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Jethro Tull 11/04/70
Carnegie Hall, New York, NY
Set I
Nothing is Easy
My God
With You There to Help Me
A Song for Jeffrey
To Cry You A Song
Sossity, You're A Woman
Reasons for Waiting
Piano Solo
Dharma For One
We Used To Know >
Guitar Solo >
For A Thousand Mothers
To Be Sad Is A Mad Way To Be
Back To The Family
Set II
 
Set III
 
Comment
 
Last Changed By Aaron Wiedmann
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Tommy Danscuk (1/5) CD / 1 View   Sdb > Reel
Donny Taylor (1/5) cdr / 1 A View  
Chilihead (1/5) / 2 A View   SBD
Rich Gaul (1/5) CD / 1 View  
- j (1/4.9) SHN / 1 10 View   Very clear soundboard recording
Mike (1/5) CDR / 2 A View   sbd
Malibu Jesus (1/5) 1 cd / 1 A+ View   SBD
Notes: Phenomenal show, supreme quality
Jeffrey Peterson (1/4.9) CDR / 1 A A View  
Joe Innis (1/5) CDR / 1 A+ A View   SBD
Charlie (1/5) cdr / 1 View  
Doug EB (1/5) CDR / 2 View  
Paul Russell (1/4.6) CDR / 2 A+ A+ View  
Phil (1/5) CD/R / 2 View  
Minor Hibbs (1/5) CDR / 2 A View   SBD
Sandy Cook (1/5) audio / 2 View  
Notes: SBD
Ron Lynch (1/5) CDR / 1 A View   SBD
Notes: EAC will not extract without errors. Not for trade at this time. Very intense show with great sound. Good example of early Tull. Wonderful flute solo on "My God"! Jethro Tull was one of the most original and articulate of all progressive rock bands. Initially seen as standard bearers of the blues-rock mantle in the tradition of psychedelic supergroup Cream, Jethro Tull were really a more lyrical group than Clapton, Baker and Bruce had been. Combining British Isles folk with ferocious jazz-like interplay and the antics of flautist-frontman Ian Anderson, Jethro Tull were a surprise success at the 1968 England Jazz & Blues Festival, leading to the worldwide acclaim. Tull?s music was inventive and invigorating, coupling blues rock power with imaginative lyrics and incendiary musicianship. This show has also circulated as "Live at the Seaside". Some excellent flute solos courtesy of that light-footed bard, Ian Anderson.
whammer (1/5) Shn / 1 View   SBD
Mike McD (1/4.9) cd / 1 A+ A+ View   SBD.
Notes: wow, this is the goods
Todd B (1/5) CD / 2 A View   SBD
Tom Bashara/Eric Linstrom (1/5) SHN, Audio / 1 View   sbd>??>cdr>eac>shn
Notes: sbd>??>cdr>eac>shn
sistermoon (1/5) CDR / 1 View  
Doug Moog (1/4.3) shn / 1 View   SBD
bewise (1/0) audio cdr / 1 View  
bewise (1/0) audio cdr / 2 View  
Dale Bennett (1/4.7) cdr / 1 A View  
John Connolly (1/5) CDR / 2 A- View  
Notes: sbd-nice sound considering vintage
bear bridges (1/4.8) cdr / 1 View  
bear bridges (1/4.8) shn / 1 View  
M. Flory (1/0) CDR / 1 View   SBD
Greg (1/5) CDR / 2 A View  
Notes: Jethro Tull was one of the most original and articulate of all progressive rock bands. Initially seen as standard bearers of the blues-rock mantle in the tradition of psychedelic supergroup Cream, Jethro Tull were really a more lyrical group than Clapton, Baker and Bruce had been. Combining British Isles folk with ferocious jazz-like interplay and the antics of flautist-frontman Ian Anderson, Jethro Tull were a surprise success at the 1968 England Jazz & Blues Festival, leading to the worldwide acclaim. Tull?s music was inventive and invigorating, coupling blues rock power with imaginative lyrics and incendiary musicianship. This show has also circulated as "Live at the Seaside". Some excellent flute solos courtesy of that light-footed bard, Ian Anderson. Thanks Adam