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Set I
Let It Grow, They Love Each Other Let It Grow, They Love Each Other, U. S. Blues #1 -> U. S. Blues #2, Attics Of My Life, It Must Have Been The Roses -> Jam
Set II
Set III
Comment
Material has been circulated as this date via a 2001 shn set, but is more likely a mislabel of what is really 2/22/74 soundcheck
Last Changed By
Hamilton, Greg & Diana
Sources
(199) View Source
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SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed
(200) View Source
View Archive
S:MR> PCM> DAT> CD (Jay Serafin); via David Hollister?
(13961) View Source
View Archive
Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD
(21370) View Source
View Archive
SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin [email protected] sector boundaries fixed with shntool, new shns and md5s SIRMick([email protected])
(116902) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(136140) View Source
View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; - matrix mixing by Kevin Tobin
(136141) View Source
View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - DTS mixing by Kevin Tobin
(136142) View Source
View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - mixing by Kevin Tobin
(136266) View Source
View Archive
flac16; Unknown Audience Recording > PCM; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Pitch Corrected By Kevin Tobin In Adobe Audition; Mastering in Wavelab 7.1 by Jamie Waddell; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel
(136276) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(136641) View Source
View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
(199) View Source
View Archive SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed
(200) View Source
View Archive S:MR> PCM> DAT> CD (Jay Serafin); via David Hollister?
(13961) View Source
View Archive Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD
(21370) View Source
View Archive SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin [email protected] sector boundaries fixed with shntool, new shns and md5s SIRMick([email protected])
(116902) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(136140) View Source
View Archive flac16; Matrix 2 Source Mix - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; - matrix mixing by Kevin Tobin
(136141) View Source
View Archive DTS-Audio-CD 5.1 Mix; SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - DTS mixing by Kevin Tobin
(136142) View Source
View Archive flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - mixing by Kevin Tobin
(136266) View Source
View Archive flac16; Unknown Audience Recording > PCM; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Pitch Corrected By Kevin Tobin In Adobe Audition; Mastering in Wavelab 7.1 by Jamie Waddell; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel
(136276) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(136641) View Source
View Archive flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Craig (5/0) | cdr / 1 | View | SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional >PMD-320 CD... | |||
| Kevin Mcgrath (5/0) | CDR / 3 | A | A | View | ||
| Josh Anijar (5/0) | / 0 | View | ||||
| neill oliver (5/5) | CD-R / 1 | A+ | View | |||
| Thomas Sera (4/0) | / 2 | View | ||||
| bob (4/5) | cdr / 1 | View | ||||
| Zack (4/5) | CD / 1 | View | SBD>RTR @ 7.5 i.p.s.>D>SSSB | |||
| Mark Beswick (4/5) | shn / 1 | View | SBD > D > CD > SSSB | |||
| Notes: | Grateful Dead 02/24/74 SOUND CHECK Winterland Arena San Francisco, CA Lineage: SBD > D > CD > SSSB Disc 1 gd74-02-24sc_d1t01 04:51.789 Let It Grow -> gd74-02-24sc_d1t02 06:56.092 -> They Love Each Other gd74-02-24sc_d1t03 06:03.467 U. S. Blues 01 -> gd74-02-24sc_d1t04 05:50.149 -> U. S. Blues 02 gd74-02-24sc_d1t05 03:47.289 Attics Of My Life -> gd74-02-24sc_d1t06 13:34.552 -> It Must Have Been The Roses -> gd74-02-24sc_d1t07 02:36.380 -> Untitled Jam (song unknown) Total time: 0:43:39.718 *** these shn's have sector boundry errors and need to be fixed with shntool befroe burning to audio*** | |||||
| David Malone (4/5) | CDR / 4 | View | SBD | |||
| Hempletons (4/0) | cdr / 1 | View | ||||
| Magichatr (4/4.8) | CDR / 1 | View | SBD > Reel to Reel @ 7.5ips > DAT | |||
| Todd Lackey (4/5) | fuji / 1 | shn | View | SBD > RTR @ 7.5 i.p.s. > D > SSSB | ||
| Van Dalen's Liberated Bootlegs (4/0) | CDr / 1 | A+ | A | View | ||
| joel (4/4) | CDR / 1 | A | View | SBD> MR> DAT> CDR | ||
| David Baum (4/5) | CDR / 5 | View | ||||
| Notes: | Including Soundcheck: Track 01: Let It Grow (04:51.789) Track 02: They Love Each Other (06:56.092) Track 03: U. S. Blues #1 (06:03.467) -> Track 04: U. S. Blues #2 (05:50.149) Track 05: Attics Of My Life (03:47.289) Track 06: It Must Have Been The Roses (13:34.552) -> Track 07: Instrumental Jam (song unknown) (02:36.380) | |||||
| LAWRENCE (4/0) | CD / 1 | A++ | View | MASTER SBD | ||
| chucktcounceller (4/0) | CDR / 1 | View | SBD>MR>DAT>CD>EAC>CDR | |||
| Jon Paulk (4/5) | shn / 1 | View | SBD > D > CD > SSSB | |||
| Boisedeadhead (3/0) | / 0 | View | ||||
| Richard Warren (3/5) | cdr / 1 | View | ||||
| Notes: | partial sbd Serafin | |||||
| Brian Connelly (3/0) | / 0 | View | ||||
| Brad (3/5) | cdr / 1 | View | ||||
| keith martin (3/0) | CD-R / 1 | View | LINEAGE: SBD > RTR @ 7.5 i.p.s. > D > SSSB | |||
| Notes: | This is the majority of the soundcheck for that evening's show; due to this being a version which does NOT have the PCM tape in it's lineage, it is released as a NEW SHOW "Let It Grow" is missing 02:18 from it's beginning, "Instrumental Jam is missing approx. first 2 minutes and last 1:38 seconds (both of these verified by my Marin County source) due to RTR tape decks being patched in and out; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 08/01] | |||||
| Jeepster (3/0) | cdr / 1 | View | ||||
| Notes: | SBD>D>CD>SSSB>SHN | |||||
| Rich Willis (3/0) | CDR / 1 | View | ||||
| Notes: | SBD | |||||
| Sin City Hillbilly (3/0) | / 0 | View | ||||
| phishphinder23 (3/0) | / 0 | View | ||||
| Darryl Kniaz (3/5) | / 0 | View | ||||
| Augwst (3/5) | SHN / 1 | View | ||||
| Peter Butts (3/0) | CDR / 1 | View | ||||