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Phish 12/30/94
Madison Square Garden, New York, NY
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Set I
Wilson->Rift, AC/DC Bag, Sparkle, Simple, Stash, Fee->Scent of a Mule, Cavern
Set II
Sample in a Jar, Poor Heart->Tweezer, I'm Blue I'm Lonesome*, You Enjoy Myself, Purple Rain->HYHU, Harry Hood, Tweezer Reprise, (encore) Frankenstein
Set III
 
Comment
*Acoustic; This show was described as Page's peak experience with Phish in an Entertainment Weekly article. Note this is the "later show" on this date. The earlier-in-day Letterman taping is also listed in this db- if you want to list the "Late Show with Letterman" gig, use this link.
Last Changed By Hamilton, Greg & Diana
Sources
(2086) View Source   
purported SBD/Aud matrix > cass/0 > DAT (see info file for more details); Seed provided by Mark Oppenlander; SHN conversion by Jason Fritz; Retracking and editing by Mike Wren
(7805) View Source   
flac16, 44kHz; (FOB/ORTF) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Apogee AD-500e > Sony TCD-D10; Sony PCM-r500 > Sek'd Prodif Plus > Soundforge > CDWave > FLAC; Source by Eliot Byron; Transfer by Jim Raras
(32559) View Source   
AKG 460B/ck61 > custom pre-amp > Teac DAP-20 > Casio DAT deck @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel
(134030) View Source   
flac16, 48kHz; Sennheiser k3u/me80's > Sony TCD-D10 > Sony TCD-D7 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by unknown; Patch DAT(m) provided by Bill Shaw; Transfer by Terry Watts
(138834) View Source   
flac16 44.1khz Set 1 only. Source: SBD > C0 > DAT. Transfer: Archive PYTHON > vDAT > Audacity > CDWave > xAct > Flac. Seeded to Etree 7/2017 by Rusty
(138842) View Source   
flac16 48khz Source: Set 1 only. SBD > C0 > DAT. Transfer: Archive PYTHON > vDAT > Audacity > CDWave > xAct > Flac. Seeded to Etree 7/2017 by Rusty
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
sparki (3/4) / 0 View  
David Bolles (3/5) SHN / 2 View   purported SBD/Aud matrix (questionable)> cass/0 > DAT CD-R > EAC > SHN v3
Jarrod Smith (3/0) AUD / 2 A View  
shawn (3/5) / 0 View 2086
Arizona Joe (3/0) CDR / 2 B+ B+ View  
Lizz (3/0) CD-R / 2 A A View  
Scott Kitchens (3/0) SHN / 2 A A View   SBD/Aud matrix > cass/0 > DAT
Notes: Page's "Peak Experience with Phish".
Stephen Yip (3/0) CDR / 3 View  
George (3/0) shn / 2 View 2086
@dam (3/5) CDR / 2 A A View   N/A
Notes: According to an Entertainment Weekly article, this is Page's most memorable show.
Daniel (3/0) CDR / 2 A A View   SBD/Aud matrix > cass/0 > DAT (as noted at http://www.freedumb.net/sbd/sbdlist.html),...
Notes: *** Tracking Notes: Note that as tracked, disc 2 requires an 80 minute disc. You may move Harry Hood and Tweezer Reprise to disc 3 if you wish to use 74 minute discs. I choose to use an 80 minute CD-R for disc 2 to maintain the consistancy of the second set (and since it times out so darn perfect for an 80 minute disc!) *** General Notes: This source is a purported SBD/Aud matrix > cass/0 > DAT (as noted at http://www.freedumb.net/sbd/sbdlist.html), however this lineage is questionable. There is a cut at 45:07 in the first set, however this sounds like a DAT cut or digi dropout, as opposed to an analog tape flip (I left this cut as it existed from the original DAE, rather than editing, because it occurs during a song (Scent of a Mule). Another reason I question the analog generation is because there is zero perceptible analog hiss anywhere in this recording. Also, analog tapes tend to stretch as they are used, and people usually get between 46 and 48 minutes per side of a 90 minute tape. 45:07 is considered an odd place for an analog flip to occur. Also, there is no noticeable cut at around the 90 minute mark in the show (where the next tape flip should occur). As for my skepticism for the SBD/AUD matrix, there are moments when I would swear this source is true, however the noticeable echo and reverb normally associated with audience tapes from indoor arenas (MSG in this case) is quite noticible. If this is not an SBD/Aud Matrix, this source would likely be an FOB, since the audio presence is very "up front." There is a well circulated FOB Schoeps CMC3/mk4 source from 12/29/94. This 12/30/94 source may very well be from the same rig and taper, however this is pure speculation. *** Editing Notes: Removed cut at the end of Poor Heart (this was at the 63:13 mark in the show, probably from the original DAT > CD conversion since the next track (Tweezer) is over 21 minutes in length, and thus would put the total disc time over 74 minutes. Removed a .5 second skip at the end of Poor Heart, probably a DAE artifact since this would be at the end of the CD-R that was EAC-ed. Removed the fade and cut between YEM and Purple Rain (end of disc 2 on the original DAE) Removed the cut during the crowd noise between Tweezer Reprise and Frankenstein (79:16). This cut sounds as if it came from the master DAT (perhaps the taper stopped his/her deck between set II and the encore). --- Mike Wren, 11/30/00
Paul Birdsall (3/4) shn / 3 View 2086 sbd/aud matrix
Notes: sbd/aud matrix
Seth Weinglass (3/0) CD-R / 2 A- View  
Shawn (3/0) CDR / 3 View 2086
Forty-two (3/0) CD / 3 View  
Rin (3/0) / 0 View  
Drew (3/0) CD-R / 3 View  
Notes: All
Spencer Cunningham (3/0) cdr / 2 View  
Jeff (3/5) CDR / 2 View  
gruven42 (2/4.7) CDR / 3 A View 2086 Aud > cass/0 > DAT; CD-R > EAC > SHN v3
Notes: Purported SBD matrix, but definitely an AUD
gruven42 (2/4.7) DVD / 2 View   Video: Unknown gen vhs > Vegas 5.0 > mpeg [VBR - average 7,000kbps] > DVD lab pro;...
Eric H. (2/5) CDR / 2 A View  
Notes: SNB>DAT>CDR
Lost Sailor (2/0) Flac / 0 View 7805 flac16, 44kHz; (FOB/ORTF) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Apogee AD-500e >...
Lost Sailor (2/0) Flac / 0 View 134030 flac16, 48kHz; Sennheiser k3u/me80's > Sony TCD-D10 > Sony TCD-D7 > DAT(m); DAT(m) > Sony...
Brian DeLong (2/5) SHN / 2 View 2086 AUD
Joaquin Villaverde (2/5) aud / 2 View  
Joe Breault (2/0) cdr / 2 View  
Michael McMullan (2/5) CDR/SHN / 3 A- View 2086 Aud
john florek (2/5) shn / 0 View   SBD\AUD(Matrix) -> ? -> Original Silvers -> Eac(secure) -> Wav -> SHN
Notes: Liberated Boot - Vice Grip Records
Amy Booth & Jim Himmelein (2/3) DVD / 0 View  
Notes: Video: Unknown gen vhs > Vegas 5.0 > mpeg @ 8227 kbps CBR > DVD lab pro SYS; Bitrate: 10080 kb/s, VBR 720x480 4:3 aspect ratio, NTSC 29.97 FPS

Audio: SBD\AUD(Matrix) -> ? -> Original Silvers -> Eac(secure) -> Wav -> SHN > 48k PCM wav (1536 kb/s)