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Set I
Hideaway $
Touch Of Grey
New Minglewood Blues
Ramble On Rose
Box Of Rain
Dire Wolf
When I Paint My Masterpiece
Row Jimmy
Cassidy
Deal
Touch Of Grey
New Minglewood Blues
Ramble On Rose
Box Of Rain
Dire Wolf
When I Paint My Masterpiece
Row Jimmy
Cassidy
Deal
Set II
Scarlet Begonias >
Hell In A Bucket *
Ship Of Fools *
Estimated Prophet > *
Eyes Of The World > *
Drums >
Space >
Truckin' > *
The Other One > *
Morning Dew > *
Turn On Your Lovelight *
Encore:
Brokedown Palace *
Hell In A Bucket *
Ship Of Fools *
Estimated Prophet > *
Eyes Of The World > *
Drums >
Space >
Truckin' > *
The Other One > *
Morning Dew > *
Turn On Your Lovelight *
Encore:
Brokedown Palace *
Set III
Comment
Pay Per View video broadcast
National FM broadcast
Last time played and first performance since November 7, 1971 $
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Clarence Clemons - Saxophone *
National FM broadcast
Last time played and first performance since November 7, 1971 $
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Clarence Clemons - Saxophone *
Last Changed By
J
Sources
(4603) View Source
View Archive
Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source)
(16888) View Source
View Archive
Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki
(83718) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(123383) View Source
View Archive
flac16; Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
(127418) View Source
View Archive
flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
(138342) View Source
View Archive
flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
(142379) View Source
View Archive
flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
(4603) View Source
View Archive Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source)
(16888) View Source
View Archive Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki
(83718) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(123383) View Source
View Archive flac16; Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
(127418) View Source
View Archive flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
(138342) View Source
View Archive flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
(142379) View Source
View Archive flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Jay (2/0) | CD-R / 3 | View | Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital... | |||
| stopgo1013 (2/0) | VHS / 1 | View | ||||
| TJay (2/5) | cdr / 3 | A+ | A+ | View | Digital PPV Feed > Master VHS>DAT>CDR>EAC <cdr | |
| Notes: | End of Encore: Brokedown Palace cuts | |||||
| Sam Carver (2/0) | mpg / 3 | View | ||||
| Notes: | [hdd1] | |||||
| brian (2/0) | VCD / 3 | View | ||||
| Mark Zornow (2/5) | cdr / 3 | A | View | 4603 | see shn link | |
| bobbyandjerry (2/0) | SHN / 2 | View | Digital PPV feed>Master VHS>Dan Sisler's 1st-gen professionally dubbed VHS>DAT | |||
| Kevin Tobin (2/0) | DVD / 3 | View | see notes | |||
| Notes: | SOURCE Video: NATIONAL PAY-PER-VIEW BROADCAST > VHS Copy from broadcast > JVC HR-S39OOU > Canopus ACEDVio Capture Card > Ulead Videostudio version 7 > DVD or VCD Audio: NATIONAL PAY-PER-VIEW BROADCAST **THIS IS NOT THE FM OR TV BROADCAST SOURCE** > Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended) > Cool Edit Pro > Video Audio transfers by Vern White <[email protected]> April 2003 Note: After capturing the video on to my computer, the FM soundtrack (from the video) was exported and then loaded into Cool Edit Pro along with a copy of the sbd audio. Then, an unique note at approximately 1 minute intervals on the video soundtrack was found and matched to the same note from the sbd. Some minor modification (ie stretching or shrinking) to the length of these segment was required in order for the sbd to flawlessly match the captured video. The original video FM track was then muted and the sbd tracks imported as background music prior to rendering the video file as a vcd. The video was captured at 720x480 resolution (DVD) at 4500bits\sec to create the original mpeg2 file. Takes (3) dvds. | |||||
| Tripp Wojohn (2/0) | SHN / 2 | View | SBD> ???>DAT>Wavelab>shn | |||
| Carter (1/5) | CDR / 3 | A | A | View | ||
| Charlie Yohe (1/5) | CDR / 3 | View | 83718 | |||
| Rick Childs (1/4.9) | CDR / 3 | A+ | A++ | View | 16888 | |
| David (1/5) | DVD / 2 | A | View | PRO | ||
| forgottenspace (1/4.5) | DVD / 2 | View | Video: National Pay-per-view broadcast / Audio: Satellite uplink>Houston Tracker 8+ C-Band... | |||
| Gary Field (1/5) | SHN / 2 | View | 16888 | FM | ||
| Notes: | Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended) Tracks split using CDWAV; all sector boundaries verified using SHNtool no edits were performed on the original broadcast source | |||||
| Gary Field (1/5) | SHN / 2 | View | 4603 | FM | ||
| Notes: | Source: Digital PPV feed>Master VHS>Dan Sisler's 1st-gen professionally dubbed VHS>DAT transfer by Sisler (Sony PCM R-500 via SBM)>CDR transfer by Kevin Gills on Alesis Masterlink>CDR>CDR>EAC (Secure Mode, Test and Copy)>SHN | |||||
| Gary Field (1/5) | FLAC / 2 | View | 83718 | SBD | ||
| Notes: | Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 [070416.1] | |||||
| Gary Field (1/5) | 142379 / 0 | View | 142379 | |||
| Gary Field (1/5) | 123383 / 2 | View | 123383 | SBD | ||
| Notes: | Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8) [130120.wd002] | |||||
| Gary Field (1/5) | 127418 / 2 | View | 127418 | AUD | ||
| Notes: | Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller [140510.wd002] | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 4603 | |||
| Notes: | Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 16888 | |||
| Notes: | Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended) | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 83718 | |||
| Notes: | SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| phil (1/5) | flac / 0 | a | View | 83718 | sbd>cd | |
| Notes: | Charlie miller. | |||||
| Jim O'Brien (1/4.9) | CDR / 3 | A | A | View | SBD | |
| Notes: | BROKE DOWN IS CUT MISSING S/D. | |||||
| Warren (1/5) | DVD / 2 | View | ||||
| Ed Izsak (1/5) | CDR / 2 | A | View | FM | ||
| Boedi-taper (1/4.8) | CDR / 3 | A | A | View | flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony... | |
| newgrass (1/0) | vhs / 2 | A+ | A+ | View | sbd | |
| Brian C (1/4.7) | SHN / 2 | A | A | View | sbd | |
| Notes: | w/mw 4/26/80 | |||||