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Set I
Hideaway $
Touch Of Grey
New Minglewood Blues
Ramble On Rose
Box Of Rain
Dire Wolf
When I Paint My Masterpiece
Row Jimmy
Cassidy
Deal
Touch Of Grey
New Minglewood Blues
Ramble On Rose
Box Of Rain
Dire Wolf
When I Paint My Masterpiece
Row Jimmy
Cassidy
Deal
Set II
Scarlet Begonias >
Hell In A Bucket *
Ship Of Fools *
Estimated Prophet > *
Eyes Of The World > *
Drums >
Space >
Truckin' > *
The Other One > *
Morning Dew > *
Turn On Your Lovelight *
Encore:
Brokedown Palace *
Hell In A Bucket *
Ship Of Fools *
Estimated Prophet > *
Eyes Of The World > *
Drums >
Space >
Truckin' > *
The Other One > *
Morning Dew > *
Turn On Your Lovelight *
Encore:
Brokedown Palace *
Set III
Comment
Pay Per View video broadcast
National FM broadcast
Last time played and first performance since November 7, 1971 $
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Clarence Clemons - Saxophone *
National FM broadcast
Last time played and first performance since November 7, 1971 $
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Clarence Clemons - Saxophone *
Last Changed By
J
Sources
(4603) View Source
View Archive
Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source)
(16888) View Source
View Archive
Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki
(83718) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(123383) View Source
View Archive
flac16; Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
(127418) View Source
View Archive
flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
(138342) View Source
View Archive
flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
(142379) View Source
View Archive
flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
(4603) View Source
View Archive Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source)
(16888) View Source
View Archive Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki
(83718) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(123383) View Source
View Archive flac16; Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
(127418) View Source
View Archive flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
(138342) View Source
View Archive flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
(142379) View Source
View Archive flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Erin Massengill (4/5) | VHS / 2 | View | ||||
| Notes: | All Pro. | |||||
| Mike (4/0) | / 0 | View | 4603 | |||
| Ingo Benzler (4/0) | CDR / 3 | View | ? | |||
| Notes: | (1) with Clarence Clemons (2) { theme [1:12] verse 1 [0:40] theme [2:26] verse 2 [0:37] outro [0:21] } (3) Morning Dew timing from 2 different tapes, one of which had the last 3 minutes cut and one of which had a 1 minute cut in one of the early verses, so the time should be complete and correct | |||||
| Jay Reznik (4/0) | shn / 2 | View | see tech notes | |||
| DiamondDave (4/0) | VCD / 3 | A | View | VCD | ||
| deguitarguy (4/5) | CDR / 3 | View | ||||
| Notes: | w/Clarence Clemons | |||||
| Andrew Taylor (4/4) | VCD / 3 | A | A | View | SBD | |
| Notes: | Video source: Proshot Audio source: SBD 1: Hideaway, Touch> Minglewood, Ramble On, Box Of Rain, Dire Wolf, Masterpiece, Row Jimmy, Cassidy, Deal 2: Scarlet> Bucket*, Ship Of Fools*, Estimated*> Eyes*> Drumz> Truckin*> Other One*> Morning Dew*> Lovelight* E: Brokedown* *with Clarence Clemons | |||||
| Mike Maier (4/0) | / 0 | View | ||||
| Eric (4/5) | DVD / 3 | A+ | View | |||
| Notes: | v1 p39 | |||||
| Chris Maas (4/5) | VCD / 3 | View | ||||
| Garrett Deloian (4/4.9) | CDR / 3 | A | A | View | Digital PPV Feed>MVHS>Dan Sisler's Proffessionally dubbed VHS>DAT Transfer by Sisler... | |
| Notes: | Digital PPV Feed>MVHS>Dan Sisler's 1st gen. proffessionally dubbed VHS>DAT transfer by Sisler (Sony PCM R-500 via SBM)>CDR transfer by Kevin Gills on Alesis Masterlink>CDR beginning is a bit fuzzy....Weir has equipment problems to start off. | |||||
| John (4/0) | / 2 | View | 4603 | Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT... | ||
| TunaMan (4/5) | vcd / 3 | View | ||||
| Michael Papaleo (4/5) | Analog / 1 | A | View | FM | ||
| Notes: | Set I | |||||
| Mike Magnani (4/0) | SAT / 3 | A+ | View | Satellite uplink | ||
| Notes: | Finially get my 1st show!! 'Where it all began..Superior sound | |||||
| Brooke (4/5) | CDR / 3 | View | FM Broadcast | |||
| Chuck Gannon (4/5) | SHN / 2 | View | 16888 | VHS>D>WAV>SHN | ||
| Notes: | VHS>D>WAV>SHN | |||||
| Tony Corich (4/5) | VHS / 2 | A+ | A/+ | View | PPV TV 3rd gen | |
| Notes: | Excellent PRO TV Broadcast Watch Bobby kick his amp | |||||
| Mike Snyder (4/0) | Video Tape / 0 | A+ | A- | View | Pro shot for Pay Per View TV | |
| Joe (4/5) | CDR / 3 | A | View | FM>Cass>CDR | ||
| Notes: | FM: Brokedown cut. W/ Clarence Clemons. | |||||
| Audio Sodomy (4/3) | vhs / 1 | a | View | |||
| Cynic (4/0) | VCD / 3 | View | Unknown | |||
| Notes: | Unknown Source | |||||
| Jason Maneval (4/5) | SHN / 3 | View | 4603 | |||
| tom (4/0) | VCD / 3 | View | ||||
| Mark (4/5) | DVD / 2 | A | View | |||
| Notes: | No Menu and 5 minute chapters. Pro Shot | |||||
| michael hogan (4/0) | shn / 2 | View | 4603 | |||
| Laika (4/0) | VCD / 3 | View | Digital PPV-Feed > VHS | |||
| Falskow (4/5) | CDR / 3 | B+ | View | FM>C1>MD>CDR | ||
| Kyle Milne (4/0) | / 0 | A | A | View | VHS Pro | |
| Notes: | CUTS DURING DRUMZ/ MISSING HIDEAWAY | |||||
| Tod Gordon (4/5) | / 3 | A- | View | FM | ||