Grateful Dead 03/25/1972

Set I

Hey Bo Diddley*-> I'm A Man*-> Jam*-> Take It Off*-> Mona*, Wow Wow Hey Hey*, Slow Blues*, Pollution*, Eighteen Children*, Jam*, Jam*

Set II

How Sweet It Is, Are You Lonely For Me, Next Time You See Me, Brown Eyed Women, Smokestack Lightning, Sitting On Top Of The World, Sugaree, Looks Like Rain, Bertha, Mr. Charlie, Playin' In The Band, Good Lovin', Turn On Your Love Light

Set III

Comment

*w/ Bo Diddley; Hell's Angels party; Other artist on bill: Bo Diddley

Sources

(8838) View Source

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AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute

(22094) View Source

View Archive
Multiple Sources -- see info file, same as shn ID 8838, but SBE's in d1t11, d1t14, and d2t10 fixed with shntool and new md5's generated

(100352) View Source

View Archive
flac16; source: aud reel; lineage: aud>?>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/29/09

(133592) View Source

View Archive
flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller

(133593) View Source

View Archive
flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller

(136684) View Source

View Archive
flac16; Source: sbd > master reel > dat (48k)

(137695) View Source

View Archive
flac16; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick

(137696) View Source

View Archive
flac24; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick

User (active/rating)	Media / #	Show	Sound	Details	DB Source	User Source
Don (0/0)	/ 0			View	22094
Don (0/0)	/ 0			View	22094
Don (0/0)	/ 0			View	22094
Robert Goetz (0/5)	shn / 2			View	8838	AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute; shn(2)>cda(2)
Notes:	AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute; shn(2)>cda(2)
Glenn Gillis (0/3.5)	/ 2			View		Master AUD Cass>Reels>DAT>CD
Notes:	With Bo Diddley; incomplete show, ATC.
Justin Green (0/4.9)	SHN / 2			View
Justin Green (0/4.9)	CDR / 2			View
jellybelly (0/0)	/ 0			View	8838
Chef Jeff (0/0)	CD / 1			View
Homer Jay {aka DES} (0/5)	shn / 2			View	8838	AUD composite- see notes in info file
Adam Weiss (0/0)	AUD / 1			View
Jake Horner (0/0)	shn / 2			View	8838
Jake Horner (0/0)	shn / 2			View	22094
Matthew Smith (0/0)	CD / 2		C-	View
Notes:	AUD
coachnatebean (0/0)	SHN / 2			View	8838	AUD composite
james serra (0/0)	/ 0			View
kremlac (0/0)	SHN discs / 2	A	C	View	8838	aud composite
Jesse (0/0)	/ 0			View		See notes (long!)
Notes:	set one: source A - low-gen reel > C > CDR source B - MC > C > CDR; different master than source A Wow Wow Hey Hey 1:30 tape warbles; 7:09 tape cut. Jam (d1t11) 0:37 and 0:40 tape cuts. set two: source C - low-gen cassette > CDR source B - MC > C > CDR, patch only, inferior sound than source C beginning through Take It All Off 1:13 is from source A, the rest is from source B except for Take It All Off 3:53 through 0:20 of Mona, which were missing on source B and have been spliced in from source A. Smokestack Lightning 11:40 through 12:08 spliced in from source B. ... there are doubtlessly more of these unavoidable anomalies. A few "pause button" cracklings have been smoothed. Some careful EQ'ing has been applied to remove some of the high freq tape hiss. Playin' In The Band and Lovelight are both missing their beginnings. There is only one known AUD master which supplies these songs, and even anything from Bertha onwards. Black-Throated Wind, Deal, Good Lovin' and Casey Jones, though present in Deadlists, are completely missing. Only 'How Sweet It Is', 'Are You Lonely For Me' assembled by H.B. 2/02 - 4/02
Ben Neuman (0/5)	CD-R / 2			View	8838	AUD composite
Notes:	repulsive aud. for obsessive completists only.
Ben Neuman (0/5)	CD-R / 2			View	8838	AUD composite
Notes:	repulsive aud. for obsessive completists only.
Jim (0/5)	CDR / 2			View		Composite of 3 different sources (see notes for specifics)
Notes:	Grateful Dead 3/25/72 Academy of Music; New York City, NY. CD 1, Set 1; Bo Diddley & Grateful Dead: 1. Bo Diddley > 04:23 2. I'm A Man 06:03 3. Jam 09:34 4. Take It All Off 03:54 5. Mona 02:56 6. Wow Wow Hey Hey 10:20 7. Slow Blues 05:19 8. Pollution 04:55 9. Eighteen Children 03:20 10. Jam 03:55 11. Jam 03:54 Set 2; Grateful Dead: 12. How Sweet It Is 06:37 13. dead air & tuning 02:22 14. Are You Lonely For Me 07:02 CD 2, Set 2 continued: 1. Next Time You See Me 06:01 2. Brown-Eyed Women 04:43 3. Smokestack Lightnin' 13:26 4. Sittin' On Top Of The World 03:48 5. Sugaree 07:33 6. Looks Like Rain 07:38 7. Bertha 05:54 8. Mr. Charlie 03:49 9. Playin' In The Band 05:58 10. Turn On Your Lovelight 04:58 There are several masters to this show, of varying quality and completeness. I had seven different CDRs made from low-generation cassettes (dating back to the 70s and 80s) of the different masters. I also considered the previously circulating MC > C > D > CD of the Dead set, but ended up using none of it since there are just tons of hiss on that one. The following sources were used in this compilation: Set 1: source A - low-gen reel > C > CDR source B - MC > C > CDR; different master than source A * Wow Wow Hey Hey 1:30 tape warbles; 7:09 tape cut. * Jam (d1t11) 0:37 and 0:40 tape cuts. Set 2: source C - low-gen cassette > CDR source B - MC > C > CDR, patch only, inferior sound than source C * beginning through Take It All Off 1:13 is from source A, the rest is from source B except for Take It All Off 3:53 through 0:20 of Mona, which were missing on source B and have been spliced in from source A. * Smokestack Lightning 11:40 through 12:08 spliced in from source B. * ...A few "pause button" cracklings have been smoothed. * Some careful EQ'ing has been applied to remove some of the high freq tape hiss. * Playin' In The Band and Lovelight are both missing their beginnings. * There is only one known AUD master which supplies these songs, and even anything from Bertha onwards. * Black-Throated Wind, Deal, Good Lovin' and Casey Jones, though present in Deadlists, are completely missing. * Only 'How Sweet It Is', 'Are You Lonely For Me' Assembled by H.B. 2/02 - 4/02
music_momma (0/2.7)	cdr / 2			View
Tommy (0/0)	cdr / 2			View		aud
drew (0/0)	/ 0			View		source A - low-gen reel > C > CDR source B - MC > C > CDR; different master than...
Koolaid (0/5)	SHN / 2			View	8838
Gerald Gorinsky (0/0)	SHN / 2			View	8838
Notes:	2 SHN, 2 CDR.
Hypnocracy (0/0)	/ 0			View	8838
Jimmy Jenkins (0/0)	SHN / 2			View	8838
Eric (0/0)	/ 0			View
Willy (0/4.8)	SHN / 2			View	8838
Notes:	Multiple (low quality) aud sources; see shn info

User (active/rating)

Media / #

Show

Sound

Details

DB Source

User Source

Don (0/0)

/ 0


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Cached: Mon, 16 Jun 2025 16:41:29 EDT