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Grateful Dead 10/01/77
Paramount Theater, Portland, OR
Set I
Promised Land, They Love Each Other, Mexicali Blues, Dire Wolf, Cassidy, Deal, Passenger, Tennessee Jed, Minglewood Blues, Peggy-O, The Music Never Stopped
Set II
Bertha-> Good Lovin', It Must Have Been The Roses, Estimated Prophet-> Eyes Of The World-> Dancin' In The Streets-> Drums-> Not Fade Away-> Black Peter-> Around & Around
Set III

Comment

Last Changed By System
Sources
(277) View Source    View Archive
Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source    View Archive
SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source    View Archive
flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source    View Archive
flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Jack Cummiskey (3/0) shn / 2 View   Betty Reel>PCM x2>DAT>CDR
Josh (3/0) CDR / 2 A View  
Shane L. (3/0) SHN / 2 A- A View 277
Notes: WBOTB source; Complete show; source tape: MR - P2 - D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips - PCM501ES @ 44.055 kHz PCM501ES analog out - DBX-1 decoder - analog in PCM501ES , PCM501ES analog out - Fostex D5 @ 48 kHz
mike oberg (3/0) CD-R / 2 A+ View   SBD
Nathan Jordan (3/5) CDR / 2 A+ View 277 SBD MR>DAT>CDR
Notes: Betty Board
Martin Novak (3/0) / 0 A View   SBD
Nate (3/5) SHN / 0 View  
MAB (3/0) cdr / 2 View  
John Licari (3/5) SHNs / 2 A A View 277
Notes: WBOTB Sourced show.
Torbj�rn Olofsson (3/0) / 0 View 10689
Notes: shn
Dan Freedman (3/0) CDR / 2 View   SBD>?>CDR
Jackson Marley (3/1) cd / 2 A A View   n/a
Matt Bornstein (3/0) CDR / 3 View  
Guppy (3/0) CDR / 2 View   SBD>Betty MR>PCM>DBX-1>PCM>Fostex D-5
Todd Miller (3/0) cdr / 2 A View  
Notes: sbd
Jeff Newman (3/0) shn / 2 A View   7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out >...
Notes: Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min
Randy Perkins (3/5) CDR / 2 A View   MCSBD?>DAT>?>CDR
Dave Huck (3/0) Tape / 2 A View  
robert naylor (3/3) CD / 2 A View   Sbd>mr>dat>cdr
daniel dirocco (3/0) / 2 View  
David Ferris (3/0) CDR / 2 A View   Betty Board MR>PCM>DAT>CDR
Notes: Paramount Theater, Portland, OR (10/1/77) Promised Land They Love Each Other Mexicali Blues Dire Wolf Cassidy Deal Passenger Tennessee Jed New Minglewood Blues Peggy-O Music Never Stopped Bertha Good Lovin' It Must Have Been the Roses Estimated Prophet Eyes of the World Dancin' in the Streets drums Not Fade Away Black Peter Around and Around
Big O (3/5) CDR / 2 A+ View   Betty Board (RM>PCM>DAT>CDR)
Notes: slight diginoise at beginning of TLEO and Estimated
Gray Miller (3/0) CD Audio / 2 View   SBD > Unknown > DAT > CD
robert naylor (3/3) CD / 2 A View   SBD>MR>DAT>CDR
Alex Phelan (3/1) CDR / 3 A A View  
Michael New (3/0) CD / 3 View   Betty Board - Thanks to Tim Deibert
Notes: Betty Board
Lee Rosenbaum (3/5) SHN / 2 A+ View 277 ?
craig (3/4) shn / 2 View 277
sam (3/0) audio CDR / 2 View  
Shecky (3/0) cd / 2 * View   Betty Reel>PCM x2>DAT>CDR
Notes: Cuts in "Promised Land" and "They Love Each Other" from original source.