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Grateful Dead 03/25/72
Academy of Music, New York, NY
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Set I
Hey Bo Diddley*-> I'm A Man*-> Jam*-> Take It Off*-> Mona*, Wow Wow Hey Hey*, Slow Blues*, Pollution*, Eighteen Children*, Jam*, Jam*
Set II
How Sweet It Is, Are You Lonely For Me, Next Time You See Me, Brown Eyed Women, Smokestack Lightning, Sitting On Top Of The World, Sugaree, Looks Like Rain, Bertha, Mr. Charlie, Playin' In The Band, Good Lovin', Turn On Your Love Light
Set III
 
Comment
*w/ Bo Diddley; Hell's Angels party; Other artist on bill: Bo Diddley
Last Changed By Hamilton, Greg & Diana
Sources
(8838) View Source    View Archive
AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute
(22094) View Source    View Archive
Multiple Sources -- see info file, same as shn ID 8838, but SBE's in d1t11, d1t14, and d2t10 fixed with shntool and new md5's generated
(100352) View Source    View Archive
flac16; source: aud reel; lineage: aud>?>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/29/09
(133592) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
(133593) View Source    View Archive
flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
(136684) View Source    View Archive
flac16; Source: sbd > master reel > dat (48k)
(137695) View Source    View Archive
flac16; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick
(137696) View Source    View Archive
flac24; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
zerbini mike (1/0) cd / 1 A View  
Notes: dp 30 bo diddley
zerbini mike (1/0) cd-r / 2 View  
Charlie Earthman (1/0) SHN / 2 View 8838 AUD composite, see source info
Roger May (1/0) SHN / 2 View 8838
MGA (1/5) CDR / 2 View 8838
Kevin (1/0) shn / 2 View 8838
Dave (1/5) CDR / 2 View  
Notes: AUD>MC>?>D>CD includes Bo Diddley set; missing BTW, Deal;
motsies (1/0) CD-R / 2 View   AUD composite
TPH (1/0) CDR / 2 A A View  
Robert Rigos (1/5) SHN / 2 View 8838
HAVANOS (1/0) cdr / 2 A C/D View   AUD composite
Notes: sound varies from bad to worse set one: source A - low-gen reel > C > CDR source B - MC > C > CDR; different master than source A Wow Wow Hey Hey 1:30 tape warbles; 7:09 tape cut. Jam (d1t11) 0:37 and 0:40 tape cuts. set two: source C - low-gen cassette > CDR source B - MC > C > CDR, patch only, inferior sound than source C beginning through Take It All Off 1:13 is from source A, the rest is from source B except for Take It All Off 3:53 through 0:20 of Mona, which were missing on source B and have been spliced in from source A. Smokestack Lightning 11:40 through 12:08 spliced in from source B. ... there are doubtlessly more of these unavoidable anomalies. A few "pause button" cracklings have been smoothed.
HAVANOS (1/0) cdr / 2 A C/D View   AUD composite
Notes: sound varies from bad to worse set one: source A - low-gen reel > C > CDR source B - MC > C > CDR; different master than source A Wow Wow Hey Hey 1:30 tape warbles; 7:09 tape cut. Jam (d1t11) 0:37 and 0:40 tape cuts. set two: source C - low-gen cassette > CDR source B - MC > C > CDR, patch only, inferior sound than source C beginning through Take It All Off 1:13 is from source A, the rest is from source B except for Take It All Off 3:53 through 0:20 of Mona, which were missing on source B and have been spliced in from source A. Smokestack Lightning 11:40 through 12:08 spliced in from source B. ... there are doubtlessly more of these unavoidable anomalies. A few "pause button" cracklings have been smoothed.
Robert Tacker (1/0) / 2 View  
Notes: Dicks Picks 30
Richard (1/0) CDR / 2 View  
Richard (1/0) CDR / 2 View  
Richard (1/0) CDR / 2 View  
Scott Rosen (1/5) shn / 2 View 8838
Notes: AUD composite
Robert Meme (1/1) / 1 View   Dicks Picks #30
Notes: N/A
Matthew H. Wier (1/5) CD / 1 View   Dick's Picks vol. 30
Notes: NOT FOR TRADE
Russell Castley (1/5) CDR / 2 C View 8838 Audience
Notes: SHN available (see SHN info). Unique show, the fisrt set is with Bo Diddley and this is the only know time that 'How Sweet It Is' and 'Are You Lonely For Me' were played. Part of this show has been released as "Dick's Picks 30". Buy it here:?mars.dead.net
Adam Eaglestone (1/4.8) cd / 2 View  
Warren Oates (1/5) cdr / 2 View   AUD composite (see tech notes)
Notes: AUD. see tech notes. includes Bo Diddley set. missing: BTW, Deal, Good Lovin' & Casey Jones.
elkhartadam (1/0) SHN / 2 A D/C View 8838 source A - low-gen reel > C > CDR source B - MC > C > CDR; different master than...
Notes: Special guest Bo Diddly for set 1 Only How Sweet It Is and Are You Lonely
Chris Cantergiani (1/4.8) CD / 1 View   aud
Notes: partial
Erik Harrington (1/0) / 0 View  
Eddieb (1/5) shn / 2 View 8838 various aud sources
Thomas Raymo (1/5) SHN / 2 View 8838
Notes: OK
Meaty (1/0) shn / 2 View 8838
Cotsman (1/5) SHN / 2 View   AUD>?>SHN
Notes: aud composite; missing BTW, Deal; for the completist
Tommy Brame (shn) (1/5) SHN / 2 View 8838