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Grateful Dead 03/01/69
Fillmore West, San Francisco, CA
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Set I
Cryptical Envelopment-> The Other One-> Cryptical Envelopment-> New Potato Caboose-> Doin' That Rag-> Cosmic Charlie
Set II
Dupree's Diamond Blues-> Mountains Of The Moon, Dark Star, Saint Stephen-> The Eleven-> Turn On Your Lovelight, E: Hey Jude
Set III
 
Comment
Other artist(s): GD; Pentangle; Sir Douglas Quintet
Last Changed By Hamilton, Greg & Diana
Sources
(60) View Source    View Archive
revised source info: SBD> cass master > 1 cass > DAT> ZA2> Soundforge> SHN; transfer by R. Nayfield; reel flip beginning Lovelight; 5/01 note upgrade now in circulation
(4030) View Source    View Archive
SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning
(9391) View Source    View Archive
Jay Ashley (Bertha) remaster of previous multi-track source; SBD>>MTMR>>DAT>>CDA>>DAW(Bertha)>>CDA
(13584) View Source    View Archive
SBD > DUAL RTR DECKS AT 15 I.P.S. > LESH DIGITAL MIXDOWN IN 1998 > MCS D > SSSB (Jay Serafin remaster)
(132657) View Source    View Archive
flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape- Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO(Mine); Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some Pitch Correction Implemented
(138788) View Source    View Archive
flac16/48kHz; SBD > 2-track Master Reels > Dat; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Joe Noel Edited & Mastered in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT
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User (active/rating) Media / # Show Sound Details DB Source User Source
Cardz024 (5/5) CDR / 2 A A View  
Dewey (5/0) CDR / 2 View  
Mike Stocks (5/0) / 2 TBD View   MSR>C>C>CD.
Notes: Comment: Other artist(s): GD; Pentangle; Sir Douglas Quintet
Bill (5/4) SHN / 1 View   SBD
Notes: *Audio=3 discs*
Scott W (5/0) / 0 View  
Todd (5/0) 2 SHN / 0 View   SBD
Vern Suter (5/1) shn / 2 View 4030
sidmathur (5/0) SHN / 2 A View 4030 16-Track Master Reel > DAT > DAT > CD > EAC > SHN
mjlaurent (5/4.7) cd / 3 View   sbd
Tom Buder (5/5) shn / 2 View   SBD
Notes: Known flaws: Light static of unknown origin on the last thirty seconds of Dark Star(22:52.611-23:22.480) > the first twenty five seconds of St. Stephen(0:00.000-0:25.467) Splice in Lovelight cuts at 0:17.815 on the master. A 0:01.355 silent gap after the splice was removed as well as a 0:00.300 segment prior to the splice in order to create a better flow from the splice > the section in which the selection continues. The start of Lovelight through to the splice was normalised +7.5db to better match the flow of the selection up to the splice with the segment in which the selection continues. The Lovelight cut is on ALL known sources. One possible suggested explanation for this is the possibility of a temporary power outage common to the areas where the various taping equipment setups were located. Sounds like a logical explanation for a bizarre happening! Anyway, it seems to have been only a couple of minutes (if anything) that were effected here. Various segments of tunings and onstage banter prior to the Bill Graham intros and the Hey Jude encore have been cut from the multi-track source. These were subsequently spliced in from the alternate sources noted below. The following alternate sources were used in editing the multi-track source: 1. SBD > Cassette Master > C > DAT > ZA2 > WAVs >SHN > CDR > DAT > WAV 2. SBD > 2-Track MSR > D > D > D > D > CD 3. SBD > 16-Track MSR > C2 > DAT > CD Alternate source info for spliced portions: 0:59.372 seconds of pre-Bill Graham Set One intro tuning: 2-Track MSR > D > D > D > D > CD 0:31.200 seconds of pre-Bill Graham Set Two intro tuning: 2-Track MSR > D > D > D > D > CD 2:26.538 seconds of pre-encore stage banter: 2-Track MSR > D > D > D > D > CD 3:32.318 seconds of pre-encore stage banter: Cassette Master > C > DAT > ZA2 > WAVs >SHN > CDR > DAT > WAV The majority of the show was re-tracked after completing the above edits.
Ahreno (5/0) CDR / 2 View 4030
Neil Blankenship (5/5) CDR / 2 View   SBD>16-Track MR>DAT(2)>CDR>EAC>SHN>mkw.WAV File...
Eric Van Cott (5/0) SHN / 1 View 13584 SBD > DUAL 16-TRACK RTR @ 15 I.P.S. > 2-TRACK LESH VAULT MIXDOWN D > MCS D > SSSB
Notes: SBD > DUAL 16-TRACK RTR @ 15 I.P.S. > 2-TRACK LESH VAULT MIXDOWN D > MCS D > SSSB
Matt Kosakowski (5/0) CDR / 3 View  
doubleA (5/0) / 0 View  
Jake (5/2.3) cdr / 2 View  
Jeff Courouleau (5/0) CD-R / 3 A/A View   1st set = 2 track sbd, 2nd set = multitrack sbd
Notes: 03/01/69 Fillmore West - San Francisco, CA Set 1: Cryptical Envelopement > The Other One > Cryptical Envelopement > New Potato Caboose > Doin' That Rag > Cosmic Charlie Set 2: Dupree's Diamond Blues > Mountains Of The Moon, Dark Star, Saint Stephen > The Eleven > Turn On Your Love Light, E: Hey Jude NOTE: Set I is A, Set II is A+, for quality. comes from set II being 16 track.
curtis ewing (5/0) shn / 2 View 4030
mjlaurent (5/4.7) cd / 2 View 4030 sbd
Chris Locashio (5/0) CDR / 2 A View   SBD
Jake Laughlin (5/0) shn / 1 View  
Dennis Fernandes (5/0) / 0 A B View  
Super Freak (5/0) CDR(DAO) / 2 A View   sbd
Super Freak (5/0) CDR(DAO) / 2 A View   sbd
Kevin (5/0) SHN / 1 View  
HIGHnoon (5/0) SHN / 0 View 4030
HIGHnoon (5/0) SHN / 0 View 9391
mike (5/0) shn / 2 A View   16-Track Master Reel > DAT > DAT > CD >
Notes: 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD
Michael Shilling (4/5) CDR / 2 A- View 9391
Notes: The is the Bertha Re-Master Officially Released as part of "Fillmore West 1969: Complete Recordings". The show was mixed down in 1998 from multi-track by Phil Lesh. Show is outstanding, from the time first few notes of Crytical Envelopement thunder into your eardrums, till the surprise Hey Jude finale the Boys don't let up, and they don't disappoint -> A top shelf version of virtually every song played.
Chris Masciangelo (4/4) CDR / 2 View