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Set I
Promised Land, They Love Each Other, Mexicali Blues, Dire Wolf, Cassidy, Deal, Passenger, Tennessee Jed, Minglewood Blues, Peggy-O, The Music Never Stopped
Set II
Bertha-> Good Lovin', It Must Have Been The Roses, Estimated Prophet-> Eyes Of The World-> Dancin' In The Streets-> Drums-> Not Fade Away-> Black Peter-> Around & Around
Set III
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(277) View Source
View Archive
Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive
SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive
flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive
flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
(277) View Source
View Archive Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| jeff couch (4/5) | CDR / 2 | View | ||||
| Ingo Benzler (4/0) | CDR / 2 | View | Betty SBD>PCM x2>DAT>CDR | |||
| Notes: | SHN | |||||
| Justin (4/1.3) | cdr / 2 | A | A | View | 10689 | |
| Dan K (Gr8fulDog) (4/5) | CDA / SHN / 2 | 2 | View | 277 | ||
| Notes: | ||||||
| Jeff Zumwalt (4/0) | / 0 | View | 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz | |||
| Notes: | Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min. | |||||
| CookieMonster (4/5) | cdr-aud / 3 | A | A | View | ||
| Notes: | Portland, OR | |||||
| Eric (4/5) | SHN / 2 | View | ||||
| jonathan (4/0) | / 0 | View | ||||
| Garrett Deloian (4/4.9) | CDR / 2 | A+ | A | View | BBD REEL>PCMx2>DAT>CDR | |
| Notes: | BBD REEL>PCMx2>DAT>CDR PROMISED IS CUT, TLEO IS CUT...INHERENT OF MASTER | |||||
| Doug Henry (4/5) | CD-R / 2 | A | View | Betty Reel>PCM x2>DAT>CDR | ||
| John (4/0) | / 2 | View | 277 | 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips | ||
| Dan Sadler (4/5) | CDR / 2 | A | View | 7" Betty reel master>PCM>DAT>CD | ||
| Notes: | /Promised Land (cuts), /TLEO some brief static on Estimated | |||||
| TunaMan (4/5) | shn / 2 | View | 10689 | |||
| John and Becca Witcher (4/5) | DVD SHN / 3 | View | 277 | |||
| Notes: | 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz > PCM501ES analog out > DBX-1 decoder > analog in PCM501ES > PCM501ES analog out > Fostex D5 @ 48 kHz; on same dvd as gd1977-10-02, 6, 9 | |||||
| Todd Lackey (4/5) | / 3 | View | ||||
| Mike Magnani (4/0) | SBD / 2 | A | A | View | ||
| Notes: | Promised (cut) | |||||
| jim alverson (4/5) | cdr / 2 | A | A | View | ||
| Notes: | sbd | |||||
| Jason Wojciechowski (4/0) | CD-R / 2 | View | SBD>Betty MR>PCM>DBX-1>PCM>Fostex D-5 | |||
| Jason Wojciechowski (4/0) | CD-R / 2 | View | SBD>Betty MR>PCM>DBX-1>PCM>Fostex D-5 | |||
| Notes: | Disc 1 Set I 1. (cut) Promised Land (cut) 2. (cut) They love each other 3. Mexicali blues 4. dire wolf 5. cassidy 6. deal 7. passenger 8. tennessee jed 9. minglewood blues 10. peggy-o 11. music never stopped Set II 12. bertha > 13. good lovin Disc 2 1. roses 2. estimated prophet > (distortion on mr) 3. eyes of the world > 4. dancin > 5. drums > 6. not fade away > 7. black peter > 8. around and around | |||||
| Z-Jazzfreak (4/0) | / 2 | View | BettyBoard mr>PCM>DAT>CD-R | |||
| Matt Clark (4/0) | SHN>WAV>CDR / 2 | A | A | View | MR>P2>D1 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES... | |
| Notes: | MR>P2>D1 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES CM501ES analog out > Fostex D5 @ 48 kHz | |||||
| Fikus (4/0) | cd / 2 | A* | View | |||
| helen (4/5) | cd / 2 | A | View | Betty Reel>PCM x2>DAT>CDR | ||
| michael hogan (4/0) | shn / 2 | View | 10689 | |||
| sam fensterstock (4/0) | / 0 | A | View | |||
| Notes: | SBD 1&2 | |||||
| Seth (4/2.5) | shn/CDR / 2 | A | A+ | View | 277 | Betty Reel> PCM x2> DAT> CDR |
| Matt Albright (4/0) | CD-R / 2 | View | ||||
| mike murphy (4/0) | cdr / 2 | View | ||||
| Ulrich Braasch (4/0) | CD-R / 2 | View | SBD-BettyReel>PCMx2>DAT>CD-R | |||
| Notes: | Cuts in Promised and TLEO from original source | |||||
| chris mccormick (4/0) | ANALOG / 2 | View | ||||