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Set I
Hideaway $
Touch Of Grey
New Minglewood Blues
Ramble On Rose
Box Of Rain
Dire Wolf
When I Paint My Masterpiece
Row Jimmy
Cassidy
Deal
Touch Of Grey
New Minglewood Blues
Ramble On Rose
Box Of Rain
Dire Wolf
When I Paint My Masterpiece
Row Jimmy
Cassidy
Deal
Set II
Scarlet Begonias >
Hell In A Bucket *
Ship Of Fools *
Estimated Prophet > *
Eyes Of The World > *
Drums >
Space >
Truckin' > *
The Other One > *
Morning Dew > *
Turn On Your Lovelight *
Encore:
Brokedown Palace *
Hell In A Bucket *
Ship Of Fools *
Estimated Prophet > *
Eyes Of The World > *
Drums >
Space >
Truckin' > *
The Other One > *
Morning Dew > *
Turn On Your Lovelight *
Encore:
Brokedown Palace *
Set III
Comment
Pay Per View video broadcast
National FM broadcast
Last time played and first performance since November 7, 1971 $
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Clarence Clemons - Saxophone *
National FM broadcast
Last time played and first performance since November 7, 1971 $
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Clarence Clemons - Saxophone *
Last Changed By
J
Sources
(4603) View Source
View Archive
Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source)
(16888) View Source
View Archive
Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki
(83718) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(123383) View Source
View Archive
flac16; Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
(127418) View Source
View Archive
flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
(138342) View Source
View Archive
flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
(142379) View Source
View Archive
flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
(4603) View Source
View Archive Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source)
(16888) View Source
View Archive Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki
(83718) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(123383) View Source
View Archive flac16; Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
(127418) View Source
View Archive flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
(138342) View Source
View Archive flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
(142379) View Source
View Archive flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| nate (5/5) | cdr / 2 | View | ||||
| Peter (5/0) | SHN / 2 | View | 16888 | |||
| Curt Reichwein (5/5) | CD / 3 | A+ | A | View | SBD>SAT>VHS HI FI x 2>CD | |
| Notes: | Set 2 w Clarence Clemons | |||||
| eD (5/0) | / 0 | View | 4603 | |||
| eD (5/0) | / 0 | View | 4603 | |||
| Satyen Thaker (5/5) | VCD / 3 | A+ | View | Proshot | ||
| Notes: | Proshot | |||||
| Jared Rosoff (5/1.5) | vcd / 3 | A | View | vcd | ||
| Notes: | vcd | |||||
| Steve H. (5/5) | VCD / 3 | View | 4603 | Digital PPV Feed > Master VHS | ||
| Andy Hayum (5/0) | SHN / 2 | View | 4603 | Digital PPV feed>Master VHS>Dan Sisler's 1st-gen professionally dubbed VHS>DAT ( Sony... | ||
| Jimmy Cronk (5/5) | shns / 2 | View | 4603 | |||
| Pharmer Dave (5/5) | CDR / 2 | C | View | |||
| Notes: | SET 2 | |||||
| Jason Eckert (5/5) | mpg / 3 | View | ||||
| Jason Eckert (5/5) | mpg / 4 | View | ||||
| Jason Eckert (5/5) | mpg / 4 | View | ||||
| Saint Steven (5/0) | Analog / 0 | View | ||||
| Notes: | All | |||||
| Tony Handmaker (5/5) | SHN / 2 | View | 4603 | |||
| Notes: | Digital PPV feed>Master VHS>Dan Sisler's 1st-gen professionally dubbed VHS>DAT | |||||
| Tony Handmaker (5/5) | SHN / 2 | View | 16888 | |||
| Notes: | Satellite uplink | |||||
| chairman_ofthe_bored (5/5) | shn / 2 | View | ||||
| ethan (5/0) | / 0 | View | ||||
| Notes: | audio | |||||
| ethan (5/0) | / 0 | View | ||||
| Lookin2trade (5/4) | shn / 2 | A | A | View | ||
| Notes: | sbd>pre-fm>dat>cd | |||||
| oakley clark (5/4.5) | CDR / 3 | A | A | View | SBD>Pay-Per-View feed>MVHS HiFi>VHS HiFi> CDR | |
| Robert (5/0) | CDR / 3 | View | see tech notes | |||
| Notes: | mpg | |||||
| shnthing (5/0) | / 0 | View | 4603 | |||
| Steve Oliver (5/0) | / 2 | View | ||||
| Notes: | Digital PPV feed>Master VHS>Professionally dubbed>DAT>CDR | |||||
| Peter Fuchs (5/5) | SHN / 2 | A | A | View | 4603 | |
| Johnny (5/1) | VHS / 1 | A | View | |||
| jim (5/0) | audio cdr / 3 | View | Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital... | |||
| Notes: | GRATEFUL DEAD Shoreline Amphitheatre Mountain View, CA June 21, 1989 NATIONAL PAY-PER-VIEW BROADCAST **THIS IS NOT THE FM OR TV BROADCAST SOURCE** Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended) Tracks split using CDWAV; all sector boundaries verified using SHNtool no edits were performed on the original broadcast source Drums (d2t07) and Space (d3t01) can be joined for a seamless transition Transfers by Vern White <[email protected]> April 2003 4.22.03 - Used Cool Edit Pro 2.0 to patch/crossfade Brokedown Palace with Jack Schlottman's FM > MC > CDR source - Doug Nawrocki DISC ONE: SET ONE 1. Tuning/ Equipment problems 2. Hideaway 3. Touch Of Gray -> 4. Minglewood Blues 5. Ramble On Rose 6. Box Of Rain 7. Dire Wolf 8. When I Paint My Masterpiece 9. Row Jimmy 10. Cassidy 12. Deal DISC TWO: SET TWO 1. Tuning 2. Scarlet Begonias -> 3. Hell In A Bucket 4. Ship Of Fools* 5. Estimated Prophet* -> 6. Eyes Of The World* -> 7. Drums... DISC THREE: 1. ...Space -> 2. Truckin'* -> 3. Other One* -> 4. Morning Dew* -> 5. Turn On Your Lovelight* ENCORE 6. Brokedown Palace * with Clarence Clemons (sax) | |||||
| jim (5/0) | audio cdr / 3 | View | Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital... | |||
| Notes: | GRATEFUL DEAD Shoreline Amphitheatre Mountain View, CA June 21, 1989 NATIONAL PAY-PER-VIEW BROADCAST **THIS IS NOT THE FM OR TV BROADCAST SOURCE** Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended) Tracks split using CDWAV; all sector boundaries verified using SHNtool no edits were performed on the original broadcast source Drums (d2t07) and Space (d3t01) can be joined for a seamless transition Transfers by Vern White <[email protected]> April 2003 4.22.03 - Used Cool Edit Pro 2.0 to patch/crossfade Brokedown Palace with Jack Schlottman's FM > MC > CDR source - Doug Nawrocki DISC ONE: SET ONE 1. Tuning/ Equipment problems 2. Hideaway 3. Touch Of Gray -> 4. Minglewood Blues 5. Ramble On Rose 6. Box Of Rain 7. Dire Wolf 8. When I Paint My Masterpiece 9. Row Jimmy 10. Cassidy 12. Deal DISC TWO: SET TWO 1. Tuning 2. Scarlet Begonias -> 3. Hell In A Bucket 4. Ship Of Fools* 5. Estimated Prophet* -> 6. Eyes Of The World* -> 7. Drums... DISC THREE: 1. ...Space -> 2. Truckin'* -> 3. Other One* -> 4. Morning Dew* -> 5. Turn On Your Lovelight* ENCORE 6. Brokedown Palace * with Clarence Clemons (sax) | |||||
| jim (5/0) | audio cdr / 3 | View | Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital... | |||
| Notes: | GRATEFUL DEAD Shoreline Amphitheatre Mountain View, CA June 21, 1989 NATIONAL PAY-PER-VIEW BROADCAST **THIS IS NOT THE FM OR TV BROADCAST SOURCE** Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended) Tracks split using CDWAV; all sector boundaries verified using SHNtool no edits were performed on the original broadcast source Drums (d2t07) and Space (d3t01) can be joined for a seamless transition Transfers by Vern White <[email protected]> April 2003 4.22.03 - Used Cool Edit Pro 2.0 to patch/crossfade Brokedown Palace with Jack Schlottman's FM > MC > CDR source - Doug Nawrocki DISC ONE: SET ONE 1. Tuning/ Equipment problems 2. Hideaway 3. Touch Of Gray -> 4. Minglewood Blues 5. Ramble On Rose 6. Box Of Rain 7. Dire Wolf 8. When I Paint My Masterpiece 9. Row Jimmy 10. Cassidy 12. Deal DISC TWO: SET TWO 1. Tuning 2. Scarlet Begonias -> 3. Hell In A Bucket 4. Ship Of Fools* 5. Estimated Prophet* -> 6. Eyes Of The World* -> 7. Drums... DISC THREE: 1. ...Space -> 2. Truckin'* -> 3. Other One* -> 4. Morning Dew* -> 5. Turn On Your Lovelight* ENCORE 6. Brokedown Palace * with Clarence Clemons (sax) | |||||