Grateful Dead 05/08/1977

Sources

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w/AUD splices? to patch reel flips: Betty Board Soundboard sections (all but 47 seconds of the show): 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz.; Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES;? PCM501ES analog out > Fostex D5 @ 48 kHz >ZA2>CD; Audience Splices -- Panasonic AM/FM Stereo 'boom box' (w/condenser mics) >? CM (Cassette Masters) > various equalizers & editors > CD (teddy goodbear); EAC extracted and encoded by Darrin Sacks; note number of tracks on discs: 10-7-8; note SBD portion is clear, AUD portion is muddy; reportedly digital error-free; 5/01 note: fixed shn set now in circulation; upgrade in circulation

(4982) View Source

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freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin

(5002) View Source

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Lineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive by Karen Hicks

(26856) View Source

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DTS Audio 5.1: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

(26857) View Source

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Matrix based on these sources: Source Info SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN

(28301) View Source

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MAC> R> CD; recorded by Jerry Moore: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B ; Transfer by Rob Berger: Sony TC 850> Teac AN-180> Sony SBM1 super bit mapper> Tascam CD-Rw4U (see additional source notes in txt); EAC> WAV> SHN by Sean Cribbs

(28354) View Source

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flac16; MAC> R> CD Audience Recording by Jerry Moore; seeded by clarson; possibly different source CDR> DAE compared to similar-looking shn set; upgrade in circulation

(29303) View Source

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flac16; Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Recording And Transfer:Jeff Stevenson

(29511) View Source

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Source Info: "3 Source Matrix Mix, SBD + AUD1 + AUD2"

(30756) View Source

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flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt)

(35086) View Source

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flac24/96; SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

(87486) View Source

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flac16; Set 1 only; partial SBD (1st part of Set 1 Only) Lineage unknown, possibly RR > CD (unknown transfer) > EAC > SHN Originally posted as shn files to abgd-hs by ArtCube 2007-09-26 (The patch in Minglewood is from material performed on 5-7 and Lazy Lightning from 5-25.) Converted to flac by terrapinstation

(97274) View Source

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flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation

(111493) View Source

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flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from source ID 97274

(117026) View Source

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flac16; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

(117027) View Source

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flac24; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

(134093) View Source

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flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

(137569) View Source

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flac24; 3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

(137570) View Source

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flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

(137571) View Source

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flac24; 2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

(137572) View Source

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flac16; 2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

User (active/rating)	Media / #	Show	Sound	Details	DB Source	User Source
Keith E. (1/5)	Cdr / 3	A	A	View		Sbd
Tom Bashara/Eric Linstrom (1/5)	SHN, Audio / 2			View		Eaton re-master
Notes:	Eaton re-master
Mark Reaume (1/0)	shn-2 / 3			View	4982	Betty Board Portion -- Master 7
Chris Pierce (1/0)	CDR / 3	A+	A+	View		SBD>MSR>DAT>CDR
Notes:	Epic!!
Robert McCauley (1/5)	CD / 3			View		SHN download from the Archive!
Kima (1/0)	/ 0			View	266
Kima (1/0)	shn / 0			View	4982
Kima (1/0)	flac / 1			View	26856
Kima (1/0)	flac / 3			View	29303
Kima (1/0)	flac / 2			View
Notes:	DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2) --------------------------------------------------------- Source Info SBD SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD1 Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN AUD2 Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & both AUD sources. CEP2.0 used to adjust the volume for the SBD & both AUDs. CEP was used to do the multitrack mixdown to 24/96. This is a 60% SBD, 20% AUD1, 20% AUD2 mix. DiscWelder was used to author and create the DVD-Audio in 24/96. DVD Decryptor read and created the ISO image file. This incorporates 2 channels of 24/96 wave files. - Mixed by [email protected] - FLAC conversion 08-MAY-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double DVD case. --------------------------------------------------------- Notes I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up. So, although not complete, you will get a good idea of what was done to bring these recordings to this point. This represents the 24 bit files that are the result of all my editing and the multitrack mixdown. It is unclear exactly what we have in the way of high resolution. However it seems there is agreement that what we have cannot be represented accurately in 16/44. What you are getting is the full result of the matrix mix process. How much different does this sound? is this better? A little and yes. This is more accurate and has more dynamic range. 24/96 resolution versus a 16/44 of the same material will usually result in very subtle but important differences. Most of it relying on the quality of the DVD-A player and the D to A conversion. With that in mind, this 24 bit copy is no different. Small but important gains over the same material in 16/44. This is just one man's take. Take it or leave it. ALLOT of editing was done to keep the flow btwn songs. Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations. A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well. These patches are numerous and I think completely smooth and most likely undetectable. The SBD+AUD matrix details. The stereo matrix it is approx 60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD. The matrix mix on the center channel is a 50/50 with just the SBD and Steve Maizner's AUD. I also D'EQ'd both sources to pull up the vocals and give the center channel a unique sound as not to detract from the front stereo imaging or the rear surround effect. You will also note that the rear channels are just Jerry's AUD and not a matrix of the 2 AUD sources. I did give that configuration a listen but opted for the single rear source. It was clearer and had more definition on its own. d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD. Starting this monster project with an unrecoverable flaw was unacceptable to me. I decided to patch that opening portion with a SBD and AUD recording from 5-7-77. As this patch ends you will hear some slight phasing as the stereo field moves. The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience. Maybe you disagree. For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^) d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362. This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD. I also tried to match the volume on the SBD. A switch in sources is obvious to the listener but this is still pretty good. The switch back to SBD is actually really good as there are no vocals at that point. d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap. This is smooth and most likely undetectable. --------------------------------------------------------- Burning Instructions A & B A. Use DVD Decryptor or similar program to burn as an image file (ISO) onto a DVDR. Enjoy. B. This may also circulate as 2 channel FLAC files and will require assembly. Included is the discwelder file. If you use that program, decode all the FLAC file and stick them in a folder. Click on the DiscWelder file (which will open DiscWelder) and point it towards that folder with the wave files and VIOLA! DVD-A pre-assembled and ready to author. --------------------------------------------------------- FLAC fingerprint gd1977-05-08-MTX-DA24-d1t01.flac:e1f86a3837955909caa0a584262600a0 gd1977-05-08-MTX-DA24-d1t02.flac:b1ba842154d737d13302ad608721b01e gd1977-05-08-MTX-DA24-d1t03.flac:93bd647050e7076e8ee8fff43ca1a13c gd1977-05-08-MTX-DA24-d1t04.flac:145b7f0542b67d42d61ca845dd45a4d4 gd1977-05-08-MTX-DA24-d1t05.flac:ef72c8917cc88611261c74693e94b457 gd1977-05-08-MTX-DA24-d1t06.flac:4d40135963dac68c5f1672bf6c1880e7 gd1977-05-08-MTX-DA24-d1t07.flac:f54c3274e7d3c7457c06fc3253ec2221 gd1977-05-08-MTX-DA24-d1t08.flac:1fdd772ab90b173f83392b0ef11f9f30 gd1977-05-08-MTX-DA24-d1t09.flac:53e4c70bf3b9294670acfaa7aabffef0 gd1977-05-08-MTX-DA24-d1t10.flac:00d776da5fc632936d6e7c475670d625 gd1977-05-08-MTX-DA24-d1t11.flac:936082f854486c52a1d19277f3500a76 gd1977-05-08-MTX-DA24-d1t12.flac:5fb9f903a3d6a3636f202d3be07d7caa gd1977-05-08-MTX-DA24-d2t01.flac:e9f36a3718e50e237fd756fa010ede09 gd1977-05-08-MTX-DA24-d2t02.flac:48ca56955896ec79f5f910a7709e7ec5 gd1977-05-08-MTX-DA24-d2t03.flac:efb553b34305626ddcad0665eee4e952 gd1977-05-08-MTX-DA24-d2t04.flac:71cac181e1076f03605fbf0840c8487f gd1977-05-08-MTX-DA24-d2t05.flac:efcfb726d7a765175dd935ee1e21140e gd1977-05-08-MTX-DA24-d2t06.flac:591da3bd2e77f5aad5da98f1ef80c452 gd1977-05-08-MTX-DA24-d2t07.flac:6258ff14e365823ef4a1729bf91f5f64 gd1977-05-08-MTX-DA24-d2t08.flac:d93842c8befdef3fefa223808a960bd6 gd1977-05-08-MTX-DA24-d2t09.flac:ab76c2d5b9d0eaa1f035deb52f7d884d
Kima (1/0)	flac / 2			View
Notes:	Grateful Dead Barton Hall, Cornell Univ. Ithaca, NY May 8, 1977 DTS-Audio-CD 5.1 Mix Disc 1 - Set I 01 [05:16] Minglewood Blues 02 [07:54] Loser 03 [04:40] El Paso 04 [07:35] They Love Each Other 05 [07:38] Jack Straw 06 [06:49] Deal 07 [03:32] Lazy Lightning > 08 [05:07] Supplication 09 [06:01] Brown Eyed Women 10 [03:34] Mama Tried 11 [11:28] Row Jimmy 12 [16:40] Dancin' In The Streets TT [88:13] requires a 90 min CDR Disc - Set II 01 [01:48] Take A Step Back 02 [09:37] Scarlet Begonias > 03 [16:45] Fire On The Mountain 04 [08:45] Estimated Prophet 05 [04:44] Saint Stephen > 06 [16:21] Not Fade Away > 07 [01:54] Saint Stephen > 08 [14:29] Morning Dew Encore 09 [05:20] Saturday Night TT [79:41] --------------------------------------------------------- Source Info SBD SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD1 Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN AUD2 Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & both AUD sources. CEP2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. The center matrix track is a 60% SBD, 40% AUD2 mix. - Mixed by [email protected] - FLAC conversion 08-MAY-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Reel Right Channel SBD Reel Center Mixed to mono -6db SBD+AUD2 Matrix Surround Left Channel -2db AUD1 (with some AUD2 patches) Right Channel -2db AUD1 (with some AUD2 patches) Sub/LFE Mixed to mono -4db SBD Reel --------------------------------------------------------- Notes I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up. So, although not complete, you will get a good idea of what was done to bring these recordings to this point. ALLOT of editing was done to keep the flow btwn songs. Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations. A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well. These patches are numerous and I think completely smooth and most likely undetectable. The SBD+AUD matrix details. The stereo matrix it is approx 60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD. The matrix mix on the center channel is a 50/50 with just the SBD and Steve Maizner's AUD. I also D'EQ'd both sources to pull up the vocals and give the center channel a unique sound as not to detract from the front stereo imaging or the rear surround effect. You will also note that the rear channels are just Jerry's AUD and not a matrix of the 2 AUD sources. I did give that configuration a listen but opted for the single rear source. It was clearer and had more definition on its own. d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD. Starting this monster project with an unrecoverable flaw was unacceptable to me. I decided to patch that opening portion with a SBD and AUD recording from 5-7-77. As this patch ends you will hear some slight phasing as the stereo field moves. The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience. Maybe you disagree. For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^) d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362. This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD. I also tried to match the volume on the SBD. A switch in sources is obvious to the listener but this is still pretty good. The switch back to SBD is actually really good as there are no vocals at that point. d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap. This is smooth and most likely undetectable. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you? --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. --------------------------------------------------------- FLAC fingerprint gd1977-05-08-dts-d1t01.flac:c219409a3956b94f3e8bfd71096fe0ed gd1977-05-08-dts-d1t02.flac:254091b529f0790d33f554f234263642 gd1977-05-08-dts-d1t03.flac:475cacef88c98dc41ebe272641f2bf66 gd1977-05-08-dts-d1t04.flac:1b87f69851d62069fb2c45688288e4be gd1977-05-08-dts-d1t05.flac:32dbcb5ca481774cb8a9406746b3a972 gd1977-05-08-dts-d1t06.flac:f19d424b04f21fbfcf7930e4fa67e766 gd1977-05-08-dts-d1t07.flac:dda12096391b97d520b711a0a7439528 gd1977-05-08-dts-d1t08.flac:9b967d49cc005ba464cadfbaccae4107 gd1977-05-08-dts-d1t09.flac:8011ccd63b7eb941356acd6d8194e5b0 gd1977-05-08-dts-d1t10.flac:c0493975e79692cdbfd9ddc945c31855 gd1977-05-08-dts-d1t11.flac:2a1d205925cde1c61ea8fdebbda8cf66 gd1977-05-08-dts-d1t12.flac:061391c76ed450a205111adb065515d7 gd1977-05-08-dts-d2t01.flac:ee1c2165306972eb692f04ae435ac0d1 gd1977-05-08-dts-d2t02.flac:26c9a11bc4b54386212b5dbffadec0dc gd1977-05-08-dts-d2t03.flac:5f34f56d2cb1809f095d4eb70c1a3c96 gd1977-05-08-dts-d2t04.flac:63b4403c4b2681ff36ce5cba26293973 gd1977-05-08-dts-d2t05.flac:8c0d9d9fc221771152da75ac0b3f2c8e gd1977-05-08-dts-d2t06.flac:e6998895463d89426aa21662c245d4b6 gd1977-05-08-dts-d2t07.flac:2a6e8bf60ff42323a96b771dca9b4968 gd1977-05-08-dts-d2t08.flac:853c11ab2850837f4370d9b2ae2fad50 gd1977-05-08-dts-d2t09.flac:cea6137acf65a7718c4da796b6838779
Kima (1/0)	flac / 2			View
Notes:	Grateful Dead Barton Hall, Cornell Univ. Ithaca, NY May 8, 1977 SBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2) Disc 1 - Set I 01 [05:16] Minglewood Blues 02 [07:54] Loser 03 [04:40] El Paso 04 [07:35] They Love Each Other 05 [07:38] Jack Straw 06 [06:49] Deal 07 [03:32] Lazy Lightning > 08 [05:07] Supplication 09 [06:01] Brown Eyed Women 10 [03:34] Mama Tried 11 [11:28] Row Jimmy 12 [16:40] Dancin' In The Streets TT [88:13] requires a 90 min CDR Disc - Set II 01 [01:48] Take A Step Back 02 [09:37] Scarlet Begonias > 03 [16:45] Fire On The Mountain 04 [08:45] Estimated Prophet 05 [04:44] Saint Stephen > 06 [16:21] Not Fade Away > 07 [01:54] Saint Stephen > 08 [14:29] Morning Dew Encore 09 [05:20] Saturday Night TT [79:41] --------------------------------------------------------- Source Info SBD SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD1 Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN AUD2 Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & both AUD sources. CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix. - Mixed by [email protected] - FLAC conversion 08-MAY-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- Notes I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up. So, although not complete, you will get a good idea of what was done to bring these recordings to this point. ALLOT of editing was done to keep the flow btwn songs. Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations. A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well. These patches are numerous and I think completely smooth and most likely undetectable. d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD. Starting this monster project with an unrecoverable flaw was unacceptable to me. I decided to patch that opening portion with a SBD and AUD recording from 5-7-77. As this patch ends you will hear some slight phasing as the stereo field moves. The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience. Maybe you disagree. For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^) d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362. This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD. I also tried to match the volume on the SBD. A switch in sources is obvious to the listener but this is still pretty good. The switch back to SBD is actually really good as there are no vocals at that point. d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap. This is smooth and most likely undetectable. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you? --------------------------------------------------------- FLAC fingerprint gd1977-05-08-mtx-d1t01.flac:58a4158b97476842f3f83554d8856914 gd1977-05-08-mtx-d1t02.flac:d31b11773bb87006d5fd441032be9d2c gd1977-05-08-mtx-d1t03.flac:860e05153cb35fdda81e04b6218e3fa1 gd1977-05-08-mtx-d1t04.flac:83841cc9b8c69060cb134a54e191c44e gd1977-05-08-mtx-d1t05.flac:c5136a198cbd0934f1dd36ff7da6be96 gd1977-05-08-mtx-d1t06.flac:62773726e710465cde1ea5742d5fe29b gd1977-05-08-mtx-d1t07.flac:906431609611a91ff6c8fc903e8388cf gd1977-05-08-mtx-d1t08.flac:555e3419186c47bd1244a0e6fb079c89 gd1977-05-08-mtx-d1t09.flac:8ba19acb5780049cc68a54855c7d78fd gd1977-05-08-mtx-d1t10.flac:a1d5653935b1ead58ba6e9f4a444121c gd1977-05-08-mtx-d1t11.flac:0465b249bde4b76d43951046b3acb529 gd1977-05-08-mtx-d1t12.flac:9c2b6765abef7d53eca4da5254993b7c gd1977-05-08-mtx-d2t01.flac:9b8170cb2df2d8f1810ba15e6bce136c gd1977-05-08-mtx-d2t02.flac:31dce0f8c1d030de1d16e534a725f67a gd1977-05-08-mtx-d2t03.flac:8eb49a1331fd562221a4a7d152faa4e8 gd1977-05-08-mtx-d2t04.flac:f44215dc8ea478646fc583176de5e5cf gd1977-05-08-mtx-d2t05.flac:e8deb1798032d88ffc954de412c18330 gd1977-05-08-mtx-d2t06.flac:038fd15c8e8fa21964c0a8330ac13cbd gd1977-05-08-mtx-d2t07.flac:9eab3579b1f320596ecfc526e1637175 gd1977-05-08-mtx-d2t08.flac:7ec3211710e59532dd66d102ad92bc61 gd1977-05-08-mtx-d2t09.flac:f66d24ac7072aee2b0cbdd36a5b8987f
Kima (1/0)	flac / 2			View	30756
Kima (1/0)	flac / 2			View	29511
Kima (1/0)	shn / 3			View	5002
Kima (1/0)	shn / 3			View	28301
Kima (1/0)	flac / 3			View	28354
Kima (1/0)	flac24 / 3			View	35086
Kima (1/0)	flac / 1			View	87486
Kima (1/0)	flac / 3			View	97274
sistermoon (1/5)	CDR / 3		A	View
Brandon Calloway (1/0)	cdr / 3		A	View		sbd
Notes:	Contains a few short (~3 sec.) audience splices on disk 1
Django (1/5)	SHN / 2		A	View	4982	Betty Board Soundboard sections (all but 47 seconds of the show):
Django (1/5)	SHN / 2			View	4982	Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony...
Doug Moog (1/4.3)	shn / 3			View	4982	SRPDDC
dlnlee (1/4)	CDR / 3		A	View		SBD
Notes:	"Dead in Cornell"
Joe (1/5)	/ 3			View
earthscapeben (1/0)	/ 3			View	4982
Notes:	sbd
. (1/3)	CDA / 3			View	4982
Notes:	freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin
. (1/3)	SHN / 2			View	4982

User (active/rating)

Media / #

Show

Sound

Details

DB Source

User Source

Keith E. (1/5)

Cdr / 3


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