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Set I
Jack Straw *
Loser
We Can Run
Me & My Uncle >
Big River
Friend Of The Devil *
When I Paint My Masterpiece *
Bird Song > *
Promised Land
Loser
We Can Run
Me & My Uncle >
Big River
Friend Of The Devil *
When I Paint My Masterpiece *
Bird Song > *
Promised Land
Set II
Iko Iko *
Playing In The Band > *
Uncle John's Band > *
Playing In The Band Reprise >
Drums >
Space >
The Other One >
Stella Blue >
Not Fade Away
Encore:
Brokedown Palace
Playing In The Band > *
Uncle John's Band > *
Playing In The Band Reprise >
Drums >
Space >
The Other One >
Stella Blue >
Not Fade Away
Encore:
Brokedown Palace
Set III
Comment
Bruce Hornsby & The Range opened
Power failure during Promised Land
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bruce Hornsby - Accordion *
Power failure during Promised Land
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bruce Hornsby - Accordion *
Last Changed By
J
Sources
(8256) View Source
View Archive
SBD > MC > DAT > EAC > SHN; Unknown seeder
(31790) View Source
View Archive
flac16; FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample) -> CDWAV (track) ->FLAC
(106373) View Source
View Archive
flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(126181) View Source
View Archive
flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(126182) View Source
View Archive
flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(128383) View Source
View Archive
flac16; 3 source matrix mix of AUD shnid 126182, SBD shnid 106373 and AUD shnid 31790; Mixed by Nick Crump
(130402) View Source
View Archive
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(130403) View Source
View Archive
flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(130583) View Source
View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(130584) View Source
View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(133954) View Source
View Archive
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(135049) View Source
View Archive
flac24; Source: Schoeps CMC-34 Cardioids, ORTF, Hand-held, 8 rows in front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> Maxell MX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Set 2, Schoeps CMC-54 Cardioids, ORTF, on stand -> SV-250 Up Front
(142694) View Source
View Archive
flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: (8 rows FOB) Schoeps CMC3 MK4 (ORTF) > DAT. Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
(8256) View Source
View Archive SBD > MC > DAT > EAC > SHN; Unknown seeder
(31790) View Source
View Archive flac16; FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample) -> CDWAV (track) ->FLAC
(106373) View Source
View Archive flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(126181) View Source
View Archive flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(126182) View Source
View Archive flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(128383) View Source
View Archive flac16; 3 source matrix mix of AUD shnid 126182, SBD shnid 106373 and AUD shnid 31790; Mixed by Nick Crump
(130402) View Source
View Archive flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(130403) View Source
View Archive flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(130583) View Source
View Archive flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(130584) View Source
View Archive flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(133954) View Source
View Archive flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(135049) View Source
View Archive flac24; Source: Schoeps CMC-34 Cardioids, ORTF, Hand-held, 8 rows in front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> Maxell MX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Set 2, Schoeps CMC-54 Cardioids, ORTF, on stand -> SV-250 Up Front
(142694) View Source
View Archive flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: (8 rows FOB) Schoeps CMC3 MK4 (ORTF) > DAT. Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Michael McMullan (2/5) | CDR/FLAC / 3 | A- | View | 126182 | Aud | |
| dogsinapile (2/0) | CDR / 3 | View | 8256 | 8256 | ||
| Canyon (2/5) | audio / 3 | View | ||||
| Scott (2/0) | CDR(DAO) / 1 | View | ||||
| Scott Mauvais (lscott) (2/0) | SHN / 0 | SBD | View | 8256 | ||
| Richard D. Jordan (2/5) | shn / 2 | View | 8256 | SBD > MC > DAT > EAC > SHN | ||
| Jason (2/0) | / 3 | View | 106373 | |||
| Notes: | CM | |||||
| Luke Bailey (2/0) | FLAC / 3 | View | 106373 | SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) ->... | ||
| Notes: | SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC | |||||
| Lee Alberts (2/4.3) | CDR / 3 | View | ||||
| Notes: | With Bruce Hornsby | |||||
| Dennis O'Donnell (2/0) | flac / 2 | View | 106373 | |||
| Chris Nestler (2/0) | CDR/SHN / 3 | View | 8256 | |||
| Terrapanda (2/0) | / 2 | View | 31790 | |||
| Terrapanda (2/0) | / 2 | View | 8256 | |||
| FTLShawn (2/0) | SHN / 0 | View | 8256 | |||
| Eddie Dunn (2/0) | / 0 | View | 8256 | |||
| AAA Audio (2/4.8) | shn / 2 | View | ||||
| Jason A (2/4.5) | cd / 3 | View | ||||
| Dean Thole (2/0) | SHN / 2 | View | 8256 | |||
| Jiggs (2/5) | CDR / 3 | View | 8256 | |||
| William Ferdinandsen (2/5) | / 3 | View | ||||
| Emily (2/4.8) | cdr / 3 | A | View | sbd>mc>dat>eac>shn | ||
| Bill Burton (2/5) | SHN / 2 | A | A+ | View | 8256 | |
| Notes: | with Bruce Hornsby on accordion on many tracks (1st & 2nd Sets); power outage during "Promised Land" | |||||
| Itsonlyfractured (2/5) | SHN / 2 | View | 8256 | |||
| Grant (2/5) | CDR/SHN / 3 | B+ | View | SBD?>MC>DAT>EAC>SHN | ||
| Notes: | The info file I got with this show says soundboard, but I'm not convinced. There is a lot of crowd noise for a soundboard. It actually sounds like the source switches during the show. I was at this show and there was a power outage during "Promised",(there was a big thunerstorm during the first set) the band resumed the song after power was restored (recording is spliced at this point). | |||||
| Scott Mauvais (2/0) | SHN / 0 | View | 8256 | |||
| John Fitzgerald (2/0) | / 3 | View | ||||
| Justin (2/5) | CDR / 3 | View | ||||
| Eric Laskey (2/0) | Mitsui / 3 | A++ | View | SBD>MC>DAT>CDR | ||
| Notes: | SBD>MC>DAT>CDR | |||||
| Eric Kravitz (2/0) | / 2 | A | A | View | SBD | |
| Tim Martin (2/0) | cdr / 3 | sbd | View | |||