Browse Collections Artists Sources   Search Dates

Add Show    List Management    Help


Phish 08/16/97
Loring Air Force Base, Limestone, ME
Add Source    Reviews    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Makisupa Policeman -> Harpua Finale*, Chalk Dust Torture, Theme From the Bottom, Punch You in the Eye, Ghost, Ginseng Sullivan, You Enjoy Myself, Train Song, Character Zero, The Squirming Coil
Set II
Wolfman's Brother -> Simple** -> My Soul, Slave to the Traffic Light, Rocky Top, Julius
Set III
Halley's Comet -> Cities -> Llama -> Lawn Boy, Limb By Limb, Funky Bitch# E: Contact, Loving Cup
Comment
* Picked up where Harpua left off at Clifford Ball on 8/17/96,
** Theme from the Odd Couple tease
# Major fireworks display behind the stage as Funky Bitch ends.
Last Changed By Daniel Shay
Sources
(687) View Source   
Set 1 source: FM > DAT; Set 2 & 3 Source [EP]:? FOB Schoeps mk21> kc5> cmc6> sonosax sx-m2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge-> CDWav; via? EP, A. Gustin; glitch on Wolfmans is on the master
(688) View Source   
Disco set (incomplete but better than some other sources; 20 min); Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz; DAT->PC via TB Fiji digi I/O; Resampling via CoolEdit Pro @ 999 quality w/ Pre/Post Filter; via A. Shiffman, J. Brooks; sound imporves after first min; to fit Disco set on the Went discs, see Anthony Marco's additional tracking suggestions
(947) View Source   
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(6090) View Source   
"From the Archives", Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K
(11733) View Source   
Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transfered by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(13130) View Source   
Note: this SHN set fixed phasing problems in Set 2,E (d3,d4) but is the same source as the previously released full FM source; Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(22227) View Source   
Note: this source is an upgrade to source circulated 11/14/02 (fixed channel balance problems); Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(25554) View Source   
flac16, 44kHz; FM Broadcast > Sony Walkman > Sony TCD-D7; Sony PCM-R300 > M-Audio Delta > Cool Edit 2000 > Pro Tools > FLAC; Source and Transfer by John Beatty
(26164) View Source   
Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic Studio source by Jon Weber; Nak source by Adam Shiffman and Justin Brooks
(86503) View Source   
FOB AKG 460b/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain v1.9 (48>44.1kHz) > WaveLab 5.01b > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(105230) View Source   
flac16, 44kHz; Set I: (FOB) Neumann TLM170 > Tascam DA-P1; Set II & IIIe: (FOB) Neumann TLM170 > Sonosax SX-M1 > Apogee AD500E > Tascam DA-P1; Sony R500 > Sound Devices sd-722 > Soundforge> CDWave > FLAC; Source & Transfer by Scott Bernstein
(119821) View Source   
flac16, 44kHz; [matrix] FM + (FOB) Neumann TLM170 (db#11733 + db#105230); Matrix by Dave Anderson
(128836) View Source   
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(135332) View Source   
flac16, 48kHz; [Set II, IIIe:]; (FOB/ortf/Hat) Schoeps mk21 > kc5 > cmc6's > Sonosax SX-M2 > Technics SVMD-1 > DAT(m); DAT(m) > Sony PCM-2600 > Egosys Waveterminal 2496 > Audacity > Wavbreaker > Sox > FLAC; fenningenarius
(138139) View Source   
flac16 SBD > WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show

<< Previous       1 - 30 | 301 - 330 | 601 - 630 | 901 - 930 | 1201 - 1230 | 1501 - 1530 | 1531 - 1560 | 1561 - 1590 | 1591 - 1620 | 1621 - 1650 | 1651 - 1680 | 1681 - 1710 | 1711 - 1740 | 1741 - 1770 | 1771 - 1800 | 1801 - 1830 | 1831 - 1860 | 1861 - 1890 | 1891 - 1920 | 1921 - 1950 | 1951 - 1980 | 1981 - 2010 | 2011 - 2040 | 2041 - 2070 | 2071 - 2073    Next >>

User (active/rating) Media / # Show Sound Details DB Source User Source
Dan Malenko (0/5) CD / 4 View  
Notes: FM SBD- The Great Went
BigJDogg (0/0) CD / 4 A View  
kris (0/0) CDR / 4 A View   microtech gefell m296> EAA pre-amp
kris (0/0) CDR / 4 A++ View   FM > DAT, FM > DA-P1
Notes: Phish The Great Went, day 1 Limestone, ME 8/16/97 ===================================================== Set 1 source: FM > DAT Transfer: DAT@48k->Montego II Plus@44k->HD via Soundforge->CDWav transferred by: [EP] Set 2 and 3 Source: FM > DA-P1 Transfer: Fostex D5 -> optical cable -> HOSA ODL-276 -> digi coax cable -> EgoSys Waveterminal 2496 -> CoolEdit 2000 (48->44.1) -> CDWav -> mkwACT transfered by: Jason Sobel ====================================================== The first set of this source has previously circulated along with a FOB Schoeps recording of the 2nd and 3rd sets. My dat copy of set one had a cut in Makisupa, so I have combined the two sources to make one complete FM source. Big thanks to Jason for transferring my dats! Edits to this source: - Normalized all sets to -1.86db (peak value of the loudest set) - Cleaned up digispots @ 3:24 (0.12sec.), 6:03 (0.031sec.), 8:00-8:01 (3 d/o's of ~0.03sec.), 10:23 (0.06sec.)of Wolfman's Brother (d3t1) using SoundForge. (some are still noticeable) - added fades at the beginning/end of each set - corrected the phase of discs 3 & 4 Jon Wolf - fixed the balance on D1 & D2 because the right channel was very low on volume - 07/24/2003 - Jon Wolf ====================================================== Disc 1 (69:52) -set 1- 1 Makisupa Policeman> [06:29] 2 Harpua* [06:17] 3 Chalk Dust Torture [11:05] 4 Theme From the Bottom [13:03] 5 Punch You in the Eye> [11:27] 6 Ghost [16:38] 7 Ginseng Sullivan [04:52] ====================================================== Disc 2 (45:39) -set 1 cont.- 1 You Enjoy Myself> [24:14] 2 Trainsong [02:49] 3 Character Zero [07:38] 4 The Squirming Coil [10:58] ====================================================== Disc 3 (68:40) -set 2- 1 Wolfman's Brother> [18:53] 2 Simple**> [10:42] 3 My Soul [09:19] 4 Spacey Jam> [02:48] 5 Slave to the Traffic Light [13:52] 6 Rockytop [02:19] 7 Julius [10:47] ====================================================== Disc 4 (75:18) -set 3- 1 Halley's Comet> [14:38] 2 Cities> [11:24] 3 Llama> [06:44] 4 Lawn Boy [04:04] 5 Limb by Limb> [15:52] 6 Funky Bitch*** [08:57] -encore- 7 Contact> [06:42] 8 Loving Cup [06:55] ======================================================= * starts with the theme and Jimmy story, picking up where the song stopped last year at the Clifford Ball ** Theme from The Odd Couple tease/jam *** major fireworks are let off behind the stage during the song, culminating in a great finale display as Funky Bitch winds up. questions/comments: blane_at_canada.com
kris (0/0) Flac / 1 View   Multiple see notes...
Notes: Phish @ the Great Went "Disco" set 8-16-1997 Late Night (approx 2am morning of 8-17) Loring Air Force Base, Limestone, Maine 1.. unknown > (39:47) 2.. unknown (06:55) note : This is the Entire set, two sources spliced together. recording/transfer sources : track 1 = Sonic Studio DSM-6's (on glasses on 6'4" dude, ~20' from stage) > Sony D7 DAT recording and transfer by Jon Weber [email protected] able assistance from Darryl Snyder track 2 = Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 DAT recording and transfer by Adam Shiffman / Justin Brooks [email protected] performance note : This was a latenight set during the Great Went, that took place the morning of August 17. All four members of Phish played keyboards/synthesizers (with occasional vocal forays), sitting on the back of an eighteen-wheeler, which was parked near the entrance to the concert field. There was a small lighting rig. Earlier in the day there were a few thousand rave-style fliers circulating ambiguously advertising a "Disco" featuring MC Neoncellgap, DJ LeMore LaLip, etc, and you can hear some announcements to that effect at the end of the set. Also of note : brief footage of this set can be seen during the film "Bittersweet Motel", during the Great Went "2001" montage. recording note by taper Jon Weber : This is the entire set. For a while now, a partial version (the final 15+ minutes) of this set has been circulating in SHN format. Props to Adam and Justin for getting that out there. I've included the source listing for their source (which was used for track 2) above. Since I feel a little guilty for not circulating *my* source sooner, there are a few things worth noting. First, I was indeed rolling just as the set started. One of my best friends was working for DryGoods at the time, and she tipped me off to exactly where the latenight set was taking place.... so I was standing there with my equipment, waiting for them to start, before any crowd had shown up. Problem is, there were two subsequent "flaws" that prevented me from circulating this tape since then : 1.. the aforementioned DryGoods friend walks up to me early in the set, with her friend (now Paluska's wife), and I'm standing there with mic's on my glasses and wires hanging off of me. I try to play it off cool, as you'll unfortunately hear my attempt on the tape. I felt a little guilty getting the latenight info from her, and then Shushing her for taping purposes. Fortunately there's only about 20 seconds total of conversation. A nice phishstorical footnote is that this same friend is the one whose hearty laugh is featured at the end of the studio version of "Twist". 2... after the show, I got back to my tent and we were checking out Radio WENT. It seemed that they were rebroadcasting the main stage show, so I immediately hooked up my DAT and started recording. A classic stoner move, it turned out that I erased over the final ten minutes of the Disco Set, rendering my source Incomplete! So, for the longest time, and recalling that I saw a tape stand show up about halfway through the show.... I knew there was another source that would eventually surface and could provide the ending to my recording which started at the beginning. I spliced the two sources during a moment of audience applause 39+ minutes into the set -- I made no attempt to EQ or compress anything to match the sources, you will probably notice a difference, but no music was lost in the splice. Thanks to Phish for all the great memories and Went.... Jon Weber - Sept 2003 transfer notes : EAC steps were necessary due to a degrading master DAT (Darryl saved us with an archived CDR). As now, it's as pure as it can be - so enjoy. seeded via bt.etree.org, september 2004 by mudderbug original seed had bad edit on track 2, it cut 45 seconds before the end of the set. This text file was seeded with the corrected and complete version.
Michael Verrilli (0/0) CD-R / 4 A A+ View   FM SBD
lindsey barrow jr (0/0) / 0 View  
Jonathan Kendall (0/4.9) CDR / 4 View 947 Microtech Gefell m296 > EAA pre-amp
Notes: Great Went Day 1
Lisa (0/0) / 4 View  
Dan MacNeill (0/5) shn / 2 View 947
Dan MacNeill (0/5) shn / 3 View 6090
Notes: 3 .shn discs includes previous days archive show.
Tim (0/5) / 4 A A View  
Carter Henderlight (0/0) CDR / 5 A View   DAUD
dps (0/0) shn / 3 View 687 : Set 1 source: FM > DAT; Set 2 & 3 Source [EP]: FOB Schoeps mk21> kc5> cmc6> sonosax sx-m2>...
bobby (0/0) cdr / 5 View  
Mario D (0/0) SHN / 0 View 25554
Mario D (0/0) SHN / 0 View 687
steve (0/0) / 0 View 11733
greg (0/0) / 4 B+ View  
Jeff Berman (0/0) SHN / 4 View 11733
Pat (0/0) / 4 View  
Andy Fass (0/0) CDR / 4 View   DAUD
Chris Ventura (0/5) CDR / 4 View   FM >DAT
mike (0/0) / 0 A- View  
Jeff Smith (0/0) SHN / 3 View 947
Will Lambert (0/0) / 0 View  
Massphan (0/0) SHN / 5 View 947
Jim Kerner (0/0) cdr / 4 View  
Jon (0/0) MP3 / 1 View  
Notes: The Great Went, Day 1
jv (0/0) / 3 View