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Grateful Dead 09/08/90
Richfield Coliseum, Richfield, OH
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Set I
Hell In A Bucket
Sugaree
New Minglewood Blues
Friend Of The Devil
Queen Jane Approximately
Loser
Cassidy >
Deal
Set II
Eyes Of The World >
Estimated Prophet >
Terrapin Station >
Drums >
Space >
All Along The Watchtower >
Stella Blue >
Throwing Stones >
Not Fade Away

Encore:
One More Saturday Night
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(11662) View Source    View Archive
AUD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
(14045) View Source    View Archive
Set 2 only SBD>CM>DAT>CDR>EAC>SHN All transcription and conversion from DAT done by JR Fishman NY, NY [email protected]
(92241) View Source    View Archive
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(97359) View Source    View Archive
flac16; matrix of SBD: shnid=92241 and AUD: shnid=11662 by hansokolow using ProTools
(98889) View Source    View Archive
flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8
(101148) View Source    View Archive
flac16; Source: Audience > Nakamichi 300s with cp1 caps > Sony WM-D6 > MAC (Maxel XL II-S) Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96 > Adobe Audition > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 Taped by John Bleich from OTS sec 8, row ccc, seat 14
(112302) View Source    View Archive
flac16; Field Equipment: Sanken 2-way Capsule Stereo Microphone > Sony D-5; Transfer: MAC>Tascam 112 MKII > Edirol R-09 (16/44) > Audacity > TLH > FLAC; Recorded, transferred, tracked & FLAC'd by Greg Holtz
(131695) View Source    View Archive
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(131696) View Source    View Archive
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
brett garvey (1/5) SHN / 3 A View 11662 AUD>DAT>CDR
Notes: gd1990 17 of 27
brett garvey (1/5) FLAC / 3 A View 92241 SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) ->...
Notes: gd 009
brett garvey (1/5) FLAC / 3 A View 97359 matrix of SBD: shnid=92241 and AUD: shnid=11662
Notes: gd 092
brett garvey (1/5) FLAC / 3 A View 98889 Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: Master Cassettes (Maxell MX90) Tascam 112 ->...
Notes: gd 111
LossLess Legs (1/0) CDR / 3 View 98889
Notes: 05/09/2009 - jaz
LossLess Legs (1/0) CDR / 2 View 14045 SBD>CM>DAT>CDR>EAC>SHN
Notes: 7/12/2007 -norm
LossLess Legs (1/0) CDR / 3 View 92241
Notes: 6/11/2008 - wharfratpat
LossLess Legs (1/0) CDR / 3 View 97359
Notes: 02/12/2009 - hseamons
LossLess Legs (1/0) CDR / 3 View 101148
Notes: 09/06/2009 - SIRMick
Built2Last (1/0) / 3 View 11662
Built2Last (1/0) / 2 View 14045
Rhodes (1/0) / 0 View 14045
Ken Doughty (1/5) shn / 2 A- View 11662 aud
Notes: Source: AUD>DAT>CDR> Conversion: EAC(secure)>CD WAV>SHN(seekable)
Matthew Kupchinsky (1/0) CDR-FLAC / 2 View 97359 matrix of SBD: SBD -> Dat -> Cassette Master (TDK SA-X100) and AUD: AUD>DAT>CDR...
Notes: ------------------------------- This is a matrix, done by hansokolow in ProTools, of the following sources: SBD: shnid=92241 Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] June 10, 2008 Patch Info: Unknown Mics -> Dat -> CD (shnid=11662) supplies: Terrapin Station (18:16 - end of track) Space (0:00 - 0:45) One More Saturday Night (3:11 - end of track) ------------------------------- AUD: shnid=11662 Source: AUD>DAT>CDR> Conversion: EAC(secure)>CD WAV>SHN(seekable) ------------------------------- hansokolow's notes: Problems exist on both sources. The DAUD is often drowned in crowd noise, especially in set 1, and the SBD is fairly muddy and there are a lot of effects present on the voices, giving this a very boomy feel. Which is a lot what the Richfield Coliseum is like (a concrete cave), but it's even present on the soundboard. Nevertheless, this show has personal meaning, as I attended the night before, driving from my studies at Oberlin College, and there was much discussion at the time as to whether to go to the Friday night, Vince's first show, or this one, a Saturday night show. I opted for the previous night (I could only afford a ticket for one night), which was not nearly as good as this night, but it didn't matter because I overloaded with many drugs in the lot, and I was confused and ill for much of that show. On the following night (this show), everyone who went came back beaming, mostly because of this beautifully paced Eyes. There was an awful lot of sadness about Brent and anticipation about what the band might do. In both shows, so many songs had resonance and meaning. Brent, you are still missed. I removed Charlie's patches, which are listed above, those sections are only this DAUD. That means that the second half of the encore is DAUD only. The taper apparently cut the tape soon after the end of NFA, then started again back up again midway through the NFA crowd chant. The SBD also cuts out around the same place, so I added fades.
Dene Wright (1/5) CD / 3 View   Audience
Notes: All
Randy (1/0) SHN / 1 View 14045
Randy (1/0) DVD / 1 View 92241
raincooker (1/0) / 3 A+ View   SOUNDBOARDm, All
Sandy Cook (1/5) SHN / 2 View 11662
Notes: AUD>DAT>CDr
Redbeard (1/5) / 3 View 11662 AUD>DAT>CDR>
hoptrip (1/0) / 0 View 92241
justin tobin (1/5) CDR / 2 A+ View  
Tim Burke (1/5) shn / 2 View 11662
Terry Rogers (1/5) CDR / 3 View  
Tom Bashara/Eric Linstrom (1/5) SHN, Audio / 2 View 11662 AUD>DAT>CDR>
Notes: AUD>DAT>CDR>
Tom Bashara/Eric Linstrom (1/5) SHN, Audio / 1 View 14045 SBD>CM>DAT>CDR>EAC>SHN
Notes: Set 2 only SBD>CM>DAT>CDR>EAC>SHN
Kima (1/0) shn / 3 View 11662
Kima (1/0) flac / 3 View 92241
Kima (1/0) flac / 3 View 97359
Kima (1/0) flac / 3 View 101148