Browse Collections Artists Sources   Search Dates

Add Show    List Management    Help


Grateful Dead 10/01/77
Paramount Theater, Portland, OR
Add Source    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Promised Land, They Love Each Other, Mexicali Blues, Dire Wolf, Cassidy, Deal, Passenger, Tennessee Jed, Minglewood Blues, Peggy-O, The Music Never Stopped
Set II
Bertha-> Good Lovin', It Must Have Been The Roses, Estimated Prophet-> Eyes Of The World-> Dancin' In The Streets-> Drums-> Not Fade Away-> Black Peter-> Around & Around
Set III

Comment

Last Changed By System
Sources
(277) View Source    View Archive
Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source    View Archive
SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source    View Archive
flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source    View Archive
flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show

<< Previous       1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 511 - 540 | 541 - 570 | 571 - 600 | 601 - 630 | 631 - 660 | 661 - 690 | 691 - 720 | 721 - 750 | 751 - 780 | 781 - 810 | 811 - 840 | 841 - 870    Next >>

User (active/rating) Media / # Show Sound Details DB Source User Source
six (3/5) CDR / 2 B+ A View 277
Notes: Decent show, boys seemed to have it rough that night
Jeff Salmon (3/4.8) CDR / 2 A A View  
Notes: SBD Recording D1 Length: 73:50 D2 Length: 73:09
bob (3/5) / 0 View  
Bob Witcher (3/0) cdr / 2 A View   Bettyboard 2 track 7 1/2 ips Mr>PCM>DAT>CDR
Steve Wilson (3/5) SHN / 2 View 10689
Notes: 16
Owen (3/0) cd-r / 2 View 277 SBD
Monkmoose (3/5) cdr / 2 View 10689
Fred (3/0) CD-R / 2 View  
chad (3/5) flac / 2 View 10689
Eric Handler (3/5) SHN / 2 View 277 SBD > MR > PCM > PCM > DAT > CDR
clif (3/0) CD / 3 View  
clif (3/0) CD / 0 View  
clif (3/0) / 2 View 277
Jeff MacLaren (3/5) shn / 2 A View 277
Notes: see notes
John Daly (3/0) cdr / 3 View  
spencer (3/0) / 2 View 86234
GoHeels4 (3/5) Audio CD / 2 A A View  
Chris Bertschmann (3/0) CDR / 2 View   SBD>MR>PCM>DAT>CDA>DAW(Bertha)>CDA
Notes: Bertha remaster; static in Estimated
Philzone (3/4.9) Cdr / 2 A A View   SBD>MR>DAT>Cdr
Notes: missing Promised Land
catfishjon (3/0) shn / 2 View 10689
Dave Konrad (3/4.6) SHN / 2 View 277 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips
Ken 's Shows (3/0) 2 / 2 View  
Notes: Betty Reel>PCM x2>DAT>CDR
Russell Lane (3/0) shn / 2 View 10689
RJ Howell (3/0) shn / 2 View  
Josh Cooperman (3/3.8) CDR / 2 A View  
Matt Xavier (3/0) CD-R / 1 View  
Jeff Martinson (3/4.7) CDR / 3 A A View  
Notes: audio only
Daryl Nowak (3/5) CD / 2 A View   SBD>R>PCM>DAT>CD
Greg Carmack (3/5) shn / 2 View   7" 2trk BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055
David (3/5) CDR / 2 A View   Unknown SBD