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Grateful Dead 06/03/76
Paramount Theatre, Portland, OR
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Set I
Might As Well, Cassidy, Row Jimmy, Looks Like Rain, They Love Each Other, Lazy Lightning, Supplication, Candyman, The Music Never Stopped, Scarlet Begonias, Dancin' In The Streets
Set II
Samson & Delilah, Crazy Fingers-> Wharf Rat-> Let It Grow-> Drums-> It Must Have Been The Roses-> Around & Around-> Help On The Way-> Slipknot!-> Franklin's Tower-> One More Saturday Night, E: The Wheel
Set III

Comment

Last Changed By System
Sources
(7555) View Source    View Archive
last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive
(7719) View Source    View Archive
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation
(7825) View Source    View Archive
Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003]
(14263) View Source    View Archive
AUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
(17266) View Source    View Archive
Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation
(20004) View Source    View Archive
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
(86745) View Source    View Archive
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07)
(91912) View Source    View Archive
MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
(99910) View Source    View Archive
flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
(123464) View Source    View Archive
flac16; Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller
(123607) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(123608) View Source    View Archive
flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
(123898) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
(139643) View Source    View Archive
flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel"
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
freenab (0/0) shn / 2 View  
ryan brown (0/0) cdr / 2 View   sbd>mr>reel>pcm>dat>wav>shn>daw(bertha)>cda
Notes: very nice BERTHA remaster encore missing from this source, as noted in the original text
Dave Thomson (0/0) CD-R / 3 View   MR >Reel >Dat>Dat>Shn
Kelly Conlon (0/5) CD / 3 View   MR >Reel >PCM >DAT >DAT Clone >WAV >SHN >CDR
Gerald Gorinsky (0/0) SHN / 2 View 7555
Notes: 2 SHN, 3 CDR.
Mark T. (0/3) shn / 0 SBD View   SBD
Mark Kerchoff (0/0) SHN / 3 View 7719
Kenny Turner (0/5) SHN / 2 10 View 7719 SBD > RTR > SSSB Remaster
Steve Smugar (0/0) CD / 0 View   MR >Reel >PCM >DAT >DAT Clone >WAV >SHN >CDR
Brad Waters (0/4.3) CDR / 3 View   SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA
Notes: SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA
Eric (0/0) / 0 View  
Willy (0/4.8) SHN / 3 View 7719
Notes: SBD > RTR > PCM > ? > Illegal Bootleg CD; missing last two songs; I also have the complete aud source as per the db
mike (0/0) SHN / 3 View   SBD > RTR > PCM > ? > Illegal Bootleg CD > D
Notes:
Art Thibodeau (0/5) CD-R / 3 View   SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA
Jonathan (0/1) cdr / 3 View  
mark (0/0) / 3 View  
andy schwartz (0/0) cdr / 3 View  
Tony (0/0) / 2 View  
Dan Griffin (0/5) shn / 2 View 7719 LINEAGE: SBD > RTR > PCM > ? > Illegal Bootleg CD > D
bob bemiss (0/0) shn / 2 a a View   SBD>RTR>PCM>?>illegal bootlegcd>D
Notes: 1st Might as Well 1stLazy>Supplication 1stSamson&Delilah 1st Wheel Last Dancin' 12/31/71
For Reference Only (0/3.5) DAT / 0 View  
Notes: Paramount Theatre, Portland Or - complete 4.9, 165min, Sbd, A0D1, Reel M->PCM 0->Dat 0, 44k 7inch Master [email protected] 1/2trk->PCM x 0->3700 x 1
Lincoln and Carolyn (0/0) CD-R / 3 View   SBD
Tony Gardner (0/5) shn / 2 View 17266
Mike Snider (0/0) / 0 View 7825
Mike Snider (0/0) / 0 View 14263
Mike Snider (0/0) / 0 View 20004
Mike Snider (0/0) / 0 View 7719
ben morrison (0/4) DAT / 1 View   SBD
Notes: Set II Only
TangoLetal (0/1) CDR / 3 View 17266 SBD:MR>RxR>PCM>DAT>WAV>SHN >DAW(Bertha)>CDA
tim three (0/0) / 0 View