Browse Collections Artists Sources   Search Dates

Add Show    List Management    Help


Grateful Dead 02/11/70
Fillmore East (late show), New York, NY
Set I
Not Fade Away, Cumberland Blues, Cold Rain & Snow, High Time, Me & My Uncle, Dark Star-> Spanish Jam*-> Turn On Your Love Light** E:Uncle John's Band
Set II
 
Set III
 
Comment
Late Show; *with Duane and Gregg Allman, Mick Fleetwood, Butch Trucks, Danny Kirwin and Peter Green **also w/ Berry Oakley; Other artists on bill: The Allman Brothers Band, Love; note there is a separate db entry for the Early Show- add it.
Last Changed By Hamilton, Greg & Diana
Sources
(90) View Source    View Archive
early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown
(28292) View Source    View Archive
flac16; portions of early and late shows; Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); includes Patch for Dark Star: Master audience tape > ? > DAT > CD; EAC> FLAC by Jack Warner, with thanks to anonymous and Bob Murphy for patch material
(28402) View Source    View Archive
flac16; late show conclusion; Soundboard (except misc patches as noted): MSR> DAT> CDR> EAC> FLAC; Patched, remastered by Dave Greenberg; DAE> FLAC by Marc Evans; Project coordinated by Jim Powell with a special thanks to DW
(33335) View Source    View Archive
SBD> RR> RR> DAT (tapers John Chester and Alan Mande recorded this show in the basement of the Fillmore using a Revox reel-to-reel tape deck with 15" reels.)l Transfer: DAT> HD-P2> Sound Forge 6.0> CD Wave> mkwAct> .shn
(99052) View Source    View Archive
flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC > Cool Edit Pro > TLH > FLAC16
(99152) View Source    View Archive
MAR > ? > R @ 3 ¾ ips. > DAT > CD > EAC > WAV > FLAC
(99154) View Source    View Archive
flac16; SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC
(126251) View Source    View Archive
flac16; SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a DAT transfer so is not from circ. source); MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight); SBD MR > A77 > A77@ 71/2 ips (primary source for disc 2); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
(127482) View Source    View Archive
flac24; Partial Set 2 Lineage SBD MR - (primary source for disc 2) Technics RS 1506 @7.5 ips > Revox A77(Bob Menke)@7.5 ips > Revox A77 (Pat Lee) @7.5 ips; Transfer info: Akai GX636 direct tape head output > Telefunken Tube tape pre w/a pair of Tesla tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
idan (0/0) CDR / 0 View  
Notes: shn/wav/mp3
dan (0/0) / 2 A View   MSR>DAT>CDR>EAC>SHN>CD
jon (0/0) / 2 View  
Truls (0/0) / 2 A- View   SBD
GDLIVE (0/4) shn / 0 View 90
Dennis DeWeerdt (0/0) / 0 View 90
Todd Berg (0/0) CDR / 2 View  
DeadVines (0/0) SHN / 0 View 90
Jason Franke (0/0) CDR / 1 View 90
Stig Modin (0/0) CDR / 2 View   SBD>MR>DAT>CDR
Wes (0/0) / 0 View 89
Mike Rowe (0/0) CDR / 2 View  
Mike Pederson (0/0) cd-r / 1 View  
Notes: only Dark Star Spanish Jam Lovelight with Duane and Gregg Allman
brendan (0/0) / 0 View  
rich (0/0) / 2 View  
Jennifer Morin (0/0) aud cdr / 2 A B View  
Drew Hill (0/0) CDR / 2 A A View   MSRs > DATs > CDR
Notes: early & late shows - w/Duane Allman
Jason Riley (0/0) CDR / 2 View   MSR>DAT>CDR>EAC>SHN
Notes: Early and Late shows together
mark davidson (0/0) / 0 View 90
Sven Bachmann (0/0) CDR / 1 A+ A View  
Notes: splice in dark star
damon manetta (0/0) CD-R / 2 A A- View   MR>DAT>DAT>CDR
deadone38 (0/0) cdr / 2 View  
Notes: sbd
Steve Plummer (0/0) SHN / 0 View  
Notes: 239,240
Rick (0/0) shn / 2 A+ A+ View 90 MSR > DATs > CDRs > EAC > SHN
Notes: Noted Flaws, etc.: Dark Star has abrupt splice/cut at approx. 6:57. Lovelight has a splice at 30:16 (possible source changes to/ from "15ips revox reel"? Some more info about this classic show: Arthur Lee of Love adds percussion to the Dark Star. The third guitarist audible starting about 2:30 into Dark Star and for several minutes thereafter is Peter Green. Duane Allman on slide guitar enters around the middle of Dark Star. Gregg Allman adds organ & vocals during Lovelight, and Barry Oakley plays a second bass on Lovelight. Richard Pipes believes Fleetwood Mac-member Danny Kirwan's guitar is also to be discerned in the background. The encore is acoustic Dead, with only one acoustic guitar. The timings are from the AUD supplemented by the SBD. The Allman Bros and Love were also on the bill. There are also two SBDs in circulation. The one that has circulated for many years starts 10:23 minutes into the Dark Star, with the best copies breaking off 3:41 before the end of the Lovelight (or cutting to an AUD patch); however, most copies of the SBD in circulation break off about a minute earlier. Usually the beginning of this tape is patched in from the AUD. Recently a new copy of a SBD has come into circulation. It includes the entire Late Show but at 6:58 into the Dark Star it has a cut in which 3:52 is missing; there are also copies of this SBD in circulation with this cut patched from the AUD. It also has a cut at 30:16 of Lovelight, with 0:27 missing; this also can be patched from the AUD. Probably the older circulating SBD comes from the surreptitious master (see below) while the recent copy comes from the vault master (this is speculation, however). TAPES FROM FILLMORE EAST FEBRUARY 1970 Reportedly it was during this Late Show that clever and industrious Fillmore East stagecrew members including John Chester and Alan Mande managed to patch a Revox reel-to-reel deck with 15-inch reels into the PA feed underneath the stage, and the moment when our circulating SBD tape picks up the Dark Star, 10:23 after its opening, is the moment when they managed to get their jury-rigged system up and running. Circulating copies of this SBD master break off 3:41 before the end of the Lovelight; perhaps this cut is on the master. In addition to this 45 minute from 2/11/70 our enterprising heroes taped the Late Shows on the 13th and 14th (but apparently not the Early Shows), and copies of these tapes have been in circulation since the early 70s. Bear also ran SBD masters of the 13th and 14th, and much of this material has now been released on Bear's Choice and Dick's Pick 4. However, it is unclear whether there is any SBD from the 11th in the vault. For the Dick's Picks 4 release, Jeffrey Norman patched gaps in the vault SBDs of the 13th and 14th using the surreptitious second SBD masters -- good karma all around. The GD Records / Polygram Records CD, "Allman Bros Band Fillmore East February 1970," (GDCD 4063) releases tape of the Allmans from this run and may contain tunes from this date. Recently, SBD tapes of the Early Shows from 2/13 and 2/14 have come into circulation, in FM and pre-FM copies. Besides the several SBDs from this run there are also two AUD tapes in circulation, one of the 2/11/70 Late Show and one of the 2/13/70 Early Show (see Comments under this date). There is a complete copy of the 2/11/70 AUD master in circulation, and it also appears as patches for the first 10:23 of the Dark Star and last 3:41 of the Lovelight, otherwise missing on the older circulating SBD tape, and in patches of the missing 3:52 starting at 6:58 of the more recently circulated SBD. The AUD of the 2/13/70 Early Show could easily be by the same taper as the 2/11/70 AUD. Both tapes have strong saturation and strong bass, and both have decent but not perfect mic placement, and as a result boomy in the bass with considerable hall resonance and audience noise. There is no evidence of AUD tape from the 14th in circulation. Eaton lists: 02/11/70 The Fillmore East, New York City Ny - xcerpt 4.9, 115min, Sbd, A0D1, Reel M->Dat 1, 44k, 7inch Master Reels@15ips 1/2trk->3700 x 0->3700 x 1
Burner Ben (0/0) CDR / 2 View 90 MSR>DATs>CDRs>EAC>SHN
Jeffrey McDearmon (0/5) shn / 2 View 90
nick hjelle (0/0) shn / 2 View 90 MSR>DATs>CDRs>EAC>shn
David Francis (0/4.7) / 0 View  
Jamie Ippolito (0/5) CDR / 2 View 90
Arkadyuti Basu (0/0) CDR / 2 View