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Set I
Jack Straw *
Loser
We Can Run
Me & My Uncle >
Big River
Friend Of The Devil *
When I Paint My Masterpiece *
Bird Song > *
Promised Land
Loser
We Can Run
Me & My Uncle >
Big River
Friend Of The Devil *
When I Paint My Masterpiece *
Bird Song > *
Promised Land
Set II
Iko Iko *
Playing In The Band > *
Uncle John's Band > *
Playing In The Band Reprise >
Drums >
Space >
The Other One >
Stella Blue >
Not Fade Away
Encore:
Brokedown Palace
Playing In The Band > *
Uncle John's Band > *
Playing In The Band Reprise >
Drums >
Space >
The Other One >
Stella Blue >
Not Fade Away
Encore:
Brokedown Palace
Set III
Comment
Bruce Hornsby & The Range opened
Power failure during Promised Land
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bruce Hornsby - Accordion *
Power failure during Promised Land
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bruce Hornsby - Accordion *
Last Changed By
J
Sources
(8256) View Source
View Archive
SBD > MC > DAT > EAC > SHN; Unknown seeder
(31790) View Source
View Archive
flac16; FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample) -> CDWAV (track) ->FLAC
(106373) View Source
View Archive
flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(126181) View Source
View Archive
flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(126182) View Source
View Archive
flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(128383) View Source
View Archive
flac16; 3 source matrix mix of AUD shnid 126182, SBD shnid 106373 and AUD shnid 31790; Mixed by Nick Crump
(130402) View Source
View Archive
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(130403) View Source
View Archive
flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(130583) View Source
View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(130584) View Source
View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(133954) View Source
View Archive
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(135049) View Source
View Archive
flac24; Source: Schoeps CMC-34 Cardioids, ORTF, Hand-held, 8 rows in front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> Maxell MX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Set 2, Schoeps CMC-54 Cardioids, ORTF, on stand -> SV-250 Up Front
(142694) View Source
View Archive
flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: (8 rows FOB) Schoeps CMC3 MK4 (ORTF) > DAT. Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
(8256) View Source
View Archive SBD > MC > DAT > EAC > SHN; Unknown seeder
(31790) View Source
View Archive flac16; FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample) -> CDWAV (track) ->FLAC
(106373) View Source
View Archive flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(126181) View Source
View Archive flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(126182) View Source
View Archive flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(128383) View Source
View Archive flac16; 3 source matrix mix of AUD shnid 126182, SBD shnid 106373 and AUD shnid 31790; Mixed by Nick Crump
(130402) View Source
View Archive flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(130403) View Source
View Archive flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(130583) View Source
View Archive flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(130584) View Source
View Archive flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(133954) View Source
View Archive flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(135049) View Source
View Archive flac24; Source: Schoeps CMC-34 Cardioids, ORTF, Hand-held, 8 rows in front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> Maxell MX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Set 2, Schoeps CMC-54 Cardioids, ORTF, on stand -> SV-250 Up Front
(142694) View Source
View Archive flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: (8 rows FOB) Schoeps CMC3 MK4 (ORTF) > DAT. Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Karl Hungus (4/0) | SHN / 2 | View | 8256 | |||
| D. Mickus (4/0) | / 3 | View | ||||
| Wesley Best (4/5) | CD / 3 | A+ | View | SBD > MC > DAT > EAC > SHN>CD | ||
| Gene Rider (3/0) | WMA / 3 | View | ||||
| Notes: | Source: Soundboard-> DAT-> CDR-> WAV (EAC & Sony CRX100E CDRW)-> SHN * with Bruce Hornsby Final We Can Run | |||||
| Dave Heenan (3/0) | FLAC / 2 | View | 31790 | FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz. Sony R500 ->M... | ||
| Dave Heenan (3/0) | SHN / 2 | View | 8256 | SBD > MC > DAT > EAC > SHN | ||
| Dave Heenan (3/0) | FLAC / 2 | View | 106373 | SBD -> Cassette Master (TDK SA-X100) | ||
| joe m (3/5) | FLAC / 1 | View | 106373 | |||
| Notes: | HD # 2 | |||||
| ivan (3/5) | CDR / 3 | View | SBD | |||
| Michael (3/0) | FLAC / 2 | View | 106373 | |||
| Jeff Kaisershot (3/5) | FLAC / 0 | A+ | View | 106373 | SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound... | |
| cbass (3/5) | / 0 | View | 8256 | |||
| Richard Warren (3/5) | shn / 2 | View | 8256 | |||
| Notes: | 8256 | |||||
| Richard Warren (3/5) | flac / 2 | View | 106373 | |||
| Notes: | 106373 | |||||
| Mike Pageau (3/0) | AUD 17 / 3 | View | 126182 | |||
| Mike Pageau (3/0) | SBD / 3 | View | 8256 | |||
| Mike Pageau (3/0) | SBD 3 / 3 | View | 8256 | |||
| Mike Pageau (3/0) | SBD 15 / 3 | View | 106373 | |||
| j.j. (3/0) | SHN / 2 | View | 8256 | SBD | ||
| j.j. (3/0) | FLAC / 2 | View | 106373 | SBD | ||
| Pierluigi Tomaselli (3/5) | cd / 3 | View | ||||
| Robert Pervere (3/5) | WAV / 3 | View | 8256 | SBD | ||
| Notes: | SBD>MC>DAT>EAC>SHN | |||||
| Ken Berry (3/5) | SHN / 2 | View | 8256 | |||
| CARL (3/3.7) | / 0 | View | 8256 | |||
| Brad (3/5) | cdr / 3 | View | 8256 | |||
| Alex Shapiro (3/5) | CDR / 3 | View | SBD> MC> DAT> CDR | |||
| Charlie Connor (3/0) | shn / 3 | View | 8256 | |||
| Notes: | sbd.unknown.8256.sbeok | |||||
| Michael Urban (3/5) | cdr-shn / 2 | View | 8256 | |||
| Notes: | SBD > MC > DAT > EAC > SHN; Unknown seeder | |||||
| Michael Urban (3/5) | cdr-shn / 2 | View | 8256 | |||
| Notes: | SBD > MC > DAT > EAC > SHN; Unknown seeder | |||||
| Joey (3/5) | .shn / 2 | View | 8256 | SBD > MC > DAT > EAC > SHN | ||
| Notes: | Grateful Dead 7-10-90 Carter-Finley Stadium Raleigh, NC Source: SBD > MC > DAT > EAC > SHN Disc 1: Set 1 Jack Straw Loser We Can Run Me And My Uncle ? Big River Friend Of The Devil ~ When I Paint My Masterpiece % Disc 2: Bird Song ? The Promised Land (1) Set 2 Iko Iko Playing In The Band ? Uncle John's Band ? Playing Jam ? Disc 3: Drums ? Space ? The Other One ? Stella Blue ? Not Fade Away ENCORE Brokedown Palace COMMENTS (1) There is a PA dropout in the middle of Promised Land, without a break in the tape--the timing would appear correct. Deadbase notes a "power outage" during Promised. Very small portion of Masterpiece is cut at the end, approximately 10 seconds. Bruce Hornsby on Accordian during Jack Straw, and probably some other songs. Garcia introduces Hornsby after Jack Straw. He is inaudible in the mix otherwise. Before "We Can Run," Weir apologizes for "minute technical adjustments," that should take "30 seconds or so." Healy puts the echo on "30 seconds or so," and it repeats many times. | |||||