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Set I
Break On Through, When The Music's Over, Roadhouse Blues, The Spy, Alabama Song, Back Door Man, Five To One, Build Me A Woman, You Make Me Real, People Get Ready, Mystery Train > Away In India > Cross Roads, Light My Fire > Fever > Summertime > St. James Infirmary > Graveyard Poem, Been Down So Long
Set II
Set III
Comment
Late set. Power is cut during "Been Down So Long".
Last Changed By
Jim Vogt
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| dcbullet (4/5) | Flac / 0 | View | ||||
| Wave Milor (3/5) | CDR / 2 | b- | View | |||
| Boisedeadhead (3/0) | / 0 | View | ||||
| Dave Lemen (3/0) | / 0 | View | ||||
| Notes: | dvd 183 dvd 253 | |||||
| Barry Smith (3/5) | CDR / 2 | View | ||||
| Donna Martin (3/5) | CD / 2 | View | ||||
| Notes: | Late Show | |||||
| Charles (3/0) | aud / 2 | View | ||||
| sshart (3/0) | shn / 1 | View | AUD > MR | |||
| Notes: | The Doors 4/10/1970 (late show) Boston Arena, Boston, MA Source: AUD > MR (see Notes) Taper: Joe Maloney [maloneyjoe68_at_aol.com] Lineage: MR > DAW > SDII > WAV > shn (see Notes) Transfer: Jamie Salerno [jjs4_at_po.cwru.edu] 5/29/2005 Disc 1 [55:31] 1. Intro 2. Break On Through 3. When The Music's Over 4. Roadhouse Blues 5. The Spy -> 6. Alabama Song -> 7. Back Door Man -> 8. Five To One 9. Build Me A Woman 10. You Make Me Real 11. Fade Out Disc 2 [45:28] 1. Fade In 2. People Get Ready -> 3. // Mystery Train-> 4. Away In India-> 5. Cross Roads 6. Band Intros 7. Light My Fire-> 8. Fever-> 9. Summertime-> 10. St. James Infirmary-> 11. Graveyard Poem -> 12. Light My Fire 13. Been Down So Long -> 14. ??? -> power cut off 15. After The Cutoff Notes: Joe Maloney's first stealth concert recording. (Actually, back then security did not stop him from entering w/recording equipment, so I really can't call it "stealth"). Disc 1 ends with a tracked fadeout & disc 2 begins with a tracked fade in: to join the music tracks of both discs, remove d01t11 & d02t01 track. The two "discs" will splice together. At Joe's request, I left in the crowd reaction to the power cutoff (mostly for Morrison's reacting to the show being stopped). You can leave out d02t15 if you want. The transition from tape 1 to tape 2 (during the intro to Mystery Train) involved a change of tape brands (Scotch 290 -> Sunset 600) & seemed to produce a drop in recording quality. Tape 2 also seems to have many gain changes as part of the recording process. Not bad for a fist attempt at recording live music, especially having to flip tape & thread a 3 in. spool of tape in the middle of a concert crowd. Also included are Toast/Jam printouts for the CDs (so you can use the "Audio starts in Pause" timings to have a track end when the music stops and the subsequent track start when the music begins). Recorded on a 1968 RCA portable reel to reel model YLS 15B at 3 3/4 ips, using an external microphone. Original 3" reels were transferred to a Mac DAW using a Wollensak T-1500 reel to reel recorder (approx. 45 yrs old). The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly; & b) a Phase Linear Autocorrelator to remove hiss. Lo Cut filter on Mackie 1402-VLZ used to remove hum & grunge below 75 Hz (-18 db/octive). Bias Deck used to splice tape flips & even out volume levels. Bias Peak again used to transfer SDII files to WAV files for shn compression. xACT used to fix SBEs & encode to SHNs. This recording is the one of literally dozens of concerts recorded by Joe Maloney in the late '60s - late '70s to be released to the live recording community. The bulk of the concerts recorded were in the Boston area, with some in Maine venues. | |||||
| mojo7 (2/5) | / 0 | View | ||||
| Notes: | official not for trade | |||||
| Jim Vaughn (2/5) | Cdr / 2 | B | B- | View | ||
| Vinicius Alves (2/0) | CDR / 2 | B+ | B+ | View | Audience | |
| Jeff (2/0) | CDR / 2 | View | ||||
| dfries (2/0) | / 0 | View | ||||
| muddy (2/0) | flac / 0 | View | ||||
| Stuart Ferguson (1/4.3) | CDR / 2 | View | Audience master recording by Joe Maloney | |||
| Notes: | DVD 37; lineage: 2nd Show. AUD > MR. Taper: Joe Maloney. MR > DAW > SDII > WAV > shn (see Info). Transfer: Jamie Salerno 5/29/2005 | |||||
| Kaz (1/5) | cdr / 2 | View | ||||
| OldNeumanntapr (1/5) | CDR / 2 | A | View | Audience Reel | ||
| Notes: | (Late Show) Recorded on a 1968 RCA portable reel to reel model YLS 15B at 3 3/4 ips, using an external microphone. Original 3" reels were transferred to a Mac DAW using a Wollensak T-1500 reel to reel recorder (approx. 45 yrs old). The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly; & b) a Phase Linear Autocorrelator to remove hiss. Lo Cut filter on Mackie 1402-VLZ used to remove hum & grunge below 75 Hz (-18 db/octive). | |||||
| Dan Anderson (1/4.9) | CD-R / 2 | View | AUD | |||
| Notes: | Late Show--Remastered | |||||
| Brian (1/0) | cdr / 2 | View | ||||
| Sean Gleason (1/4.6) | CDR / 2 | View | ||||
| OBIE (1/5) | BMA / 2 | View | ||||
| BluesFan (1/5) | FLAC / 0 | View | ||||
| Drumpelstiltzken (1/5) | CDR / 2 | A | B | View | unknown aud. | |
| Notes: | unknown, late aud., distant | |||||
| taperBWeed (1/5) | / 2 | View | AUD > MR Joe Maloney's first stealth concert recording | |||
| huntr (1/0) | Shn / 2 | View | ||||
| John DePietro (1/0) | CD-R / 2 | View | ||||
| Jim Vogt (1/5) | CD-R / 2 | View | audience master clone | |||
| Notes: | audience master clone | |||||
| Jim Vogt (1/5) | SHN / 1 | View | audience master clone | |||
| Notes: | audience master clone | |||||
| Pat (0/4.8) | FLAC 16 / 2 | View | ||||
| Calvin (0/0) | / 0 | View | ||||