Grateful Dead 04/03/1989

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SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell

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FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor

(89791) View Source

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flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008.

(96796) View Source

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flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > mac taped by John Bleich Transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav (16/44.1) > Cd Wave > TLH > flac16

(100161) View Source

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flac16; Source: (FOB) Schoeps CMC5/MK4->DAT (16/48) Lineage: Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0 (fades, normalize (127.20%/2.09dB), resample)->FLAC; Taper: Unknown

(125022) View Source

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flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

(125023) View Source

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flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

(125281) View Source

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flac16; Matrix 4 Source Mix - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - matrix mixing by Kevin Tobin

(125403) View Source

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DTS-Audio-CD 5.1 Mix; SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - dts mixing by Kevin Tobin

(125413) View Source

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flac16; SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell (shnid 7507) - Patched, Pitch Correction and Tagged by Kevin Tobin

(133939) View Source

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flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

(135433) View Source

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flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor - mixing by Kevin Tobin

(141670) View Source

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flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)

User (active/rating)	Media / #	Show	Sound	Details	DB Source	User Source
denise gray (2/0)	SHN / 2			View		SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serfin; via Bob Harrell
Notes:	SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serfin; via Bob Harrell - any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96kHz data stream) at Serafin Station Studio B.
Scott (2/0)	/ 0			View
Tripp Wojohn (2/0)	SHN / 2			View	7507	SBD > PCM (analog output) > D > D > CDR > EAC > SHN
Carter (1/5)	CDR / 3	A	A	View
Charlie Yohe (1/5)	CDR / 2			View	7507
Rick Childs (1/4.9)	CDR / 3	A+	A+	View	7507
forgottenspace (1/4.5)	CD / 3			View	7507	SBD > PCM (analog output) > D > D > CDR > EAC > SHN
Gary Field (1/5)	SHN / 2			View	7507	SBD
Notes:	SBD > PCM (analog output) > D > D > CDR
Gary Field (1/5)	SHN / 2			View	29758	AUD
Notes:	Source Audience FOB (11th Row) Mics Beyer Dynamic M88's Tapedeck Sony TCD5M Media Maxell MX90 Taper Glen Charlton
Gary Field (1/5)	FLAC / 2			View		SBD
Notes:	Download Series v.09 NOT for Trade [060821.3]
Gary Field (1/5)	89791 / 2			View	89791	AUD
Notes:	AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak [080212.1]
Gary Field (1/5)	125413 / 2			View	125413	SBD
Notes:	SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell (shnid 7507) - Patched, Pitch Correction and Tagged [131125.wd002]
Gary Field (1/5)	125281 / 2			View	125281	MTX
Notes:	Matrix 4 Source Mix - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) [131125.wd002]
Gary Field (1/5)	96796 / 2			View	96796	AUD
Notes:	Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > mac taped by John Bleich Transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav (16/44.1) > Cd Wave > TLH > flac16 [090113.1]
Gary Field (1/5)	100161 / 2			View	100161	AUD
Notes:	Source: (FOB) Schoeps CMC5/MK4->DAT (16/48) Lineage: Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0 (fades, normalize (127.20%/2.09dB), resample)->FLAC; Taper: Unknown [090731.1]
Gary Field (1/5)	125022 / 5			View	125022	AUD
Notes:	flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename [130725.wd002]
Gary Field (1/5)	125023 / 2			View	125023	AUD
Notes:	Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename [130725.wd002]
Gary Field (1/5)	125403 / 2			View	125403	DTS Audio 5.1
Notes:	DTS-Audio-CD 5.1 Mix; SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) [131003.wd002]
Gary Field (1/5)	135433 / 0			View	135433
Gary Field (1/5)	141670 / 0			View	141670
Marc Deardorff (1/5)	shn / 2			View	7507
Notes:	SBD > PCM (analog output) > D > D > CDR > EAC > SHN
Marc Deardorff (1/5)	shn / 2			View	29758
Notes:	FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor
Marc Deardorff (1/5)	flac / 2			View	96796
Notes:	aud > Nakamichi 300 shotguns > Sony WM-D6 > mac taped by John Bleich Transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav (16/44.1) > Cd Wave > TLH > flac16
Boedi-taper (1/4.8)	CDR / 2	A	A	View		Audience Recording
Notes:	Audience Recording.Boedi-taper'sa Sony D6 Cassete MasterW/Sony Mics Transferred to CD
mike (1/5)	DVD / 3			View		Set 1&2 BHP
Notes:	Video Source: Video: AUD > ??? > HI-8 tape (low generation but unknown lineage) Transfer: Sony DCR-TRV460 Camera > Firewall > Sony Vegas Pro 11 > MPEG2 Audio Source Information: shnid = 125281 SBD + AUD Matrix 4 Source Mix (55%-AUD/45%-SBD) Soundboard shnid = 7507 Mastered by Jay Serafin, Serafin Station Studio B LINEAGE: SBD > PCM (analog output) > D > D > CDR > EAC > SHN Jay's comments: any/all editing,fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96kHz data stream) at Serafin Station Studio B [this show was released in 05/00] My comments: Both sets (d1t01, d2t01) start rather abruptly. Most likely a few notes are lost in both cases. There is a bit of distortion, tape flutter, or static in d1t01 from 1:11 to 1:15 and around 1:42. Extracted with EAC in secure mode. There was a sync error on d1t9, bu copy completed. Jay asks that the integrity and hard work of his mastering be respected: "all I ask is that the shows aren't edited in any way, such as taking out a lot of the between song lulls, etc. They're left in there because they were part of the show...". Sounds reasonable to me. Thanks. Bob H. Audience1 shnid = 29758 Source Audience FOB (11th Row) Mics Beyer Dynamic M88's Tapedeck Sony TCD5M Media Maxell MX90 Taper Glen Charlton Digital Mastering by Charlie Connor Shn'd 4/19/01 by Charlie Connor I don't know why this didn't end up on the etree db until June 23, 2005 but I'm reseeding the Etree BT tonight. FoB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT) Audience2 shnid = 125023 Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename Video no shnid Video: AUD > ??? > HI-8 tape (low generation but unknown lineage) Transfer: Sony DCR-TRV460 Camera > Firewall > Sony Vegas Pro 11 > MPEG2 > LCPM --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 1-AUG-2013 - Trader Little Helper - Tagged 1-AUG-2013 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD +1 SET TWO Stereo Matrix SBD 0 AUD +1 --------------------------------------------------------- Audio Patches: 1) At the start of the show, 22.780 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the first 8 seconds of Greatest Story Ever Told. 2) Between Walkin' Blues and Jack-A-Roe, 12.101 seconds were missing from the audience1 and were filled in using audio from the soundboard. 3) Between Jack-A-Roe and El Paso, 2 minutes and 37.761 seconds were missing from the audience1 and were filled in using audio from the soundboard. 4) Between El Paso and Built To Last, 11.436 seconds were missing from the audience1 and were filled in using audio from the soundboard. 5) Between Built To Last and Victim And The Crime, 55.682 seconds were missing from the soundboard and were filled in using audio from the video. 6) Between Built To Last and Victim And The Crime, 1 minutes and 13.075 seconds were missing from the audience1 and were filled in using audio from the soundboard/video. 7) About 5 minutes into Victim And The Crime, 33.520 seconds were missing from the aduience1 and were filled in using audio from the soundboard. 8) At the start of the 2nd set, 48.400 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the beginning of Blow Away. 9) About 7 minutes into Crazy Fingers, 3.338 seconds were missing from the soundboard and were filled in using audio from the audience2. 10) About 5 minutes into Uncle John's Band, 2.595 seconds were missing from the soundboard and were filled in using audio from the audience2. 11) About 8 minutes into Uncle John's Band, 7.833 seconds were missing from the soundboard and were filled in using audio from the audience2. 12) About 4 minutes into Drums, 2 minutes and 8.652 seconds were missing from the soundboard and were filled in using audio from the audience2. 13) About 1 minutes into Space, 3 minutes and 11.697 seconds were missing from the audience1 and were filled in using audio from the audience2. 14) About 5 minutes into Sugar Magnolia, 11.243 seconds were missing from the soundboard and were filled in using audio from the audience2. 15) About 6 minutes into Sugar Magnolia, 4 minutes and 57.484 seconds were missing from the audience1 and were filled in using audio from the video\audience2. This includes the break between Sugar Magnolia and Johnny B. Goode. 16) Between Sugar Magnolia and Johnny B. Goode, 1 minute and 9.761 seconds were missing from the soundboard and were filled in using audio from the video\audience2. This includes the first notes of Johnny B. Goode. 17) At the end of the 2nd set, 27.656 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the last notes of Black Muddy River. Video Patches: 1) At the start of the show, 22.780 seconds were missing from the video and were filled in using Audience audio and graphics filler. This includes the first 8 seconds of Greatest Story Ever Told. Notes -Video assets courtesy of Dan Cole and tranfered by Kevin Tobin - thank you very much Dan -SBD torrented from LL with many thanks -AUD downloaded from Archive.org with appreciation for all they do -Audio synchronization by Kevin Tobin using Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Video patches created with Ulead VideoStudio 11 by Kevin Tobin. -Multiplexing via TMPGEnc MPEG Editor by Kevin Tobin. -DVD authoring via DVD Architect 6.0 by Kevin Tobin. Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 Frame Rate : 29.99 Source picture letterboxed : Not letterboxed Bitrate : Disk 1: 8.000 Mbps Disk 2: 8.000 Mbps Disk 3: 8.000 Mbps Menu : Yes (song list on separate menu) Audio Attribute : Number of Audio channels : 2 Number of Audio streams : 1 Audio Coding mode: Linear PCM audio Sampling Rate : 48kHz 1536Kbps Brokedown House Production Do NOT buy or sell this video
J (1/5)	DVD9 / 2			View		Video: AUD (Tripod) > Master / Audio: SBD
thegreatdivide6 (1/0)	flac / 0			View	125281	Matrix 4 Source Mix - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay...
Notes:	matrix
thegreatdivide6 (1/0)	DVD / 0			View		Video Source: Video: AUD > ??? > HI-8 tape (low generation but unknown lineage) Transfer: Sony...
Notes:	DVD,sbd matrix
Jim (1/5)	cdr / 2			View	7507	SBD > PCM (analog output) > D > D > CDR > EAC > SHN
Hanf (1/5)	Shn / 0			View	7507

User (active/rating)

Media / #

Show

Sound

Details

DB Source

User Source

denise gray (2/0)

SHN / 2


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Cached: Mon, 6 Jan 2025 18:11:21 EST