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Set I
Promised Land, They Love Each Other, Mexicali Blues, Dire Wolf, Cassidy, Deal, Passenger, Tennessee Jed, Minglewood Blues, Peggy-O, The Music Never Stopped
Set II
Bertha-> Good Lovin', It Must Have Been The Roses, Estimated Prophet-> Eyes Of The World-> Dancin' In The Streets-> Drums-> Not Fade Away-> Black Peter-> Around & Around
Set III
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(277) View Source
View Archive
Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive
SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive
flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive
flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
(277) View Source
View Archive Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Brad Stoll (4/5) | CDR / 2 | View | ||||
| Notes: | SBD | |||||
| James Griffin (4/0) | CDR / 2 | View | 277 | Betty Reel>PCM x2>DAT>CDR | ||
| Notes: | //Promised Land//, //TLEO | |||||
| Kristin & Ted Niemi (4/5) | CDR / 3 | View | ||||
| Rodney (4/3) | 180 / 2 | A | View | Sbd | ||
| Notes: | Sets 1,2 | |||||
| Dan Javel (4/0) | / 0 | View | S:R | |||
| mike serafin (4/0) | CD-R / 2 | B | B | View | ||
| Tod Gordon (4/5) | / 2 | A | View | SBD | ||
| Jon Paulk (4/5) | shn / 2 | View | MR>P2>D1 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz | |||
| Jacob Howard (4/4.8) | CD / 2 | View | SBD | |||
| Notes: | Promised Land fades in to start first set and is cut near end (fades out); They Love Each Other fades in mid-song; Some fuzz in background during Mexicali; Last Black Peter 10/19/74 | |||||
| David Nestler (4/0) | CD-R / 2 | View | Unknown | |||
| Notes: | Promised Land fades out. TLEO fades in. | |||||
| Ben (4/0) | cd-r / 2 | A+ | View | SBD | ||
| kb panic (3/5) | / 2 | A | View | MP3 | ||
| Notes: | Dave's Picks 45 | |||||
| Bill d'Angelo (3/5) | CDR / 2 | View | bbd>pcm>dat>cd | |||
| Dave Heenan (3/0) | SHN / 2 | View | Betty Reel>PCM x2>DAT>CDR | |||
| Dave Heenan (3/0) | FLAC / 0 | View | 123090 | SBD -> Master Reel -> PCM -> Dat | ||
| Dave Heenan (3/0) | FLAC / 0 | View | 123211 | SBD -> Master Reel -> PCM -> Dat | ||
| john zicconi (3/5) | CDR / 2 | SBD | View | Betty Reel>PCM x2>DAT>CDR | ||
| Notes: | Betty Board | |||||
| Donnie Howard (3/0) | CD-R / 2 | SBD | View | |||
| Notes: | SBD | |||||
| Boisedeadhead (3/0) | CDR / 2 | View | 277 | 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz... | ||
| Notes: | THE SHOW: 10/01/77 Portland, OR (Complete show-- source tape: MR>P2>D1) 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES PCM501ES analog out > Fostex D5 @ 48 kHz PLEASE NOTE!!!:Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min. 10/01/77 Portland, OR - Paramount Theater S:bR,P,D A+ Betty Reel>PCM x2>DAT>CDR, cuts in Promised Land and TLEO from original source DOne: //Promised Land//, //They Love Each Other, Mexicali Blues, Dire Wolf, Cassidy, Deal, Passenger, Tennessee Jed, Minglewood Blues, Peggy-O, The Music Never Stopped, set II start:, Bertha-> Good Lovin' DTwo: It Must Have Been The Roses, Estimated Prophet-> Eyes Of The World-> Dancin' In The Streets-> Drums-> Not Fade Away-> Black Peter-> Around & Around | |||||
| Scott Gesler (3/5) | CD / 2 | A | A | View | ||
| joe m (3/5) | FLAC / 1 | View | 86234 | |||
| Notes: | DVD#201 | |||||
| joe m (3/5) | FLAC / 1 | View | 123211 | |||
| joe m (3/5) | FLAC / 1 | View | 140589 | |||
| joe m (3/5) | FLAC / 1 | View | 140578 | |||
| Michael (3/0) | FLAC / 2 | View | 86234 | |||
| Albix (3/4.7) | shn / 2 | View | 277 | BBD > PCM x2 > DAT > CDR | ||
| Notes: | PLEASE NOTE!!!:Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min. Betty Reel>PCM x2>DAT>CDR, cuts in Promised Land and TLEO from original source. | |||||
| Albix (3/4.7) | flac / 2 | View | 86234 | WBOTB Master DAT (DAT-1) | ||
| Notes: | Transferred and mastered by Chris L. Seeded by the Green Mountain Bros. at bt.etree.org, July 2007. See source listing | |||||
| Jeff Kaisershot (3/5) | FLAC / 0 | A+ | View | 123211 | SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 ->... | |
| zowie (3/5) | cd / 2 | a- | View | 277 | sdb | |
| cbass (3/5) | / 0 | View | 10689 | |||