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Grateful Dead 02/26/77
Swing Auditorium, San Bernardino, CA
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Set I
Terrapin Station, Minglewood Blues, They Love Each Other, Estimated Prophet, Sugaree, Mama Tried, Deal, Playing In The Band > The Wheel > Playing In The Band
Set II
Samson & Delilah, Tennessee Jed, The Music Never Stopped, Help On The Way-> Slipknot!-> Franklin's Tower, Promised Land, Eyes Of The World-> Dancin' In The Streets-> Around & Around, E: U.S. Blues
Set III
 
Comment
First Terrapin Station, Estimated Prophet
Last Changed By Hamilton, Greg & Diana
Sources
(253) View Source    View Archive
Betty Board; d1 overtime- see G. Hamilton's alternate tracking suggestions; no md5s originally- checksums here are generated from the alt tracking; a few dropouts and reel changes; via Datsit, Other1, Steve; listener Jason Palmer asserts that there may be NR applied to this version?; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; note d1 tracks are in correct order unlike later reshn of this version; upgrade in circulation
(2519) View Source    View Archive
EAC> seeking SHN by anonymous of previous set, with "alternate" tracking, but also with additional error- this shn set has been circulated with d1t2,t3 switched- correctly listed in info file, but with incorrect tracknames as in d1error.md5 here; d1ok.md5 here shows correct track ordering; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; upgrade in circulation
(9752) View Source    View Archive
SBD > Master Reel > PCM > DAT > CD-R; via DaveTree; Seeded to etree by AlphaDog
(23808) View Source    View Archive
From the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD.
(32009) View Source    View Archive
SBD>MR>DAT>CD; Editing and mastering by The Wizard
(83283) View Source    View Archive
flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) WBOTB
(110037) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
(110231) View Source    View Archive
Sony ECM-22P's > 153SD cassette (Maxell UDXLII Dolby) > Technics 1506 reel 3.75 ips Dolby > Tascam CDR > dbPoweramp > wav > FLAC. Recording and transfer by Rob Bertrando. Pitch adjustments, tracking and FLACing by Hunter Seamons.
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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User (active/rating) Media / # Show Sound Details DB Source User Source
Peter Olivo (0/0) / 3 View  
brian (0/0) / 3 A A- View  
Notes: first Terrapin first Estimated
tim three (0/0) / 0 View  
Rafael Nunes (0/0) SHN / 0 A+ A+ View 9752 SBD
Notes: First terrapin, first esmitated.
alan (0/0) CD / 0 U View   Betty
alan (0/0) CD / 0 U View   Betty
alan (0/0) CD / 0 U View   Betty
alan (0/0) CD / 0 U View   Betty
alan (0/0) CD / 0 U View   Betty
Matt (0/0) CDR / 3 A View  
Adam (0/0) CDR / 3 A View  
Sewell Avant (0/0) CDR / 3 View  
Matt Pappas (0/0) CDR / 3 A View   Betty Board, 7-inch reel, 1/2 track, 7 1/2 ips, MR > PCM > DAT > CDR
greg (0/0) CDR / 3 A A View  
Pete the other1 (0/0) CDR / 2 View  
Notes: went through an mp2 generation. long story... Disk1 - set 1 - Terrapin, Technical difficulties, minglewood, TLEO, Estimated, Sugaree, (MAMU cut),Deal, PITB -> Wheel -> PITB Disk2 - set 2 - Samson, Tennessee Jed, Music Never Stopped, Help/Slip/Frank, (Promised land cut) Eyes -> Jam, Dancin', (Around and Around cut)US Blues
sleepingalligator (0/0) CDR / 3 A* View   Betty Board>Reel>PCM(Beta)>DAT(48k)>CDR
Notes: One instance of DAT noise on second disc. Notes from Walter: The source, on both sets, was Betty Board Reel PCM (Beta) DAT (48k). This was my first sample rate conversion, but it came out great once I figured out how to do it right. I recorded the DAT digitally from my SONY PCM-M1 into my Wave 8/24 card with Cool Edit SE. I then down-sampled it to 44.1 with the high quality filter setting. The edits were made in Cakewalk Pro Audio 8, and it was mastered with Adaptec EZ CD creator to a Panasonic scsi CD-R.
sleepingalligator (0/0) CDR / 3 A* View   Betty Board>Reel>PCM(Beta)>DAT(48k)>CDR
Notes: One instance of DAT noise on second disc. Notes from Walter: The source, on both sets, was Betty Board > Reel > PCM (Beta) > DAT (48k). This was my first sample rate conversion, but it came out great once I figured out how to do it right. I recorded the DAT digitally from my SONY PCM-M1 into my Wave 8/24 card with Cool Edit SE. I then down-sampled it to 44.1 with the high quality filter setting. The edits were made in Cakewalk Pro Audio 8, and it was mastered with Adaptec EZ CD creator to a Panasonic scsi CD-R.
Sean Brocki (0/0) CDR / 3 A View   S:MR>C>D>CDR
Seth Weinberger (0/0) Tape / 2 A View  
Shawn & Erin's Tapes (0/0) analog / 2 A View  
Notes: missing encore
Fleer Carll (0/0) CDR / 3 A A View   Betty Board>DAT>CDR
Notes: BettyBoard>DAT>CDR
james (0/0) / 3 A- A- View  
Dan Solomon (0/0) / 0 View 9752
Jeff Hutton (0/5) CD / 3 A View  
greg (0/0) shn / 2 View  
[email protected] (0/0) CDR / 3 A+ View   SBD Reel>DAT>CDR
Notes: SBD Reel>DAT>CDR
[email protected] (0/0) CDR / 3 A+ View   SBD Reel>DAT>CDR
Bob R. (0/0) CD-R / 3 A+ View   SBD (Betty Board)
M K (0/0) / 0 View  
john (0/0) CDR / 3 A View   SBD