Grateful Dead 05/07/1977

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(262) View Source

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SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around)

(6021) View Source

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Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing

(26085) View Source

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SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.

(26361) View Source

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Bertha Remaster of the Rob Eaton/The Wizard soundboard source: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes

(88525) View Source

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flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller

(124619) View Source

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flac16; 2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner

User (active/rating)	Media / #	Show	Sound	Details	DB Source	User Source
Satoshi Take (0/0)	60mDAT / 2			View		SBD>MR>PCM>CDR>DAT
Notes:	SBD
Justin Green (0/4.9)	CDR / 3			View
Notes:	missing "U.S. Blues"
cfisch01 (0/0)	/ 0			View
cfisch01 (0/0)	/ 0			View
K E V I N (0/4.8)	cd-r / 3		A	View		see below
Ryan Snyder (0/0)	SHN / 2		A	View		SBD
Chris (0/0)	/ 0			View
simone (0/4)	cd / 3			View	262
Notes:	cdr
simone (0/4)	cd / 2			View	6021
Notes:	shn
simone (0/4)	cd / 2			View
Notes:	shn
ben billings (0/0)	cd-r / 3			View		SBD
kyle reece (0/0)	cdr / 3			View		sbd
Notes:	sbd
Phil Layton (0/0)	cdr / 2			View
Phil Layton (0/0)	/ 0			View
David Mack (0/0)	CDR / 3			View		SBD>Betty Reels>PCM>DAT
Tim (0/0)	cd-r / 3			View
Hans (0/0)	analog / 2			View
Erick Schultz (0/0)	CD-R / 3			View		SBD -> Betty Reels ->PCM -> DAT ->Digitally read in on SGI -> SHN
Brian Heath (0/0)	CD / 3		A	View	262
animist (0/0)	CDR / 3			View		SBD -> Betty Reels ->PCM -> DAT -> Digitally read in on SGI -> SHN
Notes:	missing encore "U.S. Blues"
Rob (0/0)	CDR / 3	A+	A+	View		SBD > Betty Reels > PCM > DAT > SGI > SHN
Notes:	missing e. US Blues
shamba (0/0)	CDR / 3		A	View		SBD - editing by Rob Eaton
Notes:	SBD
Kevin (0/5)	CDR / 2			View
thnxjer (eternally grateful) (0/5)	shn / 2		A-	View
PheelinPhine (0/0)	/ 3			View
George Humphreys (0/0)	CDR / 3			View
Dave Fleishman (0/0)	/ 3			View
Notes:	Here is how Rob did his part: Master 1/2 trk 7" reels @7.5ips (DBX encoded)-> PCM beta digital->Sony 2500 dat-> DB Technologies DB3000S for digital emphisis decode-> DB Technologies 924 for D->A conversion-> Dolby 361 modules W/K9-22 DBX cards for DBX decode-> Neve Capricorn Digital mixing colsole (24 bit/ 32bit floating point processing (for level adjustment)-> Panasonic SV4100 Pro Dat recorder (master Decode Dat)-> Master Clone (panasonic Sv3700->Sv3800 via AES interlink) Here is what the Wiz did: Rob's DAT clone>Tascam DA-20 mkII>Digital Audio Labs Card Deluxe>WAVE> Diamond Cut Audio DC-6 (for editing)>WAVE>CD and SHN. Here is what was used for the AUD patches: AudMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner - November, 2001 AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only) Soundforge was used for normalizing and editing. Note: US Blues encore from an unknown SBD source. DBX reel source was unusable. Summary of editing: Rob's decode was masterful and made my job easy. Nothing was done to the sound of the DBX decoded material. Just cleaned up a few issues and made AUD patches. Cut after Peggy-O cleaned up - Aud source cut there also so no patch available... Over the top guitar chord at start of Half-Step toned down a bit to save ears... Two small gliches in Half-Step repaired. Cut in Tuning after Tennessee Jed patched with AUD source. Two small pops in Music corrected. Tuning at start of Set Two patched from AUD source. Small glich in Estimated repaired Cut in Tuning after Estimated patched with AUD source. Pop in Wharf Rat corrected. Cut in Around and Around patched with AUD source. Cut in Crowd before encore patched from AUD source. About 10 bad pops removed from US Blues and it was Equalized and gain adjusted to better match up with the rest. All AUD patches were sonically adjusted to better match up and cross-faded in to prevent a jarring change.
Dave Fleishman (0/0)	/ 3			View
Notes:	Here is how Rob did his part: Master 1/2 trk 7" reels @7.5ips (DBX encoded)-> PCM beta digital->Sony 2500 dat-> DB Technologies DB3000S for digital emphisis decode-> DB Technologies 924 for D->A conversion-> Dolby 361 modules W/K9-22 DBX cards for DBX decode-> Neve Capricorn Digital mixing colsole (24 bit/ 32bit floating point processing (for level adjustment)-> Panasonic SV4100 Pro Dat recorder (master Decode Dat)-> Master Clone (panasonic Sv3700->Sv3800 via AES interlink) Here is what the Wiz did: Rob's DAT clone>Tascam DA-20 mkII>Digital Audio Labs Card Deluxe>WAVE> Diamond Cut Audio DC-6 (for editing)>WAVE>CD and SHN. Here is what was used for the AUD patches: AudMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner - November, 2001 AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only) Soundforge was used for normalizing and editing. Note: US Blues encore from an unknown SBD source. DBX reel source was unusable. Summary of editing: Rob's decode was masterful and made my job easy. Nothing was done to the sound of the DBX decoded material. Just cleaned up a few issues and made AUD patches. Cut after Peggy-O cleaned up - Aud source cut there also so no patch available... Over the top guitar chord at start of Half-Step toned down a bit to save ears... Two small gliches in Half-Step repaired. Cut in Tuning after Tennessee Jed patched with AUD source. Two small pops in Music corrected. Tuning at start of Set Two patched from AUD source. Small glich in Estimated repaired Cut in Tuning after Estimated patched with AUD source. Pop in Wharf Rat corrected. Cut in Around and Around patched with AUD source. Cut in Crowd before encore patched from AUD source. About 10 bad pops removed from US Blues and it was Equalized and gain adjusted to better match up with the rest. All AUD patches were sonically adjusted to better match up and cross-faded in to prevent a jarring change.
Banker (0/0)	CDR / 3			View
Steve Glidewell (0/0)	SHN / 2			View	26085	SBD

User (active/rating)

Media / #

Show

Sound

Details

DB Source

User Source

Satoshi Take (0/0)

60mDAT / 2


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Cached: Sun, 2 Jun 2024 07:35:17 EDT