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Grateful Dead 08/27/72
Old Renaissance Faire Grounds, Veneta, OR
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Set I
Promised Land, Sugaree, Me & My Uncle, Deal, Black Throated Wind, China Cat Sunflower-> I Know You Rider, Mexicali Blues, Bertha
Set II
Playin' In The Band, He's Gone, Jack Straw, Bird Song, Greatest Story Ever Told
Set III
Dark Star-> El Paso, Sing Me Back Home, Sugar Magnolia, Casey Jones, One More Saturday Night
Comment
Springfield Creamery benefit - "Field Trip" - not 08-28-72 - Other artist(s): NRPS
Last Changed By System
Sources
(152) View Source    View Archive
SBD MR> DAT> CDR> EAC> SHN; via S. Kaplan, G. Hamilton; known flaws: sound system disortion/buzziness at places; d1t7 d/o @ 11:14; d2t6 discontinuity @ 3:36, static @ 5:07; note least-flawed of several versions assayed (no clicks/pops in Dark Star); 12/00 update: an upgrade version is now circulating
(2199) View Source    View Archive
SBD Master Betty reel > PCM > DAT > ZA2 > CD > EAC > SHN; Set 3 has unknown # of PCM gens; via Jeff Tiedrich (DAT seed), David Hollister (transfer> CD), G.S. Hamilton (EAC> SHN); see info file for comments; d3 tracked for 80 min; upgrade relative to previously etreed copy
(3328) View Source    View Archive
SBD-> two-track MR-> DAT-> Sonic Solutions-> CDR-> EAC-> Sound Forge Edit (analog pop removal using pencil tool)-> Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents); stemming from David Gans seed, via Adam Jerugim to Leigh Orf, who fixed up (see details in info file); d3 trackd for 80 min; note previous shn sets have been Betty Board sourced- this is not
(4682) View Source    View Archive
SBD> 16 Track Master Reels> [email protected]> DAT> DAT> WAV> SHN; see info file for details, fixes and flaw notes; note most banter edited out; Reel>DAT transfer by Dick Latvala; DAT clone supplied by Rob Eaton; DAT>SHN by Jamie Lutch; QC courtesy dankseeds
(8045) View Source    View Archive
SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM> (PCM) > D > SSSB; via Jay Serafin to gdlive; see info file for extensive notes
(16582) View Source    View Archive
SBD> 16 Track Master Reels> [email protected]> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed
(21619) View Source    View Archive
Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels)
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User (active/rating) Media / # Show Sound Details DB Source User Source
PJP (1/5) .shn / 3 View  
Clarke (1/0) SHN / 2 View 3328
Joe (1/0) CDR / 3 A B+ View   gdlive.com
John Cook (1/0) audio / 3 a View  
Amy (1/0) / 3 View  
oren (1/0) / 0 View 21619
Rich (1/0) cdr / 3 A+ View   SBD
Notes: Set I: Promised Land, Sugaree, Me & My Uncle, Deal, Black Throated Wind, China Cat Sunflower >I Know You Rider, Mexicali Blues, Bertha Set II: Playin' in the Band, He's Gone, Jack Straw, Bird Song, Greatest Story Ever Told Set III: Dark Star> El Paso, Sing Me Back Home, Sugar Magnolia, E1: Casey Jones, E2: Saturday Night
funkDebo (1/0) DVD / 1 pro View   "Sunshine Daydream"
Notes: The Grateful Dead "Sunshine Daydream" Old Renaissance Fairgrounds, Veneta, Oregon August 27, 1972 A Concert Film by John Norris, Sam Field and Phil DeGuere Video Source: 2nd Gen. VHS of original captured at 6000 bits/second. (NTSC) Audio: 16 track Master Reels > DAT (x3) > CDA > EAC > SHN digitally re-mastered using a custom built, Dual-DAW, nicknamed "Bertha", then spliced with audio from the original film soundtrack, and edited with Adobe Audition (LCPM). Production: Brokedown House Productions Original VHS supplied by Joe Estades Video Capture and Conversion by Dan Blank Audio CDs provided with thanks by Jay Ashley via tol Audio SBD imported and synced by Kevin Tobin DVD Layout and mastering performed by Kevin Tobin. --------------------------------------------------------------------------- Disc Index - 1. Prankster clips - Acid tests 2. Setup Scene - Playin in the Band (background music) 3. Water and Heat 4. Promised Land 5. "Conserve Water" 6. China Cat Sunflower > 7. I Know You Rider 8. "The Sunstroke Serenaders" 9. Jack Straw 10. Oregon Insanity 11. Dark Star 12. El Paso 13. Greatest Story 14. Credits Video - Grainy VHS copy but the best I've seen. Audio - Movie soundtrack is rough, but the soundboard overdub of the band performance sounds great! Size: 4.19 GB
Mike (1/5) DVD / 1 View   See Notes
Notes: Grateful Dead 8-27-1972 Old Renaissance Faire Grounds Veneta, OR Benefit for Springfield Creamery DVD/VCD1 Prankster clips - Acid tests Setting up - Playin in the Band (background music) Water and the Heat Promised Land Crisis China Cat Sunflower >> I Know You Rider ...what ever happened to the truck that was going to spray the crowd Jack Straw VCD2 Oregon Insanity (Please help us Jerry and Bob) Dark Star >> El Paso ...and no one was hurt Endings - Greatest Story (background) Concert film by John Norris, Sam Field, and Phil DeGuere Loosely shot, this 100-minute film captures an incredibly youthful Grateful Dead playing outdoors at a creamery benefit in Veneta, Oregon. The following text is from http://www.sfherald.com/columnists/...apozzola08.html "In sitting down to watch 'Sunshine Daydream,' one gets a sense of revisiting history. Because this was an era of unprecedented accessibility, the Canis Major crew were able to station their cameras squarely on the wings of the stage, mere feet from the band. The resulting footage allows the viewer to stand almost shoulder-to-shoulder with a very young Bob Weir, age 25, strumming a cherry-red hollow-body guitar; a bushy-haired Phil Lesh, dressed more like a surfer than a bassist, and belting unexpected harmony vocals; a fuzzily bearded Garcia, age 30, smiling, not a gray hair in sight; and, a tough-looking Bill Kreutzman, sitting squatly on his drum stool, chewing gum and wearing a railroad conductor's cap. Where most Dead fans only witnessed these musicians 20 years later, and from the remote mezzanine deck of a Checkerdome-Enormodome-Superstadium, here suddenly is Garcia's boot tapping on a rusty foot pedal, Phil Lesh leaping in front of Kreutzman during a jazzy drums and bass solo, and Bob Weir stepping timidly to the microphone after a long, haunting jam. One can only speculate on just how psychedelically engaged Norris, Field, and DeGuere (along with third cameraman Lou Melson, and soundman Charlie Barreca) were as they recordeded the day's proceedings. The concert itself was organized by Ken Kesey and the Merry Pranksters, which helped to ensure a day of genuine acid craziness. But shot with synchronized, handheld cameras, the Canis Major team succeeded in capturing both the blissful playing of the musicians and the general ecstasy of the audience. The camera eye becomes almost a running commentary of the respective filmmakers' interior monologues. A close-up of Garcia's leather boot stepping on a wah-wah pedal jumps suddenly to a Christ-like figure perched precariously on a wooden pole above the stage. The camera tracks the fellow as he dances rabidly above the music, then cuts to two women walking a child behind the stage. A dog runs past them. Suddenly the music changes gears and the camera swings back to the stage, to blonde-haired Phil Lesh at the precise moment he strums a booming chord on his bass. And then the other camera takes over, offering Bob Weir baring his teeth and straining to sing a high note as he chops harsh chords on his guitar. Weir falls backward as Garcia begins to solo and the camera suddenly jumps again to a topless girl dancing nearby in the tall grass. Such chaotic filming succeeds precisely because of its extemporaneous nature. Almost accidentally, it captures the day's events in whirlwind fashion, fortuitously recording all the peripheral "noise" of the festival. In editing the film, DeGuere, Norris, and Field wisely provided some breathing room, interspersing performance clips with vintage moments of Kesey and the Pranksters. Additional background footage delivers candid shots of the festival's organizers as they try to cope with a water shortage amidst the day's 100-degree heat. The camera pans to crowds of men and women sharing plastic jugs of water. Overdubbed walkie-talkie chatter reveals the stage crew trying to bring in a fire truck to hose down the crowd. In true Deadhead spirit, the film preserves an event that seem awfully remote in today's world of cable TV, Internet ticketing, and heavily policed gatherings. Early in the movie, an eager crew can be seen building a simple wooden stage. No cops, no security force trolling the grounds. No bags being searched, no one ejected for cigarette smoking. What one witnesses as the movie gets underway is 30,000 folks raving about in a big, sunny meadow while the local band plays on a hastily erected platform. Two flinty piles of amplifiers broadcast loud rock 'n roll out to the countryside. Amidst such casual planning, it seems forgivable that the festival's organizers forgot to incorporate stage lights. Providentially, this lack of concert lighting works to stunning effect later in the film. As the sun sets, and a cool breeze settles on the day's revelry, Garcia can be faintly seen crooning the plaintive "Sing Me Back Home," a mere silhouette of dark hair and beard against the gathering dusk. Such a pastoral scene, of dogs and babies and children eating ice cream, hearkens back to a bygone era. 'Sunshine Daydream' never lectures, though, never complains that such days have passed. But in its quick cuts to footage of the Merry Pranksters, and their 1964 bus slogan "A vote for Barry [Goldwater] is a vote for fun," one sees the timeless political viability of street theater. And cutting back to the Dead in blazing performance, one is reminded that the most essential American liberty is freedom of expression." Source Video Capture was performed by Dan Blank using Joe Estades vhs tape (2nd generation vhs of original). Audio: Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A(Between songs from the two-track master reels) Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on January 4, 2004. Thanks to Peter Braverman for his fine work. From the Braverman text file and prior to Bertha Remastering: Source: SBD>16 Track Master Reels>[email protected]>DAT>DAT>WAV>SHN> DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f WAV was edited in Soundforge 4.0 (crossfading of reel cuts between songs, no music was disturbed except for Sugar Magnolia) WAV>SHN via CDWAV 1.53>MKW 0.97b Note: After capturing the video, the audience soundtrack (from the video) was exported and then loaded into Adobe Audition along with a copy of the sbd audio. Then, an unique note at approximately 1 minute intervals on the video soundtrack was found and matched to the same note from the sbd. Some modification (ie stretching or shrinking) to the length of these segment was required in order for the sbd to flawlessly match the captured video. The original video audience track was then muted and the sbd tracks imported as background music prior to creating the master dvd. The video was captured at 720x480 resolution (DVD) at 6000bits\sec to create the original mpeg2 file. After the sound was imported and the dvd burned, the mpeg2 file was rendered to 352x240 to make VCD disks. Takes either (1) dvds or (2) vcds. Audio\Video Flaws: 1) First 2 minutes 58 seconds of video used the video soundtrack as no matching soundtrack is available. 2) Some vocals\talking during the Playin in the Band segment were mixed in from the video soundtrack. 3) The last 1 minutes and 38 seconds of Playin in the Band was added from the audio soundtrack to give a better flow. Video was filled in using clips from the movie slowed down by a factor of 3. 4) Between Playin and Promised Land, video soundtrack was used as no matching audio from soundboard. 5) Between Jack Straw and Dark Star, video soundtrack was used as no matching audio from soundboard. 6) About 23 minutes into Dark Star, 2.9 seconds were missing from the video - inserted transition with no loss of sound. 7) Between El Paso and Greatest Story, video soundtrack was used as no matching audio from soundboard. 8) No other flaws noted during show Brokedown House Productions Original vhs supplied by Joe Estades Video Capture and Conversion by Dan Blank Audio cds provide with thanks by Jay Ashley via /tol 'Bertha' remastering performed by Jay Ashley Audio SBD imported and synced by Kevin Tobin DVD layout and mastering performed by Kevin Tobin home ? lists
blackcrowes92 (1/0) SHN / 2 View 21619
Notes: SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels)
tobagginoggin (0/0) CD-R / 3 MR View 16582
Michael Hotz (0/5) / 3 View  
james kiehl (0/5) CDR / 3 A A View   SBD
Notes: really nice show. lots of soul in the old ones...
Festival Jim (0/5) 3 cd / 3 A+ View  
Notes: A note from David Gans: This recording of the legendary Springfield Creamery show came from Sam Field, who directed the film Sunshine Daydream, shot that day. The film crew ran a reel of their own - which is probably the same mix as the PA tape.
David Wilson (0/0) shn / 3 View 152
bill d (0/5) 3 CD + 1 DVD / 4 View  
Notes: "Sunshine Daydream"
bill c (0/0) shn / 2 A View 2199
bill c (0/0) shn / 2 A+ A+ View 3328
Notes: from "Sunshine Daydream" 2-track not the more common Betty Board source - different mix.
duggy (0/4.1) SHN DVD / 1 View 3328 SBD-> two-track MR-> DAT-> Sonic Solutions-> CDR-> EAC-> Sound Forge Edit
1314 (0/0) shn / 2 View 21619 sbd > master reel > dat; Transfer info: dat > SS > cda > eac > shn > DAW(Bertha) > cda/shn
Notes: 21619 (bertha-ashley) Bertha re-master of shnid 16582.
Rick Childs (0/0) DVDR / 2 A++ A View 4682
Notes: Grateful Dead 8-27-1972 Old Renaissance Faire Grounds Veneta OR (Benefit for Springfield Creamery) DVD 1 Creamery Skit (not included on previous version) Prankster clips - Acid tests Setting up - Playin in the Band (background music) Water and the Heat Promised Land Crisis China Cat Sunflower >> I Know You Rider ...what ever happened to the truck that was going to spray the crowd Jack Straw DVD 2 Oregon Insanity (Please help us Jerry and Bob) Dark Star >> El Paso ...and no one was hurt Endings - Greatest Story in the background Different angle of China Cat Sunflower >> I Know You Rider (not included on previous version)
JohnO (0/0) CDR / 3 View 2199
Greg Wellemeyer (0/0) / 0 View 21619
c4seyj0nes (0/0) / 0 View  
Adam (0/0) shn / 0 View 8045 SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM > D > SSSB
Shawn (0/5) CD-R / 3 A+ A+ View   SBD
Z Hagen (0/0) / 0 View 16582
Notes: Converted to FLAC from SHN
Kyle (0/0) / 0 View  
Mark Mazur (0/5) cdr / 3 View  
Mark Mazur (0/5) vcd / 2 A- View  
Notes: Sunshine Daydream video