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Set I
Promised Land, They Love Each Other, Mexicali Blues, Dire Wolf, Cassidy, Deal, Passenger, Tennessee Jed, Minglewood Blues, Peggy-O, The Music Never Stopped
Set II
Bertha-> Good Lovin', It Must Have Been The Roses, Estimated Prophet-> Eyes Of The World-> Dancin' In The Streets-> Drums-> Not Fade Away-> Black Peter-> Around & Around
Set III
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(277) View Source
View Archive
Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive
SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive
flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive
flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
(277) View Source
View Archive Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| POON TANGERAMUS (5/0) | ANALOG / 2 | A | View | |||
| Paul Bottiglio (5/0) | / 2 | View | ||||
| Alex McGrath (5/5) | analog / 1 | View | ||||
| Notes: | set 2 | |||||
| mjlaurent (5/4.7) | cd / 2 | View | sbd>bbrd>pcm>dat>cd | |||
| Jack Fisher (5/4.3) | CDR / 2 | A | A | View | Betty Board | |
| Chris Supranowitz (5/5) | CDR / 2 | View | 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips | |||
| Steven L. (5/0) | CDR / 2 | View | Betty Reel>PCM x2>DAT>CDR | |||
| Ray Hansen (5/5) | CD / 2 | A+ | View | sbd>bettyboard>mr>pcm>dat>cd | ||
| Hub Spencer (5/4.7) | CDR / 2 | A | A | View | WBOTB Tree | |
| Notes: | Complete Show WBOTB Tree Promised Land is cut on both ends; TLEO cuts in. Some digi noise/static on Estimated from master. | |||||
| ALAN DOUGLAS (5/3.9) | / 2 | View | ||||
| Lazlo (5/5) | CDR / 2 | A | View | sbd | ||
| Tony Rinella (5/0) | SHN / 2 | View | ||||
| OutFestin' (5/0) | CDR / 2 | View | 277 | Betty Reel>PCM x2>DAT>CDR,cuts in Promised Land and TLEO | ||
| Notes: | Portland, OR (Complete show-- source tape: MR>P2>D1) 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES PCM501ES analog out > Fostex D5 @ 48 kHz Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min. | |||||
| dave (5/3.1) | shn / 2 | A | View | |||
| Notes: | PLEASE NOTE!!!:Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min. | |||||
| michael grossman (5/0) | shn / 0 | View | 10689 | |||
| Jay Hudak (5/0) | CD / 3 | A | View | Betty Brd Master > DAT > CD | ||
| Notes: | setlist available | |||||
| clint (5/5) | Shn / 2 | View | 277 | 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz | ||
| Notes: | MR>P2>D1) 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES PCM501ES analog out > Fostex D5 @ 48 kHz | |||||
| Tom Buder (5/5) | shn / 2 | View | Betty Reel>PCM x2>DAT>CDR | |||
| Notes: | Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min. | |||||
| Tim Werwie (5/0) | CD / 2 | View | sbd | |||
| Notes: | missing most of promised land and part of they love each other | |||||
| Craig (5/0) | cdr / 2 | View | ||||
| Mike Stocks (5/0) | / 2 | TBD | View | TBD | ||
| Lance Munday (5/5) | CDR / 2 | A | View | |||
| Notes: | 1st 10-seconds of Promised Land missing. | |||||
| NewMexico78 (5/1) | CD / 2 | A | A | View | ||
| Chris Goddard (5/0) | CDR / 2 | View | ||||
| Josh Anijar (5/0) | / 0 | View | ||||
| mike (5/0) | shn / 2 | A+ | View | Betty Board | ||
| Notes: | 10/01/77 Portland, OR - Paramount Theater S:bR,P,D A+ Disc One: //Promised Land//, //They Love Each Other, Mexicali Blues, Dire Wolf, Cassidy, Deal, Passenger, Tennessee Jed, Minglewood Blues, Peggy-O, The Music Never Stopped, set II Bertha -> Good Lovin' Disc Two: It Must Have Been The Roses, Estimated Prophet -> Eyes Of The World-> Dancin' In The Streets-> Drums-> Not Fade Away-> Black Peter-> Around & Around 10/01/77 Portland, OR (Complete show-- source tape: MR>P2>D1) 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES PCM501ES analog out > Fostex D5 @ 48 kHz Betty Reel>PCM x2>DAT>CDR, cuts in Promised Land and TLEO from original source PLEASE NOTE!!!:Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min. | |||||
| Grayson Kimball (4/4.8) | CDR / 3 | A+ | View | SBD/SHN | ||
| Notes: | Set 1+2 | |||||
| Thomas Sera (4/0) | SHN / 2 | View | 277 | |||
| Brad Foster (4/4.9) | FLAC / 2 | View | 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES | |||
| Taylor73 (4/5) | flac 16 / 0 | View | 123211 | 123211 SBD | ||