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Set I
Casey Jones, Me & My Uncle, Cumberland Blues, Next Time You See Me, Bird Song, Me And Bobby McGee, Bertha, Hard To Handle, Loser, Playin' In The Band, Good Lovin'-> Drums-> Good Lovin'
Set II
Sugar Magnolia, King Bee, Greatest Story Ever Told-> Johnny B. Goode, Deal, Minglewood Blues, Truckin', Not Fade Away-> Goin' Down The Road Feelin' Bad-> Jam-> Not Fade Away-> Turn On Your Love Light
Set III
Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By
Hamilton, Greg & Diana
Sources
(114) View Source
View Archive
via Leigh Orf; WBOTB source > distortion removed digitally (see notes)
(6189) View Source
View Archive
retracked version of previous shn set, by Bob Clevenger
(6190) View Source
View Archive
seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation
(87570) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner.
(121065) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(125171) View Source
View Archive
flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger
(140834) View Source
View Archive
flac16; Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16
(114) View Source
View Archive via Leigh Orf; WBOTB source > distortion removed digitally (see notes)
(6189) View Source
View Archive retracked version of previous shn set, by Bob Clevenger
(6190) View Source
View Archive seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation
(87570) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner.
(121065) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(125171) View Source
View Archive flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger
(140834) View Source
View Archive flac16; Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Tim Deibert (2/5) | CDR / 3 | View | Betty Board Reel | |||
| Notes: | Betty Board - Details | |||||
| Eric Franklin (2/0) | CDR / 3 | View | ||||
| Scott (2/0) | / 0 | View | ||||
| bobbyandjerry (2/0) | SHN / 2 | View | 114 | SBD | ||
| Tripp Wojohn (2/0) | SHN / 2 | View | 114 | |||
| Carter (1/5) | CDR / 3 | View | ||||
| Charlie Yohe (1/5) | CDR / 3 | View | 87570 | |||
| Rick Childs (1/4.9) | CDR / 3 | A++ | A+ | View | 114 | |
| Gary Field (1/5) | / 0 | View | 140834 | |||
| Gary Field (1/5) | 114 / 2 | View | 114 | SBD | ||
| Notes: | WBOTB source > distortion removed digitally (SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R) | |||||
| Gary Field (1/5) | 87570 / 2 | View | 87570 | SBD | ||
| Notes: | Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply [071010.2] | |||||
| Gary Field (1/5) | 6189 / 2 | View | 6189 | SBD | ||
| Notes: | WBOTB source (MR>P2>D1 7" two track BBD reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > dolby A decoder > Apogee filter > analog in PCMF1 PCM501ES analog out > Fostex D5 @ 48 kHz) > distortion removed digitally; retracked version of previous shn [090122.2] | |||||
| Gary Field (1/5) | / 0 | View | ||||
| Notes: | [090102.1] | |||||
| Gary Field (1/5) | 6190 / 2 | View | 6190 | SBD | ||
| Notes: | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R (possibly a seekable reshn of other shn set that may originate from source ID 114) [091005.1] | |||||
| Gary Field (1/5) | 121065 / 2 | View | 121065 | SBD | ||
| Notes: | Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC [120717.wd001] | |||||
| Gary Field (1/5) | 125171 / 1 | View | 125171 | AUD | ||
| Notes: | Partial; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg [131002.wd002] | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 6189 | |||
| Notes: | retracked version of previous shn set, by Bob Clevenger | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 114 | |||
| Notes: | via Leigh Orf; WBOTB source > distortion removed digitally (see notes) | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 87570 | |||
| Notes: | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC | |||||
| Marc Deardorff (1/5) | flac16 / 0 | View | 140834 | Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony... | ||
| phil (1/5) | CD-R / 3 | View | ||||
| Notes: | Betty Board | |||||
| Ed Izsak (1/5) | CDR / 2 | A | View | SDBD | ||
| Brian C (1/4.7) | SHN / 2 | A | A | View | SBD>MR>PCM>DAT>CDR | |
| Notes: | w/7/12/69 | |||||
| mike (1/5) | Flac / 2 | View | 87570 | |||
| CDJones (1/5) | SHN/CDR / 2 | View | 6189 | |||
| Notes: | 6189 | |||||
| CDJones (1/5) | FLAC/CDR / 3 | View | 87570 | |||
| Notes: | 87570 | |||||
| CDJones (1/5) | FLAC/CDR / 3 | View | 121065 | |||
| Notes: | 121065 | |||||
| CDJones (1/5) | FLAC/CDR / 3 | View | 140834 | Source Info: Betty's 7" two track Master Soundboard Reels > PCM Transfer Info: PCM (Sony... | ||
| Notes: | 140834 | |||||
| woodenalligator (1/5) | CDR / 3 | A+ | A+ | View | SB | |
| Notes: | Betty Board | |||||
| thegreatdivide6 (1/0) | flac / 0 | View | 121065 | |||
| Notes: | sbd | |||||