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Grateful Dead 02/24/71
Capitol Theater, Port Chester, NY
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Set I
Casey Jones, Me & My Uncle, Cumberland Blues, Next Time You See Me, Bird Song, Me And Bobby McGee, Bertha, Hard To Handle, Loser, Playin' In The Band, Good Lovin'-> Drums-> Good Lovin'
Set II
Sugar Magnolia, King Bee, Greatest Story Ever Told-> Johnny B. Goode, Deal, Minglewood Blues, Truckin', Not Fade Away-> Goin' Down The Road Feelin' Bad-> Jam-> Not Fade Away-> Turn On Your Love Light
Set III
 
Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By Hamilton, Greg & Diana
Sources
(114) View Source    View Archive
via Leigh Orf; WBOTB source > distortion removed digitally (see notes)
(6189) View Source    View Archive
retracked version of previous shn set, by Bob Clevenger
(6190) View Source    View Archive
seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation
(87570) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner.
(121065) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(125171) View Source    View Archive
flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger
(140834) View Source    View Archive
flac16; Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16
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User (active/rating) Media / # Show Sound Details DB Source User Source
Canyon (2/5) mp3 / 0 View  
Notes: hd1
Canyon (2/5) mp3 / 0 View  
Notes: hd1
August (2/5) cd-r / 3 View 114 sbd
Chris_G (2/0) CD / 3 View 114
Notes: orf
Chris_G (2/0) HD2 / 3 View 114
Chris Eldredge (2/0) CDR / 2 A View  
Notes: SBD
Supratik Chaudhuri (2/0) / 0 View  
Scott (2/0) CDR(DAO) / 2 View  
ZIP007 (2/5) SHN / 3 View 114 SBD
Bob Harrell (2/4.9) shn / 2 View 114 sbd
Notes: 3 audio
Richard D. Jordan (2/5) shn / 2 View 114 via Leigh Orf; WBOTB source > distortion removed digitally
Jason (2/0) / 3 View  
Thereminist (2/0) / 0 View 87570
Thereminist (2/0) / 0 View 114
bowlnbunny (2/0) cdr / 3 A View  
Dennis O'Donnell (2/0) shn / 2 View  
James Gregory (2/5) SHN / 2 A View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. total size of shn files: 840184 kB all wav files are the correct length for clean burning!
Chris Nestler (2/0) SHN / 3 View 114
Terrapanda (2/0) / 2 View 87570
LEE SPATZ (2/0) / 0 View  
Brad (2/0) FLAC / 0 View 87570 SBD > MR > PCM > DAT - GMB
Gdeadman (2/0) cass / 0 5 View   S
Shoreline99 (2/4) / 0 View 114
easywind74 (2/0) / 0 View  
AAA Audio (2/4.8) shn / 2 View  
Dean Thole (2/0) SHN / 2 View 6189
Dan Goorsky (2/5) shn / 3 View  
Notes: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking)
john and tracy (2/0) / 3 View  
William Ferdinandsen (2/5) / 2 View  
Ben Larkin (2/5) Audio CD-R / 2 A A View   sdb>>master reel>>pcm>>cdr