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Grateful Dead 04/07/85
The Spectrum, Philadelphia, PA
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Set I
Why Don't We Do It In The Road?
Mississppi Half-Step Uptown Toodleloo
C.C. Rider
Birdsong
Dancin' In The Street
Deal
Set II
Shakedown Street
Samson & Delilah
She Belongs To Me
Man Smart (Woman Smarter)
Drums
Space
Gimme Some Lovin'
Truckin'
Smokestack Lightning
Morning Dew
Sugar Magnolia
Sunshine Daydream

Encore:
Keep Your Day Job
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By System
Sources
(3346) View Source    View Archive
Csbd> DAT> CDR> EAC> SHN; via Scott Z., Darrin Sacks
(14614) View Source    View Archive
Seeded by Todd Campbell EAC & SHN by Jim Keith Lineage SBD>?>CD (WILL UPDATE)
(28488) View Source    View Archive
flac16; Sennheiser 421's > Sony D5 > Tascam CRD4U > EAC > CDR Taper: M. McCue Lineage: Sony D-5 > Tascam CDR4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. Transfer from Sony D5 through CDR by Mark McCue Transfer from CDR through FLAC16 by Alex Ford on 03/07/05.
(35081) View Source    View Archive
Sennheiser 421's FOB & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
(81454) View Source    View Archive
flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs
(87419) View Source    View Archive
flac16; taper : Joe D'Amico nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
(91389) View Source    View Archive
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
(103429) View Source    View Archive
flac16; Recorded by Dave Cohen Just to the right of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was used on the Master Cassettes.The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(107238) View Source    View Archive
flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
(118484) View Source    View Archive
flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico
(124835) View Source    View Archive
flac24; lineage: sennheiser 421 (fob)> optimus> d-5 > sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(128613) View Source    View Archive
flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
(132713) View Source    View Archive
flac16; 2 Source Matrix by Dusborne; Soundboard(shinid:003346) CSBD>DAT>CDR>EAC>SHN and Audience(shinid:128613) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav
(139540) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
(139541) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
(139542) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
(140866) View Source    View Archive
flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
(141212) View Source    View Archive
flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
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User (active/rating) Media / # Show Sound Details DB Source User Source
Maggie's Pa (3/0) CDR / 2 A A View   SBD
CricKeT (3/0) VCD / 1 View   Slick Willie's aging VHS
Notes: SET 1
bear bridges (3/4.8) shn / 2 View  
Brian Catri (3/0) cdr / 2 a View  
Mike Rider (3/4.3) cdr / 2 A A View   sbd m. cass.- dat- cdr
Mike Rider (3/4.3) DVD / 3 A A View   Aud Shot DVD
Notes: Grateful Dead The Spectrum Philadelphia, PA April 7, 1985 Single camera audience shot w/SBD audio upgrade. DVD 1. (44:35). Set 1 00:00 Why Don't We Do it in the Road 03:39 Mississippi Half-Step -> 10:31 C.C. Rider 18:30 Bird Song 32:11 Dancin' in the Streets 38:44 Deal DVD 2. (48:07). Set 2A. 00:00 Shakedown Street > 13:27 Samson and Delilah 23:34 She Belongs to Me -> 29:39 Woman are Smarter -> 37:15 Drums -> DVD 3. (45:57). Set 2B. 00:00 Space -> 08:22 Gimme Some Lovin' -> 13:36 Truckin' -> 19:21 Smokestack Lightnin' -> 22:33 Morning Dew -> 31:43 Sugar Magnolia 41:34 ENCORE: Day Job Video: Steve Silbermans Master -> Harvey Lubars 1st GEN VHS-> panasonic standalone dvd recorder Audio: Source: Csbd>DAT>CDR>EAC>SHN (shnid = 3346) Seed Shns by Scott Z -- Thanks! Seeded to etree by darrin ([email protected]) on 2/14/2001 Notes: -Video capture by Eric using a standalone dvd recorder. -Sbd downloaded from tol with many thanks. -Audio synchronization by Kevin Tobin using Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Video patching, Multiplexing and DVD authoring via Ulead DVD Workshop 2 by Kevin Tobin. Audio\Video Faults: 1) First 5.312 seconds that is the lead into Why Don't We Do It In the Road used the audio that came with the video. This portion of the audio was normalized to blend in better. 2) No other problems noted during first set. 3) Before Shakedown Street, part of the video was missing - used graphics and soundboard audio source to fill in. 4) Between Samson & Delilah and She Belongs to Me, 1 minute 43.972 seconds was missing from the soundboard source and filled in with audio from the original video soundtrack. This portion of the audio was normalized to blend in better. 5) Between Drums and Space, 40.000 seconds was missing from the video source -used graphics and soundboard audio source to fill in. 6) During Space, 1 minute 51.600 seconds was missing from the video source - used graphics and soundboard audio source to fill in. 7) During Morning Dew, 43.000 seconds was missing from the video source - used graphics and soundboard audio source to fill in. 8) During Sugar Magnolia, 43.100 seconds was missing from the video source - used graphics and soundboard audio source to fill in. Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 (525/60) Frame Rate : 30.00 Source picture letterboxed : Not letterboxed Bitrate : 8.00 Mbps VBR Menu : Yes (song list on separate menu) Audio Attribute : Audio Coding mode : Linear PCM audio Sampling Rate : 48kHz 1536Kbps Audio application mode : Not specified Number of Audio channels : 2 Number of Audio streams : 1 Brokedown House Productions. Do Not Buy or Sell this video!!!!!
Mike Rider (3/4.3) DVD / 3 A A View   Aud Shot w/ SBD audio
Notes: Grateful Dead The Spectrum Philadelphia, PA April 7, 1985 Single camera audience shot w/SBD audio upgrade. DVD 1. (44:35). Set 1 00:00 Why Don't We Do it in the Road 03:39 Mississippi Half-Step -> 10:31 C.C. Rider 18:30 Bird Song 32:11 Dancin' in the Streets 38:44 Deal DVD 2. (48:07). Set 2A. 00:00 Shakedown Street > 13:27 Samson and Delilah 23:34 She Belongs to Me -> 29:39 Woman are Smarter -> 37:15 Drums -> DVD 3. (45:57). Set 2B. 00:00 Space -> 08:22 Gimme Some Lovin' -> 13:36 Truckin' -> 19:21 Smokestack Lightnin' -> 22:33 Morning Dew -> 31:43 Sugar Magnolia 41:34 ENCORE: Day Job Video: Steve Silbermans Master -> Harvey Lubars 1st GEN VHS-> panasonic standalone dvd recorder Audio: Source: Csbd>DAT>CDR>EAC>SHN (shnid = 3346) Seed Shns by Scott Z -- Thanks! Seeded to etree by darrin ([email protected]) on 2/14/2001 Notes: -Video capture by Eric using a standalone dvd recorder. -Sbd downloaded from tol with many thanks. -Audio synchronization by Kevin Tobin using Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Video patching, Multiplexing and DVD authoring via Ulead DVD Workshop 2 by Kevin Tobin. Audio\Video Faults: 1) First 5.312 seconds that is the lead into Why Don't We Do It In the Road used the audio that came with the video. This portion of the audio was normalized to blend in better. 2) No other problems noted during first set. 3) Before Shakedown Street, part of the video was missing - used graphics and soundboard audio source to fill in. 4) Between Samson & Delilah and She Belongs to Me, 1 minute 43.972 seconds was missing from the soundboard source and filled in with audio from the original video soundtrack. This portion of the audio was normalized to blend in better. 5) Between Drums and Space, 40.000 seconds was missing from the video source -used graphics and soundboard audio source to fill in. 6) During Space, 1 minute 51.600 seconds was missing from the video source - used graphics and soundboard audio source to fill in. 7) During Morning Dew, 43.000 seconds was missing from the video source - used graphics and soundboard audio source to fill in. 8) During Sugar Magnolia, 43.100 seconds was missing from the video source - used graphics and soundboard audio source to fill in. Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 (525/60) Frame Rate : 30.00 Source picture letterboxed : Not letterboxed Bitrate : 8.00 Mbps VBR Menu : Yes (song list on separate menu) Audio Attribute : Audio Coding mode : Linear PCM audio Sampling Rate : 48kHz 1536Kbps Audio application mode : Not specified Number of Audio channels : 2 Number of Audio streams : 1 Brokedown House Productions. Do Not Buy or Sell this video!!!!!
Jeremy Workman (3/5) cd / 2 View 3346
Notes: have shns
six (3/5) DVD / 3 B B View  
Notes: 3 DVD movie of the show.
Bob Witcher (3/0) cdr / 2 A- View   Aud>?>cdr
tommy_hawk1 (3/0) CD-R / 2 A View  
Eric Handler (3/5) SHN / 2 View 3346 SBD > MC > DAT > CDR > EAC > SHN
Josh (3/5) DVD / 1 View  
Notes: VHS conversion by rubytues. 2nd generation. Aud HH, can audio? Stand alone menu, scattered chapters/no song select
Josh (3/5) DVD / 3 View  
Notes: Aud Tri, good audio. Menu, chapters/song select
Wes and Tricia (3/0) CDR / 2 A View   SBD
Notes: SBD
clif (3/0) CD / 3 View  
Jeff MacLaren (3/5) shn / 2 A View 3346
John Daly (3/0) cdr / 2 View  
Michael (3/1) AUDIO / 2 A- View   SBD->MR->RR->DAT->CD-R.
RayJGu3 (3/5) shn / 2 View 3346
chauncy (3/2) shn / 2 A+ View   SBD>?>CD (WILL UPDATE)
Notes: 2 discs audio
ron bruzzese (3/5) cdr / 2 View  
Chris Boytim (3/0) / 0 View  
Dan Sodikoff (3/0) / 2 View   SBD
Kevin Mule (3/0) SHN / 2 View 3346 Csbd>DAT>CDR>EAC>SHN
Notes: DVD34
Waterface (3/5) CDR / 2 A View   Csbd>DAT>CDR>EAC>SHN>CDR
jjm (3/0) cdr / 2 A- A- View  
Russell Lane (3/0) shn / 2 View  
Matt Sottile (3/0) CDR / 2 View  
Billy Angell (3/5) cdr / 2 View