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Grateful Dead 04/03/89
Civic Arena, Pittsburgh, PA
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Set I
Greatest Story Ever Told >
Bertha >
Walkin' Blues
Jack A Roe
El Paso
Built To Last
Victim Or The Crime
Just Like Tom Thumb's Blues >
Don't Ease Me In
Set II
Blow Away
Estimated Prophet >
Crazy Fingers >
Uncle John's Band >
Drums >
Space >
Gimme Some Lovin' >
I Need A Miracle >
Stella Blue >
Sugar Magnolia

Encore:
Johnny B. Goode >
Black Muddy River
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(7507) View Source    View Archive
SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell
(29758) View Source    View Archive
FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor
(89791) View Source    View Archive
flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008.
(96796) View Source    View Archive
flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > mac taped by John Bleich Transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav (16/44.1) > Cd Wave > TLH > flac16
(100161) View Source    View Archive
flac16; Source: (FOB) Schoeps CMC5/MK4->DAT (16/48) Lineage: Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0 (fades, normalize (127.20%/2.09dB), resample)->FLAC; Taper: Unknown
(125022) View Source    View Archive
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(125023) View Source    View Archive
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(125281) View Source    View Archive
flac16; Matrix 4 Source Mix - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - matrix mixing by Kevin Tobin
(125403) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - dts mixing by Kevin Tobin
(125413) View Source    View Archive
flac16; SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell (shnid 7507) - Patched, Pitch Correction and Tagged by Kevin Tobin
(133939) View Source    View Archive
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(135433) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor - mixing by Kevin Tobin
(141670) View Source    View Archive
flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
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User (active/rating) Media / # Show Sound Details DB Source User Source
Jeff MacLaren (3/5) shn / 3 A View 7507
Dan Sodikoff (3/0) / 3 View   SBD
kindkesey (3/0) wav / 3 View   unknown
Jeff Martinson (3/4.7) CDR/SHN / 3 A A View 7507 SBD > PCM (analog output) > D > D > CDR > EAC > SHN
Notes: SBD > PCM (analog output) > D > D > CDR > EAC > SHN-- shn archived+audio
Shawn Richter (3/5) / 3 View  
Pete W (3/5) shn / 2 View 7507
Brian Krebs (3/5) / 0 View 7507
Pat (3/0) / 0 View 7507
Notes: SBD > PCM (analog output) > D > D > CD
Chris Winger (3/5) shn / 2 View   ?
Doug & Marsi (3/5) / 3 A A View  
David Rosenberg (3/0) cd / 2 View   sbd
Jeff Digby (3/5) cdr/shn / 3 View 7507
Andy Perry (3/4.3) audio / 2 View  
Mike (3/0) shn / 2 View 7507
MJC (3/5) SHN / 2 A- View 7507
Scott Bernstein (3/0) CDR / 3 View 7507 SBD > PCM (analog output) > D > D > CDR > EAC > SHN
Notes: (22)
BigBeahner (3/0) CD Audio / 3 View 7507 SBD > PCM (analog output) > D > D > CDR
BigBeahner (3/0) CD Audio / 3 View 7507 SBD > PCM (analog output) > D > D > CDR
Engineer's Monkey (3/5) SHN / 2 View 7507
Notes: Mastered by Jay Serafin, Serafin Station Studio B LINEAGE: SBD > PCM (analog output) > D > D > CDR > EAC > SHN Jay's comments: any/all editing,fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96kHz data stream) at Serafin Station Studio B [this show was released in 05/00]
Scott S (3/0) SHN / 2 View 7507
Tripp Wojohn (3/4) SHN / 2 View 7507 SBD > PCM (analog output) > D > D > CDR > EAC > SHN
Jason harder (3/0) shn / 2 View 7507
pt (3/0) shn / 3 View  
Martin Novak (3/0) / 0 A View   AUD
DonBean (3/5) both / 5 View 7507
Torbj�rn Olofsson (3/0) / 0 View 7507
Notes: shn
Michelle (3/0) CD / 3 AR2 View   SBD > PCM (analog output) > D > D > SSSB
Notes: any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 05/00] Set One: Greatest Story Ever Told-> Bertha-> Walkin' Blues, Jack A Roe, El Paso, Built To Last, Victim Or The Crime, Just Like Tom Thumb's Blues, Don't Ease Me In Set Two: Blow Away, Estimated Prophet-> Crazy Fingers-> Uncle John's Band-> Drums-> Space-> Gimme Some Lovin'-> I Need A Miracle-> Stella Blue-> Sugar Magnolia, E1: Johnny B. Goode, E2: Black Muddy River
Randy Perkins (3/5) CDR / 3 A View   SBD>DAT>CDR
Joseph W Powell (3/0) / 2 View 7507
Peter (3/0) shn / 3 A A View 7507