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Set I
Feel Like A Stranger
Tennessee Jed >
C.C. Rider
Tons Of Steel
It Must Have Been The Roses
Desolation Row >
Don't Ease Me In
Tennessee Jed >
C.C. Rider
Tons Of Steel
It Must Have Been The Roses
Desolation Row >
Don't Ease Me In
Set II
Scarlet Begonias >
Touch Of Grey >
Looks Like Rain >
Goin' Down The Road Feeling Bad >
Drums >
Space >
Just Like Tom Thumb's Blues >
Black Peter >
Throwing Stones >
Turn On Your Lovelight
Encore:
Brokedown Palace
Touch Of Grey >
Looks Like Rain >
Goin' Down The Road Feeling Bad >
Drums >
Space >
Just Like Tom Thumb's Blues >
Black Peter >
Throwing Stones >
Turn On Your Lovelight
Encore:
Brokedown Palace
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(3188) View Source
View Archive
AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min
(9404) View Source
View Archive
SBD> Master Cassette> DAT> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start; upgrade in circulation
(9880) View Source
View Archive
Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start
(79901) View Source
View Archive
flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
(80002) View Source
View Archive
Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
(87672) View Source
View Archive
flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
(102169) View Source
View Archive
flac16; Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
(105580) View Source
View Archive
flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD front row of taper's section behind soundboard by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
(111954) View Source
View Archive
flac16; MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford
(117825) View Source
View Archive
flac16; Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
(127540) View Source
View Archive
flac24; source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(139773) View Source
View Archive
flac16; Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
(3188) View Source
View Archive AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min
(9404) View Source
View Archive SBD> Master Cassette> DAT> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start; upgrade in circulation
(9880) View Source
View Archive Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start
(79901) View Source
View Archive flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
(80002) View Source
View Archive Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
(87672) View Source
View Archive flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
(102169) View Source
View Archive flac16; Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
(105580) View Source
View Archive flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD front row of taper's section behind soundboard by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
(111954) View Source
View Archive flac16; MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford
(117825) View Source
View Archive flac16; Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
(127540) View Source
View Archive flac24; source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(139773) View Source
View Archive flac16; Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
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Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Adam O. (2/5) | SHN / 2 | View | 9880 | SBD | ||
| Dan Faust (2/5) | cdr / 2 | A | View | Beyer Dynamic M88's>Sony TCD5M(CM) | ||
| Ivo (2/0) | CD-R / 2 | A | View | SBD >MCass>DAT>CDR>EAC>SHN>CDR | ||
| Rob Harrison (2/5) | DAT / 2 | View | SBD | |||
| Notes: | All sets. Soundboard>Cassette? | |||||
| Steve B (2/0) | / 2 | A | A | View | PCM Beta > DATx3 | |
| Notes: | Sony M-1 Optical Midiman SPDIF Dig Front Bay SB Platinum CoolEdit WAV CDWav SHN (mkw) | |||||
| scottyrubes (2/0) | / 0 | View | ||||
| Kevin Boland (1/4.7) | Flac / 2 | View | ||||
| Carter (1/5) | CDR / 2 | View | ||||
| Charlie Yohe (1/5) | CDR / 2 | View | 9880 | |||
| Notes: | filler on D1 is 2/9/86 end of set 1 | |||||
| Sparkita (1/5) | CDR / 3 | * | View | SBD | ||
| Rick Childs (1/4.9) | CDR / 2 | A++ | A+ | View | 9404 | |
| Notes: | Grateful Dead 3-25-86 D1/2 The Spectrum-Philadelphia, PA Source: SBD Lineage: Master Cassette> DAT> CD> SHN >Shntool fix of sbe's by Willy* Disc 1 1. Tuning 2. Feel Like a Stranger 3. Tennessee Jed 4. C. C. Rider 5. Tons of Steel 6. It Must Have Been the Roses 7. //Desolation Row 8. Don't Ease Me In Disc 2 1. space 2. Scarlet Begonias 3. Touch of Grey 4. Looks Like Rain 5. Goin' Down the Road Feeling Bad 6. drums 7. space 8. Just Like Tom Thumb's Blues 9. Black Peter 10. Throwin' Stones 11. Turn on Your Lovelight 12. Brokedown Palace (encore) Known flaws: Desolation Row cuts in abruptly at the vocal, the result of a tape flip. | |||||
| Rick Childs (1/4.9) | DVDR / 0 | A | B+ | View | 9404 | Unknown Gen VHS > SuperBeta Hi-Fi > Edit SuperBeta Hi-Fi > Playback Sony EDV-9500 > Standalone... |
| Notes: | Set 1 (Partial) c.c. Rider It Must Have Been The Roses Desolation Row * * First time played | |||||
| forgottenspace (1/4.5) | CD / 2 | View | 9880 | SBD | ||
| Gary Field (1/5) | SHN / 2 | View | 3188 | AUD | ||
| Notes: | Source Audience FOB (30ft Center Stage) AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT) | |||||
| Gary Field (1/5) | 9404 / 2 | View | 9404 | SBD | ||
| Notes: | SBD> Master Cassette> DAT> CD> SHN [100325.1] | |||||
| Gary Field (1/5) | 105580 / 2 | View | 105580 | AUD | ||
| Notes: | Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD front row of taper's section behind soundboard by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC [100325.1] | |||||
| Gary Field (1/5) | SHN / 2 | View | 9880 | SBD | ||
| Notes: | Source: SBD Lineage: Master Cassette> DAT> CD> SHN >Shntool fix of sbe's; SBE fix of SHN ID 9404 | |||||
| Gary Field (1/5) | SHN / 2 | View | 80002 | AUD | ||
| Notes: | Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel [061120.5] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 79901 | AUD | ||
| Notes: | Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci [061120.5] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 87672 | AUD | ||
| Notes: | taper : Joe D'Amico nak 300 mics w/ cp4 shotguns nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend [071017.3] | |||||
| Gary Field (1/5) | 102169 / 2 | View | 102169 | AUD | ||
| Notes: | Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8 [091118.2] | |||||
| Gary Field (1/5) | 111954 / 2 | View | 111954 | AUD | ||
| Notes: | MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue [110407.WD001] | |||||
| Gary Field (1/5) | 117825 / 2 | View | 117825 | AUD | ||
| Notes: | Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files [120129.wd001] | |||||
| Gary Field (1/5) | 127540 / 4 | View | 127540 | AUD | ||
| Notes: | flac24; source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit [140902.wd002] | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 9880 | |||
| Notes: | Master Cassette> DAT> CD> SHN >Shntool fix of sbe's by Willy* | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 79901 | |||
| Notes: | Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 80002 | |||
| Notes: | Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn | |||||
| Jim O'Brien (1/4.9) | CD / 2 | View | SBD>Master Cassette> DAT> CD> SHN | |||
| Boedi-taper (1/4.8) | CDR / 2 | A | A | View | flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet... | |
| Stuart Ferguson (1/4.3) | CDR / 2 | View | 9880 | Soundboard | ||
| Notes: | DVD 2837; lineage: Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start | |||||