Browse Collections Artists Sources   Search Dates

Add Show    List Management    Help


Grateful Dead 09/10/91
Madison Square Garden, New York, NY
Set I
Shakedown Street >
C.C. Rider >
It Takes A Lot To Laugh It Takes A Train To Cry
Black Throated Wind
High Time
Cassidy
Deal
Set II
Help On The Way >
Slipknot! >
Franklin's Tower
Estimated Prophet >
Dark Star >
Drums >
Space >
Dark Star >
I Need A Miracle >
Standing On The Moon >
Turn On Your Lovelight

Encore:
It's All Over Now Baby Blue
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Branford Marsalis - Saxophone
Last Changed By J
Sources
(511) View Source    View Archive
complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks
(30755) View Source    View Archive
Source: SBD: DAT(M) > DAT(1) > DAT(2) Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC; FLAC conversion done by [email protected]
(34678) View Source    View Archive
flac16; DSBD>DATs>CDRs>EAC>SHN>WAV>FLAC - Seamless fix of shn id 511. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
(89085) View Source    View Archive
flac16; SBD DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0
(96422) View Source    View Archive
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8Tag & Rename for FLAC Meta-Tagging.
(98132) View Source    View Archive
flac16; Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) Time sych done in CEPro 2.0 Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Matrix Recordings Created from these GEMS Sources: source ID 89085 - GEMS DSBD (DSBD 16-bit, 44.1kHz Vault DAT Clone) and source ID 96422 - GEMS FOB Aud (Master FOB DAT 16-bit, 48kHz)
(98655) View Source    View Archive
DTS-Audio-CD 5.1 Mix; Source Info - SBD (shnID = 89085) and AUD (shnID = 96422) Recorded By: James Young and Clay Brennecke
(98701) View Source    View Archive
flac24; SBD+AUD Matrix Mix (65%-SBD/35%-AUD) SBD (shnID = 89085) and AUD (shnID = 96422)
(117023) View Source    View Archive
flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
(117024) View Source    View Archive
flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(122424) View Source    View Archive
flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2012
(138917) View Source    View Archive
flac16/48kHz; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k); transfer: (DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, set 1 handheld, Set 2 stand over 6'; location: Sec 2, Row V, Seat 3
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Kevin Boland (1/4.7) CD / 3 View  
Notes: Branford Marsalis appears thoughout
Hal (1/0) cdr / 3 View   dsbd
forgottenspace (1/4.5) DVD / 3 View   Video:Panasonic 3240 w/ tripod / Audio: DSBD
forgottenspace (1/4.5) DVD / 3 View   Video: AUD (Tripod) / Audio: SBD
Gary Field (1/5) SHN / 2 View 511 SBD
Notes: Source: DSBD>DATs>CDRs>EAC>SHN
Gary Field (1/5) 138917 / 0 View 138917
Gary Field (1/5) FLAC / 2 View 30755 SBD
Notes: Source: SBD: DAT(M) > DAT(1) > DAT(2) Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC
Gary Field (1/5) 89085 / 2 View 89085 SBD
Notes: SBD DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0 [071222.2]
Gary Field (1/5) 96422 / 2 View 96422 AUD
Notes: Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8Tag & Rename for FLAC Meta-Tagging [090226.1]
Gary Field (1/5) 34678 / 2 View 34678 SBD
Notes: DSBD>DATs>CDRs>EAC>SHN>WAV>FLAC - Seamless fix of shn id 511 (replaygain removed) [090226.1]
Gary Field (1/5) 98132 / 2 View 98132 MTX
Notes: Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) Time sych done in CEPro 2.0 Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Matrix Recordings Created from these GEMS Sources: source ID 89085 - GEMS DSBD (DSBD 16-bit, 44.1kHz Vault DAT Clone) and source ID 96422 - GEMS FOB Aud (Master FOB DAT 16-bit, 48kHz) [090418.2]
Gary Field (1/5) 98655 / 3 View 98655 DTS 5.1
Notes: DTS-Audio-CD 5.1 Mix; Source Info - SBD (shnID = 89085) and AUD (shnID = 96422) Recorded By: James Young and Clay Brennecke [090501.1]
Gary Field (1/5) 98701 / 2 View 98701 MTX
Notes: flac24; SBD+AUD Matrix Mix (65%-SBD/35%-AUD) SBD (shnID = 89085) and AUD (shnID = 96422) [090501.1]
Gary Field (1/5) 117024 / 2 View 117024 AUD
Notes: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software [120321.wd001]
Gary Field (1/5) 117023 / 6 View 117023 AUD
Notes: flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz [120505.wd001]
Gary Field (1/5) 122424 / 3 View 122424 AUD
Notes: flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged [121109.wd001]
cldydmzunrl (1/0) / 0 View 89085
Marc Deardorff (1/5) shn / 2 View 511
Notes: complete; DSBD> DATs> CDRs> EAC> SHN
Marc Deardorff (1/5) flac / 2 View 30755
Notes: SBD: DAT(M) > DAT(1) > DAT(2) Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC
Marc Deardorff (1/5) flac / 2 View 96422
Notes: Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8Tag & Rename for FLAC Meta-Tagging.
phil (1/5) shn / 0 a View 511 dsbd>dat>cd
phil (1/5) CD-R / 3 View  
Jim O'Brien (1/4.9) CDR / 3 A A View   SBD
Ed Izsak (1/5) CDR / 3 A View   SDBD
Boedi-taper (1/4.8) CDR / 3 A A View   Soundboard Recording
Brian C (1/4.7) FLAC / 2 A A View   SBD: DAT x 2
Notes: w/wilco 7/5/06
mike (1/5) Shn / 2 View 511
mike (1/5) DVD / 3 View   Set 1&2 Lazy Cow
Notes: Video: Audience: 1st or 2nd generation vhs (720x480 29.97fps NTSC 8400Kbps VBR) Audio: SBD: DAT(M) > DAT(1) > DAT(2) Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC Audio Lineage: DSBD -> Dat -> CD (Sound was cleaned\modified prior to being used for dvd) (LPCM 1536Kbps)
mike (1/5) DVD / 3 View   Set 1&2 * A LESS THAN FACE PRODUCTION *
Notes: * A LESS THAN FACE PRODUCTION * Audio: DSBD>DATs>CDRs>EAC>SHN, LPCM 1536 k/s Video: Set 1: Panasonic 3240 w/ tripod > JVCS20U > MASTER VHS > Philips HDRW720 > DVDr > Architect 2.0. vbr: 6.4 m/s max, 5 m/s avg Set 2: Panasonic 3240 w/ tripod > JVCS20U > MASTER VHS > Canopus ADVC1394 > avi > Vegas 5.0 > Architect 2.0 cbr: 7 m/s NTSC, 720 x 480
J (1/5) DVD / 3 View   Video: AUD (Tripod) > Master / Audio: SBD