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Set I
U.S. Blues, Mexicali Blues, Brown Eyed Women, Beat It On Down The Line, Candyman, Jack Straw, China Cat Sunflower > I Know You Rider, El Paso, Loser, Playin' In The Band
Set II
Cumberland Blues, It Must Have Been The Roses, Big River, Bertha, Weather Report Suite Prelude > Weather Report Suite Part 1 > Let It Grow > Row Jimmy > Ship Of Fools, Promised Land, Dark Star > Morning Dew, Sugar Magnolia, Not Fade Away > Going Down The Road Feelin' Bad > Not Fade Away
E: It's All Over Now Baby Blue
E: It's All Over Now Baby Blue
Set III
Comment
Last Changed By
Charlie Miller
Sources
(199) View Source
View Archive
SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed
(200) View Source
View Archive
S:MR> PCM> DAT> CD (Jay Serafin); via David Hollister?
(13961) View Source
View Archive
Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD
(21370) View Source
View Archive
SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin [email protected] sector boundaries fixed with shntool, new shns and md5s SIRMick([email protected])
(116902) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(136140) View Source
View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; - matrix mixing by Kevin Tobin
(136141) View Source
View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - DTS mixing by Kevin Tobin
(136142) View Source
View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - mixing by Kevin Tobin
(136266) View Source
View Archive
flac16; Unknown Audience Recording > PCM; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Pitch Corrected By Kevin Tobin In Adobe Audition; Mastering in Wavelab 7.1 by Jamie Waddell; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel
(136276) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(136641) View Source
View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
(199) View Source
View Archive SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed
(200) View Source
View Archive S:MR> PCM> DAT> CD (Jay Serafin); via David Hollister?
(13961) View Source
View Archive Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD
(21370) View Source
View Archive SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin [email protected] sector boundaries fixed with shntool, new shns and md5s SIRMick([email protected])
(116902) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(136140) View Source
View Archive flac16; Matrix 2 Source Mix - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; - matrix mixing by Kevin Tobin
(136141) View Source
View Archive DTS-Audio-CD 5.1 Mix; SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - DTS mixing by Kevin Tobin
(136142) View Source
View Archive flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - mixing by Kevin Tobin
(136266) View Source
View Archive flac16; Unknown Audience Recording > PCM; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Pitch Corrected By Kevin Tobin In Adobe Audition; Mastering in Wavelab 7.1 by Jamie Waddell; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel
(136276) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(136641) View Source
View Archive flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Bill Kelly (5/0) | shn / 0 | View | 199 | |||
| Flo Fischl (5/0) | cdr / 4 | A | View | sbd | ||
| Joe Sanderson (5/0) | CDR / 4 | View | 200 | |||
| Ray Herman (5/0) | CDR / 1 | View | ||||
| Notes: | SET 1 | |||||
| Andre (5/0) | cdr / 4 | A+ | View | SBD->Master Reel->PCM->DAT->Fostex D5 Dat->Marantz Professional PMD-320 CD... | ||
| NorthernLites (5/5) | / 4 | A | View | |||
| matt (5/1) | CD / 3 | View | SBD>MR>DAT>CD-R | |||
| Sam Phillips (5/3.5) | shn / 2 | View | 199 | |||
| Kevin (5/0) | Analog / 3 | View | ||||
| Notes: | Haven't listened too. | |||||
| angie (5/0) | / 2 | View | ||||
| david (5/1) | cdr / 4 | A | A | View | ||
| Ryan Overman (5/1) | CD / 3 | View | 199 | SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD... | ||
| Notes: | SHN info says 4 disks, but I fit it onto 3 80 minute disks. | |||||
| Scott Tillman (5/0) | CDR / 3 | View | ||||
| Notes: | Cut in Playin' in the band at the end of disc 1 | |||||
| Erwin Gomez (5/0) | CDR / 3 | A+ | View | 199 | SBD > master reel > DAT | |
| Notes: | Outstanding show, easily one of my all-time favs; SBD master reel | |||||
| Scott Hendrickson (5/0) | SHN / 3 | A | A | View | SBD->Master Reel->PCM->DAT-> | |
| Mike (5/5) | cdr / 4 | View | SBD->Master Reel->PCM->DAT | |||
| Darin McMullen (5/0) | / 0 | View | ||||
| jay (5/0) | / 4 | View | ||||
| pat (5/0) | CD-R / 4 | A | View | |||
| Notes: | Go to setlist.com for setlist | |||||
| pat (5/0) | CD-R / 4 | A | View | |||
| Notes: | Go to setlist.com for setlist | |||||
| pat (5/0) | CD-R / 4 | A | View | |||
| Notes: | Go to setlist.com for setlist | |||||
| Steve Herman (5/0) | / 0 | View | ||||
| jim (5/0) | audio cdr / 4 | View | SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD... | |||
| Notes: | This is not sourced from the current 2-24-74 tree. There is no dropout in the China->Rider Segue. No Dropouts, Clicks, or Digital Noise are present as far as i know.There is a small amount of guitar distortion in Cumberland Blues in Garcia's solo. | |||||
| jim (5/0) | audio cdr / 4 | View | SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD... | |||
| Notes: | This is not sourced from the current 2-24-74 tree. There is no dropout in the China->Rider Segue. No Dropouts, Clicks, or Digital Noise are present as far as i know.There is a small amount of guitar distortion in Cumberland Blues in Garcia's solo. | |||||
| jim (5/0) | audio cdr / 4 | View | SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD... | |||
| Notes: | This is not sourced from the current 2-24-74 tree. There is no dropout in the China->Rider Segue. No Dropouts, Clicks, or Digital Noise are present as far as i know.There is a small amount of guitar distortion in Cumberland Blues in Garcia's solo. | |||||
| Josh Carver (5/0) | CD / 4 | A | View | SBD MRDATCD | ||
| mjlaurent (5/4.7) | cd / 4 | View | sbd>mr>mc>dat>cdwav>cd | |||
| Chris Brand (5/5) | SHN / 2 | View | 199 | SBD->Master Reel->PCM->DAT | ||
| Steven L. (5/0) | CDR / 2 | View | 199 | SHN | ||
| Matt Hernandez (5/5) | CDR / 4 | View | SBD: Matser Reel>DAT>CDR | |||
| Notes: | ALL | |||||