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Dave Matthews Band 07/17/94
Backstage Tavern, Ballard, WA
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Set I
One Sweet World
Warehouse
Song That Jane Likes
Daning Nancies
Pay For What You Get
Lie In Our Graves
Jimi Thing->
Seek Up
Tripping Billies
Watchtower
Satellite
Ants Marching
I'll Back You Up *

-Encore-

Recently **
Set II
 
Set III
 
Comment
* Dave and Stefan
** Minus Boyd Tinsley

◆ RCA Records Promo Party ◆
Last Changed By Zoooma
Sources
(2793) View Source   
Taper: Unknown Source: DSBD DAT>CD: unknown xtract: Plextor 4x/8x SCSI[Adaptec Fast-SCSI2] at 8x SHN: Matias Nino
(29923) View Source   
Source: DSBD > DAT Conversion: Tascam da20 > RME Digi96/PAD Sound Forge 4.5a (record/resample) > CDWav > MKWact Louie Rendek [[email protected]]
(83995) View Source   
Soundboard > Denon DTR-80P DAT at 48kHz New transfer from the master
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Mikes boots (3/5) / 2 A View  
Notes: First show in WA - Recently pretty girl/take me to the river exit (Recently w/o Boyd)
Tom Histen (3/0) CDR / 2 NR NR View  
Jacob Terson (3/5) cdr / 2 A A View   soundboard
Notes: "JAM" is Recently, "Believe" is #36 Venue is The Backstage Tavern, Ballard, WA.
Brian (3/0) CDR DAO / 2 A+ View  
Notes: soundboard
Shannon Morton (3/0) CDR / 2 View  
trippinbilly1223 (3/0) CD-R / 2 View  
Paul (3/0) cdr / 2 A View   sbd
Notes: Dave Matthews Band July 17, 1994 Backstage Tavern Ballard, WA Taper: Unknown Source: DSBD DAT>CD: unknown xtract: Plextor 4x/8x SCSI[Adaptec Fast-SCSI2] at 8x SHN: Matias Nino DO NOT ENCODE THIS SHOW IN MP3 FORMAT. FOR FREE DISTRIBUTION ONLY. Disc 1: 01: Intro-> One Sweet World 02: Warehouse 03: The Song That Jane Likes 04: Dancing Nancies 05: Pay For What You Get 06: Lie In Our Graves 07: Jimi Thing-> Seek Up Disc 2: 01: Tripping Billies 02: All Along The Watchtower 03: Satellite 04: Ants Marching 05: I'll Back You Up* -ENCORE- 06: Recently (Pretty Girl Outro)** * Dave and Stefan ** Minus Boyd Tinsley
Christi (3/0) CDR / 2 View  
Steve Yu (3/0) cd-r / 2 View  
Sharon Silva (3/5) CD-R / 2 A- View  
Notes: F-DAO?? I guess if I question it, it must be
Nina (3/0) CDR / 2 B+ View  
Notes: Some static in D1 T1; also some pops/crackles
Jason (3/0) CDR / 2 View  
josh (3/0) CDR / 2 A View  
Patrick Forrester (3/0) CD-R / 2 View  
Notes: TAO
Amanda Moreno (3/0) / 2 View  
Eric Alterman (3/0) CDr / 2 A+ View  
Notes: DAO. I think its soundboard
Nik (3/0) CDR / 2 A View   SBD
Luke (3/0) SHN / 0 View 2793
minolan14 (3/0) / 2 A+ View  
Notes: DSBD..great show
Andy Enders (3/0) CD / 2 B B+ View  
Michael (3/0) Audio / 2 A A View  
Notes: Last track, disc 1 has a bunch of errors on it. Not available for trade/B&P
Brandon Canipelli (3/0) AUD / 2 A View  
Notes: great show, few pops during watchtower, but still a good one
Doug (3/0) cd-r / 2 A+ A+ View   dsbd
Steven (3/0) CDR / 2 View  
Greg Schultz (3/0) CD-R DAO / 2 A A View 2793
Jason (3/0) AUD / 2 View  
paul (3/0) / 2 View  
Christy Koch (3/0) cdr / 2 View  
Michael J. Gorton, Jr. (3/0) cdr / 2 View  
Notes: "A+ Lat track after Recently is not part of set. Must be a filler. I don't know the name of it."
Mike Langen (2/4.9) cdr / 2 A View   sbrd
Notes: Dave Matthews Band RCA Records Promo Party The Backstage, Seattle, WA 1994-07-17 Soundboard > Denon DTR-80P DAT at 48kHz Soundcheck: 1 Recently 2 The Song That Jane Likes 3 One Sweet World Show: 4 One Sweet World 5 Warehouse 6 The Song That Jane Likes 7 Dancing Nancies 8 Pay For What You Get 9 Lie in our Graves 1 Jimi Thing > Seek Up 2 Tripping Billies 3 All Along The Watchtower 4 Satellite 5 Ants Marching 6 Encore: (without Boyd) 7 I'll Back You Up 8 Recently Remastered 2007-04-01 by the original recordist Original master transfer to WAV 24-bit processing in Sound Forge 8.0: Resampled to 44.1kHz Fixed glitch Adjusted volume in 1st part of "One Sweet World" Waves L1+ Ultramaximizer (limiting, noise shaping, dither) ************************************************************************Archival notes: This is a fresh transfer from the original master DAT. Other archivists have described the other copies in circulation as having distortion, clipping, brickwalling, etc. The original recording does not have these defects. The only distortion I noticed was at the board, when the band explodes in the middle of Watchtower. I have also included the 3-song soundcheck. I do not believe that this usually circulated, until now. If anyone has a copy of this historic show, I encourage you to upgrade to this version. Transfer process: This is my standard process, but I thought I would spell it out for once: - The original DAT was recorded on a Denon DTR-80P DAT at 48kHz. - This was played back on a Sony PCM-R500 DAT deck through an AES/EBU digital link into a Lynx One sound card on a PC. - The file was recorded with, and all editing done in Sony Sound Forge 8.0. - Removed nearly silent portions between songs in the soundcheck (only). - Reduced the volume of the first soundcheck song by 3dB. - During the show, I apparently reduced the levels part way into the first song of the show. To fix that, I now reduced the volume of the first song of the show by 6dB, using a graphic fade that faded up at the point in time at which I had originally reduced the levels. - Inserted region markers for tracks on 588-sample boundaries. This is done by setting 75.0 frames per second, and enabling "Auto Snap To Time, making a selection, and dropping a marker at one edge of the (snapped) selection. - The file was converted to 24-bit depth. - Fixed one pop. - Resampled to 44.1kHz using the highest quality setting, with anti-alias filtering but no dither or noise shaping. - The Waves L1+ Ultramaximizer was then applied, with an 8.8dB threshold. This process takes the place of normalization. It applied an 8.8dB volume increase while limiting it, to accommodate the random peak. The Waves L1+ also includes the Waves IDR which performs the 16-bit quantization. Settings: "Type 1" dither and "Ultra" noise shaping. - The file was then truncated to 16-bit, and regions were extracted and converted to FLAC. Show notes: This was the first DMB show west of the Rockies. It was right after RCA Records signed them. Prior to the deal, DMB had done quite nicely with their first record, "Remember Two Things" on Bama Rags Records. The new deal with RCA Records was certain to make them a nationally popular act. To get things rolling, RCA invited them to play as the entertainment for an RCA/BMG national meeting that happened to take place in Seattle. RCA rented out the top club in town, The Backstage (capacity about 450), and planned to bus the meeting attendees over to the club for a private party. This show was in between normal tours. There were a few Virginia transplants and other friends of the band living in Seattle at the time, so RCA said that they would open the club doors to the general public at a certain time, part-way through the evening. A significant portion of the crowd were actually people that I called up and encouraged to come down. And people that those people called. I don't recall how exactly things happened, but I'm pretty sure that everyone who came got in for free and saw the whole show. To get to the dressing room at The Backstage, you had to go through the kitchen. The kitchen had one of those doors that swings both ways. The servers blow in and out through that door all night. Somehow, during the encore break, Boyd Tinsley got his violin smashed while attempting to pass through the door while someone was coming in the opposite direction. That's why he is not on the encore. Boyd was heartbroken. I remember my friend telling Boyd that he would look back on this some day and laugh because the success that they were about to experience would make it trivial to replace the instrument. Historical perspective: Looking back on it now, nearly 13 years later, it really was a turning point for DMB. The popularity really took off with the first RCA release that followed shortly afterwards. Now DMB routinely sells out the 18,000 seat Gorge Amphitheater when they play in the Northwest, for days at a time. I've been told that Dave Matthews eventually settled down in Seattle.