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Grateful Dead 10/20/83
The Centrum, Worcester, MA
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Set I
Bertha-> Greatest Story Ever Told, West L.A. Fadeaway, Minglewood Blues, Tennessee Jed, Hell In A Bucket, Row Jimmy, Looks Like Rain-> Deal
Set II
Help On The Way-> Slipknot!-> Franklin's Tower-> Samson & Delilah-> Eyes Of The World-> Drums-> Spanish Jam-> The Other One-> Stella Blue-> Around & Around-> Good Lovin', E: Day Job
Set III

Comment

Last Changed By System
Sources
(9960) View Source    View Archive
20th row center w/ 3 Nak 701s > MX-100 > D5 > DAT > SHN; Unknown seeder; Note- You need to put Day Job on d1 if you want to fit this show onto two discs
(13164) View Source    View Archive
AUD> Senn 441s (FOB)> PCM> DAT> CDRx?> EAC> SF 6.0> CDWAVE> SHN, Jeff Silberman; with Day Job patched from Sony 939s FOB; via Skankweed, with thanks to Duncan
(19515) View Source    View Archive
FOB Sony TCD5M with 2 Beyer Dynamic 160's recorded by Ficca and Brennan encoded by Jake Markezin
(28406) View Source    View Archive
flac16; AKG D224E > Sony TC-D5M > Maxell MX; Transfer: Sony TC-D5M > Edirol UA5 Custom mod > IBM R40/WinXP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; taped, transferred by Doug Mow; CDR> FLAC by Alex Ford
(102060) View Source    View Archive
flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
(102125) View Source    View Archive
flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB dead center Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd traders little helper; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
(111058) View Source    View Archive
flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
(111381) View Source    View Archive
flac16; Source: 2 Sennheiser 421 microphones (15th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
(122445) View Source    View Archive
flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(135088) View Source    View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(135089) View Source    View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
(137307) View Source    View Archive
flac24; Set 1 & Partial Set 2 Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(137331) View Source    View Archive
flac16; Set 1 & Partial Set 2 Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain
(139323) View Source    View Archive
flac16; Jeff Silberman FOB Recording: Sennheiser 441's > Technics PCM master > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44; Checksum & tags created in xACT
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
tom radocha (0/5) / 3 View  
Notes: Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's -> Sony CDRW-66>EAC>CDWave
Eric Richbourg (0/0) flac / 2 View 28406
Eric Richbourg (0/0) shn / 2 View 19515
Eric Richbourg (0/0) shn / 2 View 9960
Eric Richbourg (0/0) shn / 2 View 13164
Mark Perry (0/5) SHN / 2 View   Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's -> SonyCDRW-66>EAC>CDWave>SHN
Notes: Master Tapes by Ficca and Brennan Source: Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's -> Sony CDRW-66>EAC>CDWave>SHN
Ernie Dodd (0/5) shn / 2 View 9960 20th row center w/ 3 Nak 701s > MX-100 > D5 > DAT > SHN
Notes: discs aud-3
Forman (0/5) CDR / 3 View  
Notes: (AUD)
T Buckley (0/0) shn / 2 View 19515
Notes: FOB Sony TCD5M with 2 Beyer Dynamic 160's>Sony CDRW-66>EAC>CDWave>SHN
T Buckley (0/0) shn / 2 View 9960
Notes: 20th row center w/ 3 Nak 701s > MX-100 > D5 > DAT > SHN
T Buckley (0/0) flac / 2 View 28406
Notes: Doug Mow MAC (AKG D224E > Sony TC-D5M > Maxell MX) > Sony TC-D5M > Edirol UA5 Custom mod > IBM R40/WinXP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC
T Buckley (0/0) shn / 2 View 13164
Notes: Jeff Silberman FOB AUD> (Senn 441s) > PCM> DAT> CDRx?> EAC> SF 6.0> CDWAVE> SHN
Alex (0/0) CD / 3 View  
Pat (0/5) CD / 3 A View   Senn 441s (FOB)> PCM> DAT> CDRx?> EAC> SF 6.0> CDWAVE> SHN
ekemann (0/5) cdr / 3 View 28406
Robert Goetz (0/5) flac / 2 View 28406 flac16; AKG D224E > Sony TC-D5M > Maxell MX; Transfer: Sony TC-D5M > Edirol UA5 Custom...
Notes: flac16; AKG D224E > Sony TC-D5M > Maxell MX; Transfer: Sony TC-D5M > Edirol UA5 Custom mod > IBM R40/WinXP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; taped, transferred by Doug Mow; CDR> FLAC by Alex Ford; flac(2)>cda(3)
gr8fuljames (0/0) / 0 View 28406
Andrew Girone (0/4.3) / 0 View 28406
Chef Jeff (0/0) CD / 2 View   FOB MAC>DAT>CD
Notes: Set 2 Only
BluBossa (0/5) CDR / 3 A A View   Sennheiser 441's > PCM-1 > DAT > CDR
Patrick D (0/0) CDR / 2 A A- View   20th row center w/ 3 Nak 701s > MX-100 > D5 > DAT > SHN
Notes: 20th row center w/ 3 Nak 701s > MX-100 > D5 > DAT > SHN
Ben Neuman (0/5) CD-R / 2 View 13164 AUD>Senn 441s (FOB)>PCM>DAT>CDRx?>EAC>SF 6.0>CDWAVE>SHN; incomplete first...
Ben Neuman (0/5) CD-R / 2 View 13164 AUD>Senn 441s (FOB)>PCM>DAT>CDRx?>EAC>SF 6.0>CDWAVE>SHN; incomplete first...
loganco (0/0) / 3 View   AUDM?>?>CD
Phil Rogovitz (0/1) CD-R / 3 View   20th row center w/ 3 Nak 701s > MX-100 > D5 > DAT > SHN
Gerald Gorinsky (0/0) SHN / 2 View  
Notes: 2 SHN, 2 CDR. 10-20-83 I+II. 20th row center w/ 3 Nak 701s > MX-100 > D5 > DAT > SHN Transfers done with original D5 and Sony PCM R500. Mics aren't raised for several minutes
Gerald Gorinsky (0/0) SHN / 2 View  
Notes: 2 SHN, 3 CDR. 20th row center w/ 3 Nak 701s > MX-100 > D5 > DAT > SHN Transfers done with original D5 and Sony PCM R500. Mics aren't raised for several minutes. 2 or 3 audio discsare needed, depending on where the break is.
Willy (0/4.8) SHN / 2 View 9960
Notes: 20th row center w/ 3 Nak 701s > MX-100 > D5 > DAT > SHN; I also have this source as per the db; AUD> Senn 441s (FOB)> PCM> DAT> CDRx? with Day Job patched from Sony 939s FOB;
For Reference Only (0/3.5) DAT / 0 View  
Notes: The Centrum, Worcester Ma - complete 4.8, 165min, Aud, A0D0, Cass M->Dat 0, 48k Nak 550 Cass Master FOB 21st row center441's+U-87Neuman->3800 x 0
Martin (0/0) 60m DAT / 1 View   FOB>Senheiser 441>MR>DAT
Notes: Set II