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Genesis 04/29/76
Berkeley Community Theater, Berkeley, CA
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Set I
Dance on a Volcano
The Lamb Lies Down on Broadway
Fly on a Windshield
Carpet Crawl
The Cinema Show
Robbery, Assault, and Battery
White Mountain
Firth of Fifth
Entangled
Squonk
Supper's Ready
I Know What I Like
Los Endos
It
Watcher of the Skies
Set II
 
Set III
 
Comment
 
Last Changed By Ron Broman
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Cheryl (1/0) shn / 2 View   AUD (PRRP07 remaster)
Notes: 'Robbery, Assault & Berkeley' (PRRP07)
Todd Rawfdawg (1/0) SHN / 2 View   AUD
Notes: AUD
Mark Mazur (0/5) shn / 2 View   aud
Notes: PRRP007
Eric (rstourfan1320) (0/5) CDR / 2 A- View  
Notes: ROBBERY, ASSAULT AND BERKELEY PRRP007
mjochim (0/0) CDR / 2 View   AUD > ?? > Cassette Tape (2nd gen.) > CDR
Notes: PRRP07 remaster
Matt-chew (0/5) 2 / 2 md5 View   Multiple AUD sources > ? > remaster > ? > SHN
Notes: http://from1fan2allothers.com Please Weed PRRP007-GENESIS ROBBERY, ASSAULT AND BERKELEY Apr 29, 1976 (Berkeley Community Theatre - Berkeley, California) 1-1. Dance On A Volcano 6:31 1-2. The Lamb Lies Down On Broadway 4:27 1-3. Fly On A Windshield 2:42 1-4. Carpet Crawlers 5:21 1-5. Romeo and Juliet Story 0:59 1-6. The Cinema Show 10:42 1-7. Harry's Robbery Story 1:02 1-8. Robbery, Assault & Battery 5:50 1-9. White Mountain 6:58 1-10. Firth Of Fifth 8:21 Disc - 52:39 2-1. Entangled 7:15 2-2. Squonk 6:41 2-3. Supper's Ready 23:09 2-4. I Know What I Like 5:09 2-5. Los Endos 7:09 2-6. It 3:57 2-7. Watcher Of The Skies 2:24 Disc - 55:32 Tony Banks- Keyboards Phil Collins- Lead Vocals, Drums, Percussion Steve Hackett- Lead Guitar Mike Rutherford- Bass, 12 String Guitar Bill Bruford- Drums and Percussion ?Robbery, Assault and Berkeley? Genesis first visited Berkeley California on January 22, 1975 to perform ?The Lamb Lies Down on Broadway?. The band returns now on April 29, 1976 for their second visit to this part of the Bay area to again present old material but also to play songs from the new album ?The Trick of the Tail?. This is their first show in four days, since a performance in Kansas City, and the first of 3 they will give on the West coast. During the previous visit to Berkeley, Peter Gabriel was at the microphone and Phil Collins played drums. During this visit, Phil is now singing vocals and Bill Bruford is leading the percussion. After the first song ?Dance on a Volcano?, Phil informs the audience that they are going to play a collection from the prior tour which they have entitled ?Lamb Stew?. This consists of ?The Lamb Lies Down on Broadway?, ?Fly on a Windshield? and ?Carpet Crawlers?. Phil?s renditions are clearly different than Gabriel?s but still well received by the audience. Mr. Collins also continues Peter?s tradition of telling introductory stories before many of the songs. Though using less fantasy and magical thinking than his predecessor, Phil conveys humorous tales, including some local flavor, which the audience seems to enjoy. Older material such as ?Supper?s Ready? and ?The Cinema Show? take on a new sound as Bill Bruford works his magic at the drum set and interjects a series of new percussion instruments into the mix. Phil?s voice, though not as powerful as Peter?s, has an angelic quality at this point in his career which blends well with many of the songs presented during this show. The show closes with a medley of both old and new material: ?Los Endos?, ?It? and a shortened version of ?Watcher of the Skies?. Notes from the Re-Master This show was taken from multiple sources, all beginning with an audience recording. As a good quality audience recording, this show has the benefit of providing the acoustics of the Berkeley Theater to the listener. The majority of the show is from a second generation tape source. General tape hiss and show noise were identified and removed. Tonality was generally good and therefore unaltered. Very few clicks, pops or dropouts were found. Viable music frequencies existed up to 12,000 Hz. Other available CD versions of this show have a great deal of hiss and viable music frequencies only up to 7,500 Hz. These other versions also have cut the beginning of the song Los Endos due to tape stretch distorting the sound. During remastering we have restored this segment. A source with the complete dialog between songs could not be found so some transitions are a bit awkward but more natural than other CD versions available. 9e6af2047f6c1df5e77e50d4509affc6 *prrp007d1t08.shn c51c4aceeb6eb146bd67c3301395a329 *prrp007d1t02.shn d88f810424e7ecc982d4ea99412d5792 *prrp007d1t03.shn f57d22aa14d6b9b77c5a5ec87b928990 *prrp007d1t04.shn 4a56aff5724885a49bccb07d39f0a5db *prrp007d1t05.shn 93ca53274d2ed45a0babbf57e1454c9c *prrp007d1t06.shn bf029a33682ff87c349dcafc1e7033e2 *prrp007d1t07.shn 905eb9511adcce5c0f99ecafc49634b0 *prrp007d1t01.shn f51c2cdb7b4492f17e3166be207e87d6 *prrp007d1t09.shn 72227ce5af770f3ebda75b7e145580f6 *prrp007d1t10.shn f43b339904b7cc45f4def15c5eb26c54 *prrp007d2t08.shn f784b8386da3ac6cceac98a0ec0d71b2 *prrp007d2t02.shn 6315a1fa9351199f8b0c0a0400f92ef2 *prrp007d2t03.shn 7df8a43cac1311f6e68983729c422733 *prrp007d2t04.shn 488cb7c70acf748dce547d547ddd6bea *prrp007d2t05.shn 4b5d9c48a264c3c1bb69dbed45a34d98 *prrp007d2t06.shn 81a39ce1dac2519d15161f2c8221bd39 *prrp007d2t01.shn
morgokh (0/0) SHN / 2 View  
Primo (0/0) SHN / 2 View