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Set I
Hideaway $
Touch Of Grey
New Minglewood Blues
Ramble On Rose
Box Of Rain
Dire Wolf
When I Paint My Masterpiece
Row Jimmy
Cassidy
Deal
Touch Of Grey
New Minglewood Blues
Ramble On Rose
Box Of Rain
Dire Wolf
When I Paint My Masterpiece
Row Jimmy
Cassidy
Deal
Set II
Scarlet Begonias >
Hell In A Bucket *
Ship Of Fools *
Estimated Prophet > *
Eyes Of The World > *
Drums >
Space >
Truckin' > *
The Other One > *
Morning Dew > *
Turn On Your Lovelight *
Encore:
Brokedown Palace *
Hell In A Bucket *
Ship Of Fools *
Estimated Prophet > *
Eyes Of The World > *
Drums >
Space >
Truckin' > *
The Other One > *
Morning Dew > *
Turn On Your Lovelight *
Encore:
Brokedown Palace *
Set III
Comment
Pay Per View video broadcast
National FM broadcast
Last time played and first performance since November 7, 1971 $
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Clarence Clemons - Saxophone *
National FM broadcast
Last time played and first performance since November 7, 1971 $
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Clarence Clemons - Saxophone *
Last Changed By
J
Sources
(4603) View Source
View Archive
Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source)
(16888) View Source
View Archive
Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki
(83718) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(123383) View Source
View Archive
flac16; Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
(127418) View Source
View Archive
flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
(138342) View Source
View Archive
flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
(142379) View Source
View Archive
flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
(4603) View Source
View Archive Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source)
(16888) View Source
View Archive Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki
(83718) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(123383) View Source
View Archive flac16; Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
(127418) View Source
View Archive flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
(138342) View Source
View Archive flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
(142379) View Source
View Archive flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Randy Carman (2/5) | .mpg3 / 3 | View | ||||
| Teladog (2/4.9) | CDR / 3 | A | View | |||
| Teladog (2/4.9) | DVD / 2 | A | View | |||
| Notes: | ProShot DVD. | |||||
| Randy Carman (2/0) | .mpg3 / 3 | View | ||||
| bob f (2/0) | SHN / 3 | A- | A= | View | ||
| bluesky718 (2/5) | DVD / 2 | View | PPV | |||
| ken (2/0) | CDR / 1 | A | View | SBD | ||
| Notes: | SET2 | |||||
| Crock (2/0) | shn / 2 | View | SBD> ???>DAT>Wavelab>shn | |||
| Notes: | The Source is a DAT of unknown origin. The cover says "Soundboard" and "Digital Copy". Seems to be a low level hiss in the background and a lot of crowd noise for a Soundboard copy. Early in the show, there is a speaker problem. | |||||
| Scott Benson (2/5) | DVD / 3 | View | Cable TV>VHS>digital ppvfeed>vhs>vhs>dat>CD | |||
| Matt C (2/0) | vcd? / 0 | View | ||||
| Lee Ascher (2/5) | MPEG / 3 | View | NATIONAL PAY-PER-VIEW BROADCAST>Master Hi-fi VHS>Windows ME w/ATI All-in-Wonder 128 video... | |||
| chllyh2o (2/0) | VCD / 4 | B | View | VCD | ||
| Paul Moreno (2/5) | SHN / 2 | View | 4603 | |||
| Notes: | Digital PPV feed>Master VHS>Dan Sisler's 1st-gen professionally dubbed VHS>DAT transfer by Sisler (Sony PCM R-500 via SBM)>CDR transfer by Kevin Gills on Alesis Masterlink>CDR>CDR>EAC (Secure Mode, Test and Copy)>SHN | |||||
| Charissa (2/5) | vcd / 3 | A | A | View | 4603 | |
| Rick (2/0) | cdr / 3 | View | ||||
| devout (2/0) | shn / 2 | A+ | View | SBD | ||
| Michael Goff (2/5) | cd / 3 | View | 16888 | |||
| Notes: | 89 dvd #8 | |||||
| Eric (2/3.5) | VHS / 1 | A | A+ | View | ||
| Notes: | taped from tv | |||||
| Adam O. (2/5) | SHN / 3 | View | 16888 | DSBD Sat. Feed | ||
| Notes: | w/ Clarence Clemons | |||||
| A.M. (2/0) | CDR / 3 | View | ||||
| Tony C. (2/0) | VCD / 3 | A+ | View | Pro Shot TV | ||
| Notes: | video: NATIONAL PAY-PER-VIEW BROADCAST>Master Hi-fi VHS>Windows ME w/ATI All-in-Wonder 128 video card (352x240 MPEG-1); via awolfoutwest69 audio: Satellite uplink>Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21)>JVC HR-S8000U Super VHS (SP)>Fostex D5 DAT (analog in) @ 44.1 kHz>Turtle Beach Fiji>WAV (normalized to -0.03 dB using Sound Forge 5.0)>SHN (w/ seek tables appended); via tol's ftp server editing: shn>wav (via MKWact)>wav synchronization to MPEG-1 (via VEM 2.2 and CE2K)>uncompressed avi movie (30fps, 352x240, 44.1kHz stereo audio)>Video-CD NTSC MPEG-1 352x240 29.97fps CBR 1150kbps, Layer-2 44100Hz Stereo 224kbps (via TMPGEnc); via MattMan (mcoleATsunDOTscienceDOTwayneDOTedu) Disc 1: SET 1A (61:26) Hideaway(1); Touch Of Gray ->Minglewood Blues; Ramble On Rose; Box Of Rain; Dire Wolf; When I Paint My Masterpiece; Row Jimmy; Cassidy Disc 2: SET 1B/SET 2A (63:13) Deal; Set-Break Vending Footage(2); Tuning ->Scarlet Begonias ->Hell In A Bucket; Ship Of Fools(3); Estimated Prophet(3) ->Eyes Of The World(3)-> Disc 3: SET 2B (67:12) Drums ->Space ->Truckin'(3) ->Other One(3) ->Morning Dew(3) ->Turn On Your Lovelight(3) ENCORE: Brokedown Palace(3)(4) Notes: (1) Video starts at 0:09 (2) Original audio (3) with Clarence Clemons (sax) (4) Video cuts out at 66:17 | |||||
| Tony C. (2/0) | VCD / 3 | A | A/+ | View | ||
| Notes: | GRATEFUL DEAD Shoreline Amphitheatre Mountain View, CA June 21, 1989 video: NATIONAL PAY-PER-VIEW BROADCAST>Master Hi-fi VHS>Windows ME w/ATI All-in-Wonder 128 video card (352x240 MPEG-1); via awolfoutwest69 audio: Satellite uplink>Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21)>JVC HR-S8000U Super VHS (SP)>Fostex D5 DAT (analog in) @ 44.1 kHz>Turtle Beach Fiji>WAV (normalized to -0.03 dB using Sound Forge 5.0)>SHN (w/ seek tables appended); via tol's ftp server editing: shn>wav (via MKWact)>wav synchronization to MPEG-1 (via VEM 2.2 and CE2K)>uncompressed avi movie (30fps, 352x240, 44.1kHz stereo audio)>Video-CD NTSC MPEG-1 352x240 29.97fps CBR 1150kbps, Layer-2 44100Hz Stereo 224kbps (via TMPGEnc); via MattMan (mcoleATsunDOTscienceDOTwayneDOTedu) Disc 1: SET 1A (61:26) Hideaway(1); Touch Of Gray ->Minglewood Blues; Ramble On Rose; Box Of Rain; Dire Wolf; When I Paint My Masterpiece; Row Jimmy; Cassidy Disc 2: SET 1B/SET 2A (63:13) Deal; Set-Break Vending Footage(2); Tuning ->Scarlet Begonias ->Hell In A Bucket; Ship Of Fools(3); Estimated Prophet(3) ->Eyes Of The World(3)-> Disc 3: SET 2B (67:12) Drums ->Space ->Truckin'(3) ->Other One(3) ->Morning Dew(3) ->Turn On Your Lovelight(3) ENCORE: Brokedown Palace(3)(4) Notes: (1) Video starts at 0:09 (2) Original audio (3) with Clarence Clemons (sax) (4) Video cuts out at 66:17 | |||||
| jim mcguire (2/5) | shn/cdr / 2 | A | View | 4603 | ||
| Dan Patnoad (2/0) | cd-vcd / 3 | View | ||||
| Notes: | Nice Quality, pro recording | |||||
| Cam Patters (2/4.9) | VCD / 3 | View | ||||
| Chris Christie (2/5) | MPG / 3 | View | Pay Per View > VCD | |||
| Rob Harrison (2/5) | DAT / 2 | View | TV | |||
| Notes: | All sets. Cable TV>VHS (Brokedown cut) | |||||
| EMSheldon (2/0) | SHN / 2 | View | Digital PPV feed>Master VHS> 1st-gen professionally dubbed VHS>DAT (Sony PCM R-500 via... | |||
| Notes: | Grateful Dead 06/21/89 Shoreline Amphitheater Mountain View, CA Source: Digital PPV feed>Master VHS>1st-gen professionally dubbed VHS>DAT transfer (Sony PCM R-500 via SBM)>CDR transfer on Alesis Masterlink>CDR>CDR>EAC (Secure Mode, Test and Copy)>SHN (includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman's 1st-gen FM simulcast>CDR source), Disc 1: SET I: 01 Tuning and Jam (03:50) 02 Hide Away (02:55) 03 Touch of Gray (06:30) 04 New Minglewood (09:46) 05 Ramble on Rose (09:17) 06 Box of Rain (05:19) 07 Dire Wolf (03:37) 08 Masterpiece (06:31) 09 Row Jimmy (10:46) 10 Cassidy (07:51) 11 Deal (10:41) Total Time (77:05) Disc 2: SET II: 01 Scarlet Begonias > (08:07) 02 Hell in a Bucket* (06:10) 03 Ship of Fools* (08:07) 04 Estimated Prophet* > (10:24) 05 Eyes* > (12:54) 06 Drums > (10:03) Total Time (55:41) Disc 3: SET II (Cont.) 01 Space > (15:44) 02 Truckin'*> (06:18) 03 The Other One* > (06:03) 04 Morning Dew* > (11:49) 05 Lovelight* (08:18) ENCORE: 06 Brokedown* // (04:51) 07 Brokedown* (05:54) (1) Total Time (59:00) * with Clarence Clemons | |||||
| Barrett (2/0) | CDR / 3 | A- | View | see notes | ||
| Notes: | Digital PPV feed -> Master VHS -> 1st gen digitally dubbed VHS -> DAT -> CDR -> CDR -> CDR -> SHN -> CDR (all CDR transfers using EAC) | |||||
| Tony (2/0) | / 0 | View | VHS-Pay Per View-Gen2 | |||