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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
phil (1/5) | cd / 2 | a | View | 22313 | sbdmr>c>d>cd>eac | |
Notes: | charlie miller Shn files (hd 1970 project part 8) | |||||
Brian C (1/4.7) | CDR / 2 | A | A | View | SBD:MR>C>D>CD | |
CDJones (1/5) | SHN/CDR / 2 | View | 22313 | |||
Notes: | 22313 | |||||
CDJones (1/5) | FLAC/CDR / 2 | View | 87294 | |||
Notes: | 87294 Matrix | |||||
woodenalligator (1/5) | CDR / 2 | A+ | A+ | View | SB | |
thegreatdivide6 (1/0) | shn / 0 | View | 22313 | |||
Jim (1/5) | SHN / 0 | View | 22313 | |||
MrChips (1/0) | / 2 | A | View | |||
Notes: | patches in BIODTL, Cumberland. | |||||
Lucas (1/5) | SHN / 2 | A- | View | 22313 | ||
Stuart Ferguson (1/4.3) | CDR / 2 | View | 22313 | Soundboard | ||
Notes: | DVD 3501; lineage: SBD> Master Reel> Cassette> Dat> CD> EAC> Samplitude v7.02 Professional> SHN, Patched with Sony ECM-22> Rm> Dat> CD; All Editing Done By Charlie Miller | |||||
KB Larsen (1/5) | shn / 2 | View | 6015 | |||
Notes: | Thanks Torbjorn! 2 audio | |||||
KB Larsen (1/5) | shn / 2 | View | 22313 | |||
Notes: | Thanks Torbjorn! 2 audio | |||||
Hanf (1/5) | Shn / 0 | View | 6015 | |||
x poordevil (1/5) | dvd shn / 1 | View | 22313 | SBD | ||
J Parzych (1/5) | FLAC / 0 | View | 22313 | SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02... | ||
J Parzych (1/5) | FLAC / 0 | View | 87294 | SBD + AUD Matrix 2 Source Mix | ||
J Parzych (1/5) | FLAC / 0 | View | 87365 | AUD : MR > DAT > CD | ||
OldNeumanntapr (1/5) | FLAC / 0 | A | View | 22313 | Soundboard; >Master Reel >Cassette >DAT >CD >EAC >Samplitude v7.02 Professional >SHN | |
Notes: | (Vocals High In The Mix) Patched with: Sony ECM-22 >Reel Master >DAT >CD (BIODTL, Sugar Magnolia and Cumberland Blues) | |||||
OldNeumanntapr (1/5) | FLAC / 0 | A | View | 87294 | Soundboard + Audience Matrix 2 Source Mix (60%-SBD / 40%-AUD) | |
Notes: | (Matrix Adds A Nice Blend And Covers Over The Fact That The Vocals Were Too Hot In The Board Mix) AUD : MR > DAT > CD (NOTE: per Bob Menke the equipment used was Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips and it was taped by Harv Kaslow and Craig Todd) | |||||
Joe (1/5) | SHN / 0 | View | 22313 | |||
Imetdork (1/0) | SHN / 0 | View | 22313 | |||
aikox2 (1/4.9) | / 0 | View | ||||
Notes: | SBD | |||||
John Peters (1/0) | FLAC / 1 | View | 22313 | SBD: MR > C > DAT > CD > EAC > Samplitude v7.02 Professional > SHN > FLAC | ||
Geoff MacNaughton (1/5) | 2 / 2 | B+ | View | 87294 | ||
Richard Markley (1/5) | SHN / 2 | View | 17706 | |||
Notes: | DVD52 | |||||
Richard Markley (1/5) | SHN / 2 | View | 6015 | |||
Notes: | DVD53 | |||||
Richard Markley (1/5) | flac / 2 | View | 87294 | |||
Notes: | DVD585 | |||||
Richard Markley (1/5) | SHN / 2 | View | 22313 | |||
Notes: | HD3 | |||||
Matt Vernon (1/4.8) | SHN / 2 | A- | A- | View | 22313 | |
Notes: | sbd miller [2007-09-05]Continues the mood for this run of shows. Here's a LMA review that captures my take more or less except I didn't find the sound and mix so bothersome. "First, the mix is bad, vocals are too high and the instruments are hard to hear, this enhances the perception that this show was at a lower energy level. Cranking up the high end on the equalizer helps. The band seemed to be in a slower blues mode, and either couldn't quite get things going or they were trying to restrain the jams. There are some nuggets here. The blues numbers, "It Hurts Me Too" and "Smokestack Lightning" are very good. In this show, a softer gentler "Other One" takes on a etherial quality. Finally, this version of "Good Lovin" is fun to listen to, it doesn't rock, it just kind of bounces along in a way only the Grateful Dead could do. It's worth the download." | |||||
Matt Vernon (1/4.8) | SHN / 2 | B+ | A- | View | 17706 | |
Notes: | aud [2007-10-05]Excellent sound and soundfield considering the vintage of this show. Set 1 has a nice Cryptical and Deep Ellem Blues. Set 2 has a good Smokestack. Show has some moments but comes across more as a run through of material without any epic performances. |