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Grateful Dead 08/27/72
Old Renaissance Faire Grounds, Veneta, OR
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Set I
Promised Land, Sugaree, Me & My Uncle, Deal, Black Throated Wind, China Cat Sunflower-> I Know You Rider, Mexicali Blues, Bertha
Set II
Playin' In The Band, He's Gone, Jack Straw, Bird Song, Greatest Story Ever Told
Set III
Dark Star-> El Paso, Sing Me Back Home, Sugar Magnolia, Casey Jones, One More Saturday Night
Comment
Springfield Creamery benefit - "Field Trip" - not 08-28-72 - Other artist(s): NRPS
Last Changed By System
Sources
(152) View Source    View Archive
SBD MR> DAT> CDR> EAC> SHN; via S. Kaplan, G. Hamilton; known flaws: sound system disortion/buzziness at places; d1t7 d/o @ 11:14; d2t6 discontinuity @ 3:36, static @ 5:07; note least-flawed of several versions assayed (no clicks/pops in Dark Star); 12/00 update: an upgrade version is now circulating
(2199) View Source    View Archive
SBD Master Betty reel > PCM > DAT > ZA2 > CD > EAC > SHN; Set 3 has unknown # of PCM gens; via Jeff Tiedrich (DAT seed), David Hollister (transfer> CD), G.S. Hamilton (EAC> SHN); see info file for comments; d3 tracked for 80 min; upgrade relative to previously etreed copy
(3328) View Source    View Archive
SBD-> two-track MR-> DAT-> Sonic Solutions-> CDR-> EAC-> Sound Forge Edit (analog pop removal using pencil tool)-> Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents); stemming from David Gans seed, via Adam Jerugim to Leigh Orf, who fixed up (see details in info file); d3 trackd for 80 min; note previous shn sets have been Betty Board sourced- this is not
(4682) View Source    View Archive
SBD> 16 Track Master Reels> [email protected]> DAT> DAT> WAV> SHN; see info file for details, fixes and flaw notes; note most banter edited out; Reel>DAT transfer by Dick Latvala; DAT clone supplied by Rob Eaton; DAT>SHN by Jamie Lutch; QC courtesy dankseeds
(8045) View Source    View Archive
SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM> (PCM) > D > SSSB; via Jay Serafin to gdlive; see info file for extensive notes
(16582) View Source    View Archive
SBD> 16 Track Master Reels> [email protected]> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed
(21619) View Source    View Archive
Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels)
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
hank (0/0) SHN / 2 View 3328 SBD->MR->DAT->Sonic Solutions->CDR
hank (0/0) SHN / 2 View 3328 SBD->MR->DAT->Sonic Solutions->CDR
Esau (0/0) VCD / 2 A View   Sunshine Daydream Film
Notes: Grateful Dead 8-27-1972 Old Renaissance Faire Grounds Veneta, OR Lineage: Sunshine Daydream Film > ? > MPEG-1 Video Stream: Motion Video, 352x240, 29.97003fps (NTSC), 1150kbps Audio Stream: Audio Standard MPEG layer2 Stereo, 44100Hz, 229376bps Disc 1: (29:48; 371MB) Disc 2: (43:23: 433MB) Concert film by John Norris, Sam Field, and Phil DeGuere Loosely shot, this 100-minute film captures an incredibly youthful Grateful Dead playing outdoors at a creamery benefit in Veneta, Oregon. Mpegs downloaded from JBgoode's ftp server (thanks Ken!). Text, md5 check sum and seeding to FurthurNet by MattMan. Peace. October 2003. The following text is from http://www.sfherald.com/columnists/capozzola/capozzola08.html "In sitting down to watch 'Sunshine Daydream,' one gets a sense of revisiting history. Because this was an era of unprecedented accessibility, the Canis Major crew were able to station their cameras squarely on the wings of the stage, mere feet from the band. The resulting footage allows the viewer to stand almost shoulder-to-shoulder with a very young Bob Weir, age 25, strumming a cherry-red hollow-body guitar; a bushy-haired Phil Lesh, dressed more like a surfer than a bassist, and belting unexpected harmony vocals; a fuzzily bearded Garcia, age 30, smiling, not a gray hair in sight; and, a tough-looking Bill Kreutzman, sitting squatly on his drum stool, chewing gum and wearing a railroad conductor's cap. Where most Dead fans only witnessed these musicians 20 years later, and from the remote mezzanine deck of a Checkerdome-Enormodome-Superstadium, here suddenly is Garcia's boot tapping on a rusty foot pedal, Phil Lesh leaping in front of Kreutzman during a jazzy drums and bass solo, and Bob Weir stepping timidly to the microphone after a long, haunting jam. One can only speculate on just how psychedelically engaged Norris, Field, and DeGuere (along with third cameraman Lou Melson, and sound man Charlie Barreca) were as they recordeded the day's proceedings. The concert itself was organized by Ken Kesey and the Merry Pranksters, which helped to ensure a day of genuine acid craziness. But shot with synchronized, handheld cameras, the Canis Major team succeeded in capturing both the blissful playing of the musicians and the general ecstasy of the audience. The camera eye becomes almost a running commentary of the respective filmmakers' interior monologues. A close-up of Garcia's leather boot stepping on a wah-wah pedal jumps suddenly to a Christ-like figure perched precariously on a wooden pole above the stage. The camera tracks the fellow as he dances rabidly above the music, then cuts to two women walking a child behind the stage. A dog runs past them. Suddenly the music changes gears and the camera swings back to the stage, to blonde-haired Phil Lesh at the precise moment he strums a booming chord on his bass. And then the other camera takes over, offering Bob Weir baring his teeth and straining to sing a high note as he chops harsh chords on his guitar. Weir falls backward as Garcia begins to solo and the camera suddenly jumps again to a topless girl dancing nearby in the tall grass. Such chaotic filming succeeds precisely because of its extemporaneous nature. Almost accidentally, it captures the day's events in whirlwind fashion, fortuitously recording all the peripheral "noise" of the festival. In editing the film, DeGuere, Norris, and Field wisely provided some breathing room, interspersing performance clips with vintage moments of Kesey and the Pranksters. Additional background footage delivers candid shots of the festival's organizers as they try to cope with a water shortage amidst the day's 100-degree heat. The camera pans to crowds of men and women sharing plastic jugs of water. Overdubbed walkie-talkie chatter reveals the stage crew trying to bring in a fire truck to hose down the crowd. In true Deadhead spirit, the film preserves an event that seem awfully remote in today's world of cable TV, Internet ticketing, and heavily policed gatherings. Early in the movie, an eager crew can be seen building a simple wooden stage. No cops, no security force trolling the grounds. No bags being searched, no one ejected for cigarette smoking. What one witnesses as the movie gets underway is 30,000 folks raving about in a big, sunny meadow while the local band plays on a hastily erected platform. Two flinty piles of amplifiers broadcast loud rock 'n roll out to the countryside. Amidst such casual planning, it seems forgivable that the festival's organizers forgot to incorporate stage lights. Providentially, this lack of concert lighting works to stunning effect later in the film. As the sun sets, and a cool breeze settles on the day's revelry, Garcia can be faintly seen crooning the plaintive "Sing Me Back Home," a mere silhouette of dark hair and beard against the gathering dusk. Such a pastoral scene, of dogs and babies and children eating ice cream, hearkens back to a bygone era. 'Sunshine Daydream' never lectures, though, never complains that such days have passed. But in its quick cuts to footage of the Merry Pranksters, and their 1964 bus slogan "A vote for Barry [Goldwater] is a vote for fun," one sees the timeless political viability of street theater. And cutting back to the Dead in blazing performance, one is reminded that the most essential American liberty is freedom of expression."
Marty Peterson (0/0) cdr / 3 A+ View   DAT Sbd
Chris (0/0) shn / 3 View  
Chris (0/0) mpeg / 2 View   Video Stream: Motion Video, 352x240, 29.97003fps (NTSC), 1150kbps/Audio Stream: Audio Standard...
Jeff Straw (0/0) / 0 View  
Matt (0/0) Shn / 0 View   SBD
Notes: Archive 056, 72-08-27.sbd.shnf
RonMexico (0/0) SHN / CD-R / 0 View   Bertha Remaster of the Braverman/Dank 16 track source....
Notes: Grateful Dead 8-27-1972 (Discs: CDA-3/SHN-2) Old Renaissance Faire Grounds Veneta OR (Benefit for Springfield Creamery) Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels) Set1 d1t01-Intro d1t02-Promised Land d1i03-Sugaree d1t04-Me & My Uncle d1t05-Deal d1t06-Black Throated Wind d1t07-China Cat Sunflower >> d1t08-I Know You Rider d1t09-Mexicali Blues d1t10-Bertha Set2 d2t01-Playin' In The Band d2t02-He's Gone d2t03-Jack Straw d2t04-Bird Song d2t05-Greatest Story Set3 d3t01-Dark Star >> d3t02-El Paso d3t03-Sing Me Back Home d3t04-Sugar Magnolia Encore d3t05-Casey Jones d3t06-Saturday Night d3t07-Closing Banter Notes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on January 4, 2004. Thanks to Peter Braverman for his fine work. From the Braverman text file and prior to Bertha Remastering: Source: SBD>16 Track Master Reels>[email protected]>DAT>DAT>WAV>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f (see error logs below) WAV was edited in Soundforge 4.0 (crossfading of reel cuts between songs, no music was disturbed except for Sugar Magnolia) WAV>SHN via CDWAV 1.53>MKW 0.97b The songs from the reels were originally edited down to DAT very tightly, almost no banter is present in this version. Known Flaws: the first few notes of Sugar Magnolia were missing and were patched in from the circulating Gans CD source. The following spots were edited using pencil tool in Soundforge (small bits of analog static removed): d1t1, 2:18 - left channel click - smoothed, still slightly audible d1t1, 2:20-2:23 - left channel static - smoothed, still slightly audible d1t06, 2:12 - pop - fixed d2t01, 14:28 - right channel crackle - fixed d2t05, 3:37 - right channel click - fixed d2t05, 4:13 right channel click - fixed d2t05, 04:18 - right channel static - smoothed, still audible d2t05, 04:45 - right channel static - fixed d2t05, 04:00-05:00 - some other static, smoothed, but still audible d2t05, 5:05 - right channel click- still slightly audible d3t01, 0:28 - two right channel clicks - fixed d3t01, 0:38 - right channel click - fixed d3t01, 8:06, 8:11 - right channel crackles - fixed d3t01, 26:29 - right channel click - fixed There are a few other minor analog anomalies that were left alone: d1t01, 2:02 click in right channel d1t01, 2:26 slight pop d1t07, 3:48 click d2t01, 6:00 faint click d2t04, 10:12 pop d2t05, 3:36 click d2t05, 3:42 click d3t01, 28:24 click d3t04, 5:10-7:50 intermittent analog buzzing in right channel There's probably some more to be found, however, all are quite minor Reel>DAT transfer by Dick Latvala DAT clone supplied by Rob Eaton, 6/2001 DAT>SHN by Jamie Lutch, 6/2001
RonMexico (0/0) FLAC / CD-R / 0 View   SBD> 16 Track Master Reels> [email protected]> DAT> DAT> WAV> SHN; Banter between songs...
Notes: The newest and greatest version (ha), seeded 10/7/01. This seed combines the 16-track master reel (so-called "dank") source with the between-song banter that was edited out of it. The splices should be, with one or two exceptions, inaudible. Full text file to follow. pb ([email protected]) Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN Here's the dank text file: Grateful Dead August 27, 1972 Old Renaissance Faire Grounds Veneta, OR Benefit for Springfield Creamery Disc 1 47:55 -Set I- 1. Promised Land 03:06 2. Sugaree 07:13 3. Me & My Uncle 03:04 4. Deal 04:41 5. Black Throated Wind 06:31 6. China Cat Sunflower> 07:56 7. I Know You Rider 06:02 8. Mexicali Blues 03:35 9. Bertha 05:44 Disc 2 50:18 -Set II- 1. Playin 18:40 2. He's Gone 08:49 3. Jack Straw 04:59 4. Bird Song 12:19 5. Greatest Story 05:33 Disc 3 65:57 -Set III- 1. Dark Star> 31:26 2. El Paso 04:39 3. Sing Me Back Home 10:29 4. Sugar Magnolia 08:33 5. E1: Casey Jones 06:08 6. E2: Saturday Night 04:41 Source: SBD>16 Track Master Reels>[email protected]>DAT>DAT>WAV>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f (see error logs below) WAV was edited in Soundforge 4.0 (crossfading of reel cuts between songs, no music was disturbed except for Sugar Magnolia) WAV>SHN via CDWAV 1.53>MKW 0.97b The songs from the reels were originally edited down to DAT very tightly, almost no banter is present in this version. Known Flaws: the first few notes of Sugar Magnolia were missing and were patched in from the circulating Gans CD source. The following spots were edited using pencil tool in Soundforge (small bits of analog static removed): d1t1, 2:18 - left channel click - smoothed, still slightly audible d1t1, 2:20-2:23 - left channel static - smoothed, still slightly audible d1t06, 2:12 - pop - fixed d2t01, 14:28 - right channel crackle - fixed d2t05, 3:37 - right channel click - fixed d2t05, 4:13 right channel click - fixed d2t05, 04:18 - right channel static - smoothed, still audible d2t05, 04:45 - right channel static - fixed d2t05, 04:00-05:00 - some other static, smoothed, but still audible d2t05, 5:05 - right channel click- still slightly audible d3t01, 0:28 - two right channel clicks - fixed d3t01, 0:38 - right channel click - fixed d3t01, 8:06, 8:11 - right channel crackles - fixed d3t01, 26:29 - right channel click - fixed There are a few other minor analog anomalies that were left alone: d1t01, 2:02 click in right channel d1t01, 2:26 slight pop d1t07, 3:48 click d2t01, 6:00 faint click d2t04, 10:12 pop d2t05, 3:36 click d2t05, 3:42 click d3t01, 28:24 click d3t04, 5:10-7:50 intermittent analog buzzing in right channel There's probably some more to be found, however, all are quite minor Reel>DAT transfer by Dick Latvala DAT clone supplied by Rob Eaton, 6/2001 DAT>SHN by Jamie Lutch, 6/2001 ------------------------ DAT transfer error logs: ------------------------ each of the two source dats were extracted twice and compared using EAC's wav compare feature DAT1: wav 1: 117 missing samples 0:27:21.540 wav 2: 0:00:00.003 longer (wav 2 used for this shn archive, extraneous samples at 27:21.540 deleted, not audible) DAT2: wav 1: 363 missing samples 0:58:45.741 wav 2: 363 missing samples 0:30:15.591 (wav 1 used for this shn archive, questionable spot at 58:45 was checked, no audible errors exist) ----------------------- ____________________________________________________________________________ *Dankseed Certification received 01-07-03* and posted at http://groups.yahoo.com/group/dankseeds/files/gd72-08-27/ Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO
Chris Dohman (0/0) cdr / 3 A View   SBD
Adam (0/0) dvd / 1 View  
Havanos (0/0) cdr / 3 A+ A View   sbd
craig (0/0) / 0 View  
Holden Oversoul (0/0) / 4 View  
Notes: CDR SBD
Holden Oversoul (0/0) / 1 View  
Notes: DVD PRO. "Sunshine Daydream"
PhishArchive (0/0) DVD / 2 View  
Justin Edgar (/0) CDR / 3 A A View   DSBD
andrew singer (/5) CD-R / 3 View  
Notes: ... Yancy Funk ...
Knottedroot (/0) cdr / 3 View  
Andrew Noyce (/0) cdr / 3 goo View   SBDMRDAT(44.1kHz)CDR