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Set I
Promised Land, They Love Each Other, Mexicali Blues, Dire Wolf, Cassidy, Deal, Passenger, Tennessee Jed, Minglewood Blues, Peggy-O, The Music Never Stopped
Set II
Bertha-> Good Lovin', It Must Have Been The Roses, Estimated Prophet-> Eyes Of The World-> Dancin' In The Streets-> Drums-> Not Fade Away-> Black Peter-> Around & Around
Set III
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Last Changed By
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(277) View Source
View Archive
Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive
SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive
flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive
flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
(277) View Source
View Archive Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Jack Cummiskey (3/0) | shn / 2 | View | Betty Reel>PCM x2>DAT>CDR | |||
| Josh (3/0) | CDR / 2 | A | View | |||
| Shane L. (3/0) | SHN / 2 | A- | A | View | 277 | |
| Notes: | WBOTB source; Complete show; source tape: MR - P2 - D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips - PCM501ES @ 44.055 kHz PCM501ES analog out - DBX-1 decoder - analog in PCM501ES , PCM501ES analog out - Fostex D5 @ 48 kHz | |||||
| mike oberg (3/0) | CD-R / 2 | A+ | View | SBD | ||
| Nathan Jordan (3/5) | CDR / 2 | A+ | View | 277 | SBD MR>DAT>CDR | |
| Notes: | Betty Board | |||||
| Martin Novak (3/0) | / 0 | A | View | SBD | ||
| Nate (3/5) | SHN / 0 | View | ||||
| MAB (3/0) | cdr / 2 | View | ||||
| John Licari (3/5) | SHNs / 2 | A | A | View | 277 | |
| Notes: | WBOTB Sourced show. | |||||
| Torbj�rn Olofsson (3/0) | / 0 | View | 10689 | |||
| Notes: | shn | |||||
| Dan Freedman (3/0) | CDR / 2 | View | SBD>?>CDR | |||
| Jackson Marley (3/1) | cd / 2 | A | A | View | n/a | |
| Matt Bornstein (3/0) | CDR / 3 | View | ||||
| Guppy (3/0) | CDR / 2 | View | SBD>Betty MR>PCM>DBX-1>PCM>Fostex D-5 | |||
| Todd Miller (3/0) | cdr / 2 | A | View | |||
| Notes: | sbd | |||||
| Jeff Newman (3/0) | shn / 2 | A | View | 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out >... | ||
| Notes: | Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min | |||||
| Randy Perkins (3/5) | CDR / 2 | A | View | MCSBD?>DAT>?>CDR | ||
| Dave Huck (3/0) | Tape / 2 | A | View | |||
| robert naylor (3/3) | CD / 2 | A | View | Sbd>mr>dat>cdr | ||
| daniel dirocco (3/0) | / 2 | View | ||||
| David Ferris (3/0) | CDR / 2 | A | View | Betty Board MR>PCM>DAT>CDR | ||
| Notes: | Paramount Theater, Portland, OR (10/1/77) Promised Land They Love Each Other Mexicali Blues Dire Wolf Cassidy Deal Passenger Tennessee Jed New Minglewood Blues Peggy-O Music Never Stopped Bertha Good Lovin' It Must Have Been the Roses Estimated Prophet Eyes of the World Dancin' in the Streets drums Not Fade Away Black Peter Around and Around | |||||
| Big O (3/5) | CDR / 2 | A+ | View | Betty Board (RM>PCM>DAT>CDR) | ||
| Notes: | slight diginoise at beginning of TLEO and Estimated | |||||
| Gray Miller (3/0) | CD Audio / 2 | View | SBD > Unknown > DAT > CD | |||
| robert naylor (3/3) | CD / 2 | A | View | SBD>MR>DAT>CDR | ||
| Alex Phelan (3/1) | CDR / 3 | A | A | View | ||
| Michael New (3/0) | CD / 3 | View | Betty Board - Thanks to Tim Deibert | |||
| Notes: | Betty Board | |||||
| Lee Rosenbaum (3/5) | SHN / 2 | A+ | View | 277 | ? | |
| craig (3/4) | shn / 2 | View | 277 | |||
| sam (3/0) | audio CDR / 2 | View | ||||
| Shecky (3/0) | cd / 2 | * | View | Betty Reel>PCM x2>DAT>CDR | ||
| Notes: | Cuts in "Promised Land" and "They Love Each Other" from original source. | |||||