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Set I
Promised Land, They Love Each Other, Mexicali Blues, Dire Wolf, Cassidy, Deal, Passenger, Tennessee Jed, Minglewood Blues, Peggy-O, The Music Never Stopped
Set II
Bertha-> Good Lovin', It Must Have Been The Roses, Estimated Prophet-> Eyes Of The World-> Dancin' In The Streets-> Drums-> Not Fade Away-> Black Peter-> Around & Around
Set III
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(277) View Source
View Archive
Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive
SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive
flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive
flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
(277) View Source
View Archive Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Pete W (3/5) | / 0 | View | 277 | |||
| Jared Becker (3/5) | SHN / 2 | View | 277 | |||
| Pat (3/0) | / 0 | View | 10689 | |||
| Notes: | Bertha Remaster of the Betty Board source. SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA - Sound A+ | |||||
| Chris Winger (3/5) | shn / 2 | View | mr>pcm>dat>eac>shn | |||
| Dan (3/5) | cdr / 2 | A | A | View | BB>MC>DAT>CD | |
| Notes: | 1st 2 songs are cut | |||||
| ravenspace (3/0) | shn / 2 | View | 277 | |||
| Matt Havron (3/5) | cdr / 2 | View | ||||
| Jeff Digby (3/5) | cdr / 2 | View | 277 | |||
| Douglas McVey (3/4.5) | cdr / 2 | View | ||||
| Brent (3/0) | shn / 2 | View | 277 | WBOTB source; Complete show; source tape: MR>P2>D1; 7 | ||
| Notes: | Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set | |||||
| Steve Bleiler (3/0) | shncdr / 2 | A | A | View | Betty Reel>PCM x2>DAT>CDR, cuts in Promised Land and TLEO from original source | |
| Notes: | Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min. | |||||
| Steve Bleiler (3/0) | shn>cdr / 2 | A | A | View | 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz... | |
| David Finney (3/0) | CDR / 2 | View | sbd (WBOTB) | |||
| CJ Higgs (3/5) | CDR / 2 | View | ||||
| Chris Hinkle (3/5) | SHN/CDA / 2 | View | 277 | BBD>MR>P2>D1>SHN>WAV>CDR | ||
| Notes: | Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min (all on master) | |||||
| Engineer's Monkey (3/5) | SHN / 2 | View | 10689 | |||
| Notes: | 10/01/77 Portland, OR (Complete show-- source tape: MR>P2>D1) 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES PCM501ES analog out > Fostex D5 @ 48 kHz PLEASE NOTE!!!:Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min. 10/01/77 Portland, OR - Paramount Theater S:bR,P,D A+ Betty Reel>PCM x2>DAT>CDR, cuts in Promised Land and TLEO from original source | |||||
| Dave Ferro (3/0) | shn / 2 | View | ||||
| Jim Decker (3/5) | CDR / 2 | A | A | View | SBD | |
| Notes: | Cuts In Promised Land And TLEO | |||||
| Joe Burnett (3/0) | CDR / 2 | View | ||||
| Dave Balk (3/0) | audio / 3 | a | a | View | ||
| Notes: | Promised Land is cut at the start and end. They Love Each Other is cut at the start. | |||||
| Graig Kreindler (3/5) | cd / 2 | A- | View | SBD>MR>PCM>DAT>CD | ||
| Notes: | Promised Land and They Love Each Other fade in...volume levels a little low | |||||
| leshphiling (3/0) | CDR / 0 | A | View | |||
| Steve de Carteret (3/0) | CDR / 2 | View | SBD | |||
| Don Turner (3/5) | cdr / 2 | A- | View | Sound Board | ||
| chris (3/3) | CD / 2 | A+ | View | SBD | ||
| Tripp Wojohn (3/4) | SHN / 2 | View | 277 | Betty Reel>PCM x2>DAT>CDR | ||
| Tripp Wojohn (3/4) | SHN / 2 | View | 10689 | |||
| Darkstar (3/4.3) | cdr / 2 | A+ | View | |||
| Notes: | All | |||||
| todd miller (3/0) | cdr / 2 | A | View | sbd | ||
| Craig (3/0) | CDR / 2 | View | SBD>RR>PCM>DAT>CD | |||