -- see info file, same as shn ID 8838, but SBE's in d1t11, d1t14, and d2t10 fixed with shntool and new md5's generated
(100352) View Source    View Archive
flac16; source: aud reel; lineage: aud>?>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/29/09
(133592) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
(133593) View Source    View Archive
flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
(136684) View Source    View Archive
flac16; Source: sbd > master reel > dat (48k)
(137695) View Source    View Archive
flac16; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick
(137696) View Source    View Archive
flac24; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick
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User (active/rating) Media / # Show Sound Details DB Source User Source
Rev_St_Penis (4/0) / 0 View 8838
Terry Phillips (4/0) / 0 View 8838
Bill Leeson (4/5) CDR / 4 A- A View   SBD
Notes: Dick's Picks 30 Incl 3/28/72
johnnyb (4/5) / 3 A B- View 8838 Aud
Notes: for collection purposes only, sound dodgy at best
Chuck Pocher (4/0) SHN / 2 View 8838 AUD>?>R>C>CD; AUDMC>C>CD; AUD>?>C>CD
Notes: Requires two audio discs.
Dale (4/4) SHN / 2 View 8838 AUD Composit
Ingo Benzler (4/0) CDR / 2 View   various
Notes: There are several masters to this show, of varying quality and completeness. I had seven different CDRs made from low-generation cassettes (dating back to the 70s and 80s) of the different masters. I also considered the previously circulating MC>C>D>CD of the Dead set, but ended up using none of it since there are just tons of hiss on that one. The following sources were used in this compilation: set one: source A - low-gen reel > C > CDR source B - MC > C > CDR; different master than source A Wow Wow Hey Hey 1:30 tape warbles; 7:09 tape cut. Jam (d1t11) 0:37 and 0:40 tape cuts. set two: source C - low-gen cassette > CDR source B - MC > C > CDR, patch only, inferior sound than source C beginning through Take It All Off 1:13 is from source A, the rest is from source B except for Take It All Off 3:53 through 0:20 of Mona, which were missing on source B and have been spliced in from source A. Smokestack Lightning 11:40 through 12:08 spliced in from source B. ... there are doubtlessly more of these unavoidable anomalies. A few "pause button" cracklings have been smoothed. Some careful EQ'ing has been applied to remove some of the high freq tape hiss. Playin' In The Band and Lovelight are both missing their beginnings. There is only one known AUD master which supplies these songs, and even anything from Bertha onwards. Black-Throated Wind, Deal, Good Lovin' and Casey Jones, though present in Deadlists, are completely missing. Only 'How Sweet It Is', 'Are You Lonely For Me' assembled by H.B. 2/02 - 4/02 a thousand thanks to Uli Teute for all the tapes.
Dan K (Gr8fulDog) (4/5) CDA / SHN / 2 2 View 8838 Dead Vine (J. T.)
Notes: Interesting historically, HOWEVER a really ROUGH listen. SHN set not in set list order.
Buddy (4/5) SHN / 2 View 8838 AUD composite; see Tech Notes
CookieMonster (4/5) cdr-sbd / 2 A A View  
Notes: New York City, NY
John (4/0) / 2 View 8838 AUD composite- see notes in info file
Notes: DVD 9
John (4/0) CDR / 2 A A View  
Notes: W/BB KING ,HELLS ANGELS PARTY
Chuck Gannon (4/5) CDR/SHN / 2 B View 8838 MAR>C>CD, MAC>C>CD (set 1); MAC>CD w/ MAC>C>CD patches (set 2)
mark sweeney (4/5) cdr / 2 View   audmc>dat>cdr
Notes: audmc>dat>cdr
Jon Paulk (4/5) shn / 2 View 8838 AUD composite
matt and jennifer (4/5) SHN / 2 View 8838 AUD
JoeC (4/0) / 3 View  
Notes: w/Bo Diddley
kb panic (3/5) / 1 A+ View   CD
Notes: DP 30 w/ Bo Didley
Bill d'Angelo (3/5) CDR / 1 View   AUD composite
Notes: does not include Bo Diddley set
Dave Heenan (3/0) FLAC / 0 View 133592 SBD -> Master Reel -> Apogee AD500 -> Dat (48k)
Carl (3/0) CD-R / 2 View 8838 AUD composite- see notes in info file
joe m (3/5) FLAC / 1 View 133593
joe m (3/5) FLAC / 1 View 136684
Michael (3/0) FLAC / 2 View 133592
zowie (3/5) cd / 3 a View 133592 sdb
cbass (3/5) / 0 View 8838
cbass (3/5) FLAC / 0 View 100352
cbass (3/5) FLAC / 0 View 136684
cbass (3/5) FLAC / 0 View 137695
Richard Warren (3/5) shn / 2 View 8838
Notes: 8838