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Set I
Good Friday
Nebekekanezer
Hi Head Blues
Pre-Road Downs
Ballad of Urgency
Wiser Time
Sometimes Salvation
Young Man, Old Man
Thorn in My Pride
Coming Home
Twice As Hard
Jealous Again
Remedy
Nebekekanezer
Hi Head Blues
Pre-Road Downs
Ballad of Urgency
Wiser Time
Sometimes Salvation
Young Man, Old Man
Thorn in My Pride
Coming Home
Twice As Hard
Jealous Again
Remedy
Set II
ENCORES:
She talks to angels
Bend Down Low
She talks to angels
Bend Down Low
Set III
Comment
Sources
(118609) View Source
Recorded By: UKJ69 Recorded with a Sony Minidisc Recorder MZR-90 & Sony Stereo MIC ECM-717 Transfered By: UKJ69 on 3/19/05 MD>CD-R>WAV>FLAC Frontend Level 6
(118761) View Source
Sony ESM-70P>Sony D7 (STEALTH) DFC Balcony center Mic clamped to center lighting rack
(118609) View Source
Recorded By: UKJ69 Recorded with a Sony Minidisc Recorder MZR-90 & Sony Stereo MIC ECM-717 Transfered By: UKJ69 on 3/19/05 MD>CD-R>WAV>FLAC Frontend Level 6
(118761) View Source
Sony ESM-70P>Sony D7 (STEALTH) DFC Balcony center Mic clamped to center lighting rack
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Doug Nawrocki (4/4.8) | FLAC DVD / 1 | View | Sony ESM-70P > Sony D7 | |||
| mymorningsong19 (4/0) | cdr / 2 | View | ||||
| Jason Rothfeld (4/0) | cdr / 2 | View | Sony ESM-70P>Sony D7 (STEALTH) | |||
| Zach Hill (4/0) | CDR / 2 | View | ||||
| deguitarguy (4/5) | CDR / 2 | View | ||||
| Rogue (3/0) | / 0 | View | 118761 | |||
| Travis Autrey (3/5) | CDR / 2 | A | View | |||
| Dan Stone (3/0) | CDR / 2 | View | AUD | |||
| steve (3/5) | CDR / 2 | B+ | View | |||
| Brad (3/5) | cdr / 2 | View | ||||
| EFC1878 (3/0) | CDR / 2 | A | B+ | View | ||
| Matt Jones (3/4.9) | CDR / 2 | View | Sony ESM-70P>Sony D7 (STEALTH) | |||
| Mike D (3/3.5) | CDR / 2 | A | View | Sony ESM-70P>Sony D7 (STEALTH) | ||
| Notes: | "Mr. Crowes Garden" | |||||
| Rich Willis (3/0) | CDR / 2 | View | ||||
| Notes: | AUD | |||||
| dr (3/5) | flac / 0 | View | ||||
| Notes: | Source:Sony ESM-70P>Sony D7 (STEALTH) DFC Balcony center Mic clamped to center lighting rack | |||||
| Darryl Kniaz (3/5) | / 0 | View | ||||
| Ace (3/0) | / 2 | A | A | View | ||
| Mike Redondo (3/0) | flac / 2 | View | Sony ESM-70P>Sony D7 (STEALTH) | |||
| Dan Eickhoff (3/0) | cdr / 2 | View | Sony ESM-70P>Sony D7 (STEALTH) | |||
| Notes: | track 1 and 2 have level adjustments | |||||
| scott (3/5) | CDR / 2 | View | ||||
| Max Hayman (3/0) | CDR / 2 | A | A | View | :Sony ESM-70P>Sony D7 (STEALTH) | |
| Notes: | Known flaws: ***track 1 has 2 level adjustments | |||||
| Billy Angell (3/5) | cdr / 2 | View | ||||
| scot titus (3/5) | cdr / 2 | View | ||||
| Notes: | a 'mr. crowes garden' show | |||||
| scottie (3/0) | / 0 | View | ||||
| Zombie Mann (3/5) | CDRs / 2 | View | ||||
| Dan Hanley (3/0) | CDR / 0 | View | DAUD | |||
| Erick (2/3) | CDR / 2 | View | ||||
| Notes: | I WAS THERE! | |||||
| Joe Breault (2/0) | flac / 2 | View | Look at notes | |||
| Notes: | This is a merge of two sources, by Spyder9 and Psycho Mule. Thanks, both of ya, for the great sources. Here's their mic info: Spyder9: Source: FOB > AT853RX-H > Denecke PS-2 > Denecke AD-20 > Kimber OPT1 > Nomad Jukebox 3 Mastering: WAV > Adobe Audition 1.5 > WAV > Totalrecorder 5.0 > WAV > FLAC Location: On the floor, in front of left stack, 10 yards out. Shot through an old Irish wool derby, made in Donegal County, Ireland. Psycho Mule: Source:Sony ESM-70P>Sony D7 (STEALTH) DFC Balcony center Mic clamped to center lighting rack Transfer: Sony pro75es>Soundforge6.0(16 bit @44.1khz)(record) no editing/resampling>CDWAV(tracks)> Flacfront end level 8>FLAC Known flaws: ***track 1 has 2 level adjustments The Psycho Mule recording was much punchier, and much more full sounding. The clarity of the leads and vocals left a bit to be desired. The Spyder9 recording was flat, but with very clear vocals and leads. I suppose the clarity is thanks to the wool cap, which filtered out a lot of room noise. I'm also sure it's that same room noise that made Psycho Mule's recording so wonderfully full sounding. Also, it doesn't suck that Spyder9's source was recorded from Marc Fucking Ford's side. The result of the merge is a full, punchy recording with clear vocals and hot leads. I did the merge with Adobe Audition, then converted to FLAC. Hope you all enjoy it. | |||||
| Dave Caimotto (2/0) | CD-R/FLAC / 2 | A | View | Sony ESM-70P>Sony D7 (STEALTH) | ||
| Notes: | DFC Balcony center Mic clamped to center lighting rack Transfer: Sony pro75es>Soundforge6.0(16 bit @44.1khz)(record) no editing/resampling>CDWAV(tracks)> Flacfront end level 8>FLAC Known flaws: ***track 1 has 2 level adjustments | |||||
| ecstrat57 (2/0) | CDR / 2 | A | B+ | View | Source: FOB > AT853RX-H > Denecke PS-2 > Denecke AD-20 > | |